| |
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Walser, Robert |
Running with the Devil: Power, Gender, and Madness in Heavy Metal Music |
1993 |
|
|
|
|
|
|
Greene, Paul |
Mixed messages: unsettled cosmopolitanisms in Nepali pop |
2001 |
Popular Music |
20 |
169-187 |
|
|
|
Berger, Harris M.; Fales, Cornelia |
”Heaviness” in the Perception of Heavy Metal Guitar Timbres: The Match of Perceptual and Acoustic Features |
2005 |
Wired for sound: engineering and technologies in sonic cultures |
|
181-197 |
|
|
|
Tolinski, Brad |
Speed Kills: A Thinking Man’s Guide to Thrash |
1989 |
Guitar World |
October |
|
|
|
|
Marshall, Wolf |
Music appreciation: Iron Maiden |
1989 |
Guitar for the Practicing Musician |
January |
|
|
|
|
Marshall, Wolf |
...And Justice for All |
1989 |
Guitar for the Practicing Musician |
June |
|
|
|
|
Aledort, Andy |
Thrashing It Out |
1988 |
Guitar for the Practicing Musician |
March |
|
|
|
|
Armington, Nick; Lofas, Lars |
The Genesis of Metal |
1990 |
Drums and Drumming |
August/September |
21-25; |
|
|
|
Walser, Robert |
Eruptions: Heavy metal appropriations of classical virtuosity |
1997 |
The subcultures reader |
|
459-472 |
|
|
|
Moore, Sarha |
Dissonance and dissidents: the flattened supertonic within and without of heavy metal music |
2010 |
Heavy fundametalisms: music, metal and politics |
|
127-140 |
|
