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Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
|
The stylistic history of heavy metal guitar |
2010 |
|
|
|
|
|
|
Araste, Lii |
Communication function in the Estonian metal subculture |
2010 |
Heavy fundametalisms: music, metal and politics |
|
103-109 |
|
|
|
Artwood, Dave |
Iron Maiden: British metal |
2010 |
|
|
|
|
|
|
Ayik, Ilgin |
Pentagram (a.k.a. Mezarkabul): Founders of Turkish heavy metal |
2010 |
The metal void: first gatherings |
|
293-300 |
|
|
|
Azevedo, Cláudia |
Metal in Rio de Janeiro 1980’s-2008: an overview |
2010 |
The metal void: first gatherings |
|
331-340 |
|
|
|
Blessin, Joseph R. |
Modalities of the avant-garde: the aesthetic role of light in the parallax of Alexander Scriabin’s opera ”Mysterium” and heavy metal performance |
2010 |
The metal void: first gatherings |
|
301-330 |
|
|
|
Brandl, Gregory |
Die Entwicklung und Bedeutung der E-Gitarre im Heavy Metal |
2010 |
|
|
|
|
|
|
Brown, Andy R. |
The importance of being metal: the metal music tabloid and youth identity construction |
2010 |
The metal void: first gatherings |
|
105-134 |
|
|
|
Buts, Jeroen |
The Thematical and Stylistic Evolution of Heavy Metal Lyrics and Imagery |
2010 |
|
|
|
|
|
|
Campoy, Leonardo C. |
Trevas sobre a luz: O Underground do Heavy Metal Extremo no Brasil |
2010 |
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