| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Cárdenas Azuaje, Diana maría |
El metal en clave de género |
2022 |
Imaginación o Barbarie |
25 |
|
|
|
|
Cardwell, Thomas |
Still life and death metal: painting the battle jacket |
2017 |
|
|
|
|
|
|
Cardwell, Thomas |
Heavy Metal Armour: A Visual Study of Battle Jackets |
2022 |
|
|
|
|
|
|
Carew, Francis |
The Guitar Voice of Randy Rhoads |
2018 |
|
|
186 |
|
|
|
Carey, Joshua |
Pure fucking art: Self-harm and performance art in Per ‘Dead’ Ohlin’s musical legacy |
2023 |
Metal Music Studies |
9 |
101-118 |
|
|
|
Carmona Campo, Andrés |
Filosofía y heavy metal |
2021 |
|
|
|
|
|
|
Caron, J.-P. |
On the transcendental aesthetics of time stretching |
2017 |
Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism |
|
128-138 |
|
|
|
Carter, Molly |
Perchten and krampusse: living mask traditions in austria and bavaria |
2016 |
|
|
|
|
|
|
Cascone, Kim |
Transcendigital imagination. Developing organs of subtle perception |
2017 |
Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism |
|
28-35 |
|
|
|
Castañeda Maldonado, Mario Efraín |
The Transfiguration of the Deity Maximón as a Practice of Resistance in Metal from San Pedro Sacatepéquez, San Marcos, Guatemala |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
219-238 |
|
