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Author  |
Makkonen, Markus; Strömsholm, Kim |
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Title |
Rotting Ways to Misery: The History of Finnish Death Metal (U.S. Edition) |
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2022 |
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364 |
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Decibel Books proudly presents Rotting Ways to Misery: The History of Finnish Death Metal. The definitive guide to the magical and morbid world of Finnish death metal, has been completely redesigned and edited for a North American release! Authors Markus Makkonen and Kim Strömsholm explore the extreme metal and thrash scenes of late ’80s, the short-lived but explosive scene of the early ’90s and the eventual devastating resurgence of death metal within the country. Limited to 1,000 copies. 364 pages, hardcover. Includes previously unpublished photos and exclusive interviews with artists. |
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dB Books |
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English |
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INTech @ brianhickam2019 @ |
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2276 |
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Author |
Mattson, Douglas |
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Title |
Att välja blasfemi. Blasfemisk identitet i turkisk svartmetal [Choosing blasphemy. Blasphemous identity in Turkish black metal] |
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2022 |
Publication |
Blasfemi, heresi, kätteri, apostasi |
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119-131 |
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Blasphemy; Turkey; Non-Western scenes; Black metal |
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Svenska Forskningsinstitutet i Istanbul & Föreningen Svenska Istanbulinstitutets Vänner |
Place of Publication |
Istambul |
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Sorgenfrei, Simon; Mattson, Douglas |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2395 |
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Author |
Mendoza, Boris |
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Title |
El underground Boliviano de los Andes y su resonancia identitaria en la política pública de del siglo XXI |
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Book Chapter |
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Year |
2022 |
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El Tejido de las cuerdas disonantes del metal en Bolivia: Análisis descriptivo e histórico del under boliviano |
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33-56 |
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Bolivia; Identity; Politics |
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Ediciones Jichha |
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La Paz |
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Tapia, Reynaldo; Mendoza, Boris |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2483 |
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Author |
Miranda Bonilla, Sergio |
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Title |
TENSIONES NORTE-SUR EN LOS ESTUDIOS DE METAL. DISCURSOS COMO FORMA DE INTERVENCIÓN, VISIBILIZACIÓN Y DENUNCIA A PARTIR DE UNA GUERRA INTERMINABLE |
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Journal Article |
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Year |
2022 |
Publication |
Metal de Habla Hispana |
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1 |
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105-107 |
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Metal Studies; Global North; Global South |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2509 |
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Author |
Montesinos, Omar |
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Title |
Cuero y metal: Memorias del underground paceño |
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Book Chapter |
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Year |
2022 |
Publication |
El Tejido de las cuerdas disonantes del metal en Bolivia: Análisis descriptivo e histórico del under boliviano |
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Pages |
57-74 |
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Keywords |
Music History; Bolivia; La Paz; Underground |
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Ediciones Jichha |
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La Paz |
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Tapia, Reynaldo; Mendoza, Boris |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2484 |
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Author |
Muniesa, Mariano |
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Title |
HEAVY METAL. UNA GUERRA QUE NO GANAREMOS SOLOS |
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Journal Article |
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Year |
2022 |
Publication |
Metal de Habla Hispana |
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Volume |
1 |
Issue |
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Pages |
23-29 |
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Music History |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2499 |
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Author |
Nenadalová, Jana; Menšíková, Tereza |
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Title |
“Metal Studies in Central/Eastern Europe: 1st (online) Workshop” on Extreme Music and its Academic Studies |
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Journal Article |
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Year |
2022 |
Publication |
Religio: Revue pro religionistiku |
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30 |
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1 |
Pages |
77-80 |
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Extreme metal; Conferences; Metal Studies |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2305 |
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Author |
Neplokh, Vassili |
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Title |
Metal som filmmusik i actionkomedi [Metal as Film Music in Action Comedy] |
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Book Whole |
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Year |
2022 |
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Keywords |
Cinema |
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Master's thesis |
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Publisher |
Högskolan Dalarna |
Place of Publication |
Falun |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2306 |
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Author |
Nevárez Araújo, Daniel; Varas-Díaz, Nelson |
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Title |
Lodes of Metal: The Texture and Sound of Memory in Latin American Heavy Metal Documentaries |
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Book Chapter |
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Year |
2022 |
Publication |
Music, Sound, and Documentary Film in the Global South |
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Pages |
89-112 |
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Keywords |
Latin America; Documentary films |
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Abstract |
Description of entire book:
“Music, Sound, and Documentary Film in the Global South, edited by Christopher L. Ballengee, represents an important step toward thinking about the production and analysis of the soundscapes of documentary film, all while exploring a range of social, cultural, technological, and theoretical questions relevant to current trends in Global South studies. Written by a diverse set of authors, including filmmakers, academics, and cultural critics, the ten essays in this book provide fresh evaluations of the place of music and sound in documentary films outside the European-American milieu. On the whole, the authors illuminate how the invention of documentary film was at first a product of the colonialist project.
Yet over time, access to filmmaking technologies led to the creation of documentary films relevant for local communities and national identities. In this sense, documentary film in the Global South might be broadly defined as a mode of personally or politically mediated storytelling that, by one route or another, has become a useful and recognizable means of memorializing traumatic histories and critiquing everyday lived experience. As the essays in this volume attest, close readings of documentary soundscapes provide fresh perspectives on ways of hearing and ways of being heard in the Global South.” (source: Lexington Books) |
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https://rowman.com/Action/SERIES/LEX/LEXEXSS |
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Lexington Books |
Place of Publication |
Lanham, Maryland |
Editor |
Ballengee, Christopher L. |
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Language |
English |
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Extreme Sounds Studies: Global Socio-Cultural Explorations |
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978-1-66690-295-2, 978-1-66690-296-9 |
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Hardback |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2521 |
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Author |
Núñez, Exequiel |
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Title |
No todo fue sangre y vísceras: el metal extremo en Argentina en la década de 1990 |
Type |
Magazine Article |
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Year |
2022 |
Publication |
Disonancias del metal: Reflexiones del 1er y 2do Encuentro Sociocultural sobre Heavy Metal: Heterogeneidades Metaleras |
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1 |
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1 |
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10-11 |
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Abstract |
Exequiel Nuñez (Morón, Buenos Aires, Argentina, 1972). Es profesor de Historia y de Geografía (UBA). En 1994, editó su primer fanzine, Tribal. En 1995, co-fundó el sello Stormsouls. A partir de 1997, fue redactor en las revistas Epopeya, Grinder (edición argentina), Maelström, Rock Brigade (versión en castellano), Requiem y actualmente colabora en Jedbangers. Desde 2016, lleva adelante la fanpage de Facebook La historia del metal extremo en Argentina.
Contacto: exequielmesmer@gmail.com
REEHM motto: Espacio interdisciplinario integrado por diverses actores sociales, les cuales nos proponemos la reflexión y el intercambio acerca del Heavy Metal y su cultura, partiendo del diálogo realizado desde la base de la horizontalidad y la heterogeneidad. |
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REEHM (Red De Estudios y Experiencias en y desde el Heavy Metal) |
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Autonomous City of Buenos Aires, Argentine Republic |
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español |
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ISSN |
2953-3805 |
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PDF |
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Notes |
https://www.facebook.com/reddeestudiosyexperienciasenydesdeelheavymetal/ |
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INTech @ brianhickam2019 @ |
Serial |
2374 |
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