| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Gardenour Walter, Brenda S. |
Through the Looking Glass Darkly: Medievalism, Satanism, and the Dark Illumination of the Self in the Aesthetics of Black Metal |
2015 |
Helvete: A Journal of Black Metal Theory |
2 |
13-27 |
|
|
|
Gardenour Walter, Brenda S. |
Satanic Bowels: Medieval Inversion and the Black Metal Grotesque |
2019 |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
|
171-180 |
|
|
|
Gonzalez, Rafael Emmanuel |
Woodland cathedral: Cascadian black metal and implicit religion |
2015 |
|
|
|
|
|
|
Goodrick-Clarke, Nicholas |
White Noise and Black Metal |
2003 |
Black Sun: Aryan Cults, Esoteric Nazism, and the Politics of Identity |
|
193-212 |
|
|
|
Granholm, Kennet |
Ritual Black Metal: Popular Music as Occult Mediation and Practice |
2013 |
Correspondences |
1 |
5-33 |
|
|
|
Granholm, Kennet |
“Sons of Northern Darkness”: Heathen Influences in Black Metal and Neofolk Music |
2011 |
Numen |
58 |
514-544 |
|
|
|
Grünwald, Jan G. |
Male spaces: Bildinszenierungen archaischer Männlicheiten im Black Metal |
2012 |
|
|
|
|
|
|
Gulden, Tore; Sjøvoll, Vibeke; Berg, Arild; Hjort af Ornäs, Viktor |
What Is Black In Black Metal? Elucidating The Darkness In Album Covers Thrugh Panofsky’S Picture Analysis |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
483-493 |
|
|
|
Guudrath, Alexandre |
Anthologie du black metal 1: In girum imus nocte et consumimur igni |
2012 |
|
|
|
|
|
|
Guudrath, Alexandre |
Anthologie du black metal 2: Usque ad sideras et usque ad infernos |
2012 |
|
|
|
|
