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Author |
Makkonen, Markus; Strömsholm, Kim |
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Title |
Rotting Ways to Misery: The History of Finnish Death Metal (U.S. Edition) |
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Book Whole |
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2022 |
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364 |
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Decibel Books proudly presents Rotting Ways to Misery: The History of Finnish Death Metal. The definitive guide to the magical and morbid world of Finnish death metal, has been completely redesigned and edited for a North American release! Authors Markus Makkonen and Kim Strömsholm explore the extreme metal and thrash scenes of late ’80s, the short-lived but explosive scene of the early ’90s and the eventual devastating resurgence of death metal within the country. Limited to 1,000 copies. 364 pages, hardcover. Includes previously unpublished photos and exclusive interviews with artists. |
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dB Books |
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INTech @ brianhickam2019 @ |
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2276 |
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Author |
Riekki, Matti |
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Title |
North From Here: The Sentenced Story (English edition) |
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Book Whole |
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Year |
2021 |
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262 |
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Founded in 1989, metal band Sentenced was a pioneer of Finnish heavy music. The band’s melancholy tunes had a universal appeal that spoke to audiences far further afield than just in their native North, with more than a million records sold worldwide. Over the course of their sixteen-year long career, Sentenced toured Europe and North America extensively.
The story of these Northern Ostrobothnian (anti)heroes takes them on a wild ride through early teenage bravado to ludicrously absurd and profoundly tragic twists of fate. Along the way you’ll learn their songwriting secrets, experience unforgettable shows and explore the deepest troughs of despair that is life on tour. Deathly disaster and Northern gallows humour; triumphs and squandered opportunities. These heavy-drinking, famously taciturn men in black tell the tale of what it was like to play in the band called Sentenced.
Author Matti Riekki is a music journalist specialising in heavy rock, known as the host of the late national radio show Metalliliitto and the longstanding Editor-in-Chief of Finnish heavy metal magazine Inferno. |
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Svart Records |
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English |
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INTech @ brianhickam2019 @ |
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2277 |
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Author |
Riekki, Matti |
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Title |
Täältä Pohjoiseen: Sentencedin Tarina |
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Year |
2014 |
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262 |
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Keywords |
Sentenced, Death Metal, Melodic Death Metal, Gothic Metal, Finland |
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Abstract |
“Sekä puhumiseen että riemuitsemiseen pätee sama perussääntö: näitä tehdään vain kun on oikea tarve. Valittamiseen ja murehtimiseen riittää toki vähempikin.”Vuonna 1989 perustettu Sentenced oli suomalaisen raskaan rockin uranuurtaja. Melankoliasta voimaa puristanut yhtye vetosi muuallakin kuin Pohjolassa, ja sen levymyynti hipoo maailmanlaajuisesti miljoonaa. Kuusitoistavuotisen uransa aikana Sentenced teki lukuisia kiertueita Euroopassa ja Pohjois-Amerikassa. Vankka suosio Keski-Euroopassa teki yhtyeelle tutuksi muun muassa Berliinin ja Dortmundin klubit sekä festivaalit Saksan Rock Hardista Hollannin legendaariseen Dynamo Open Airiin. Euroopan laitoja yhtye kolusi aina Lontoon Astoria-klubilta Roomaan ja Osloon, joista jälkimmäisiä bändi muistaa kiertueuran pahoina paikkoina. Euroopan lisäksi lähinnä Yhdysvalloissa kiertänyt yhtye nousi viimeisellä ulkomaankiertueellaan vuonna 2005 lauteille myös Moskovassa ja Mexico Cityssä, missä mukana laulava yleisömassa sai keikkapaikan seinät tutisemaan ja lopettamispäätöksen tehneen bändin jäsenten silmäkulmat kostumaan.Pohjoispohjalaisten teinipoikien uhosta alkanut tarina on täynnä poskettomia käänteitä ja syvää tragiikkaa. Biisien synnyn salat, ikimuistoiset keikat ja kiertue-elämän alhot. Kuolemanvakavat kohtalot ja pohjoispohjalainen hirtehishuumori, saavutukset ja menetetyt mahdollisuudet. Raskaasti ryyppäävinä, mustiin pukeutuvina tuppisuina tunnetut miehet kertovat, mitä oli soittaa yhtyeessä nimeltä Sentenced. |
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Like Kustannus Oy |
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Language |
Finnish |
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no |
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INTech @ brianhickam2019 @ |
Serial |
2278 |
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Author |
Michalewicz, Aleks |
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Title |
Gods amongst us/gods within: the black metal aesthetic |
Type |
Book Chapter |
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Year |
2007 |
Publication |
Super/heroes: From Hercules to Superman |
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Pages |
211-222, 385-388 |
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Keywords |
Black metal; Aesthetics |
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New Academia Publishing |
Place of Publication |
Washington |
Editor |
Haslem, Wendy; Ndalianis, Angela; Mackie, Chris |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
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2279 |
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Author |
Alarcón Ruiz, Juan Carlos |
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Title |
CULTURA JUVENIL E IDENTIDAD: ORIGEN Y DESARROLLO DE LA CULTURA DEL METAL EN LA CIUDAD DE LIMA ENTRE LOS AÑOS 1980 Y 2017 |
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Book Whole |
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Year |
2017 |
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316 |
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Youth culture; identity; subculture; cultural construction; metal music |
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Abstract |
This research deals with the origin and development of the culture of Metal music in the city of Lima, and how adolescents of that time began the construction of a musical scene and the construction of an identity as individuals and as a community. The initial development of this urban culture took place during the 1980s, a period that was disastrous for Peru, where there was a chaotic context at the political, social level; economic; terror, suffering and above all uncertainty about the future. Between the bombs, death and destruction – facts generated by armed movements – the culture of Metal began to take shape, having as protagonists this group of adolescents; largely as rebellion and rejection about what they had to live. It was a society they did not want to be in. Based on different cultural manifestations (bands, fanzines, concerts, organizations) they began to build their own world, culture and identity. This identity is revaluated and becomes more powerful today when compared with the new generations of metalheads; who, based on the use of technology and a generally more favorable context, also try to participate in this urban culture. |
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https://web2.unfv.edu.pe/sitio/ |
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Bachelor's thesis |
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Federico Villarreal National University |
Place of Publication |
Lima, República del Perú |
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Spanish |
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English |
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Notes |
Licenciado en Antropología. |
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no |
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INTech @ brianhickam2019 @ |
Serial |
2281 |
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Author |
Yépez Aguirre, Jimmy Renzo |
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Title |
La Metaldad y el Habitus y Metalicus en la ciudad de Lima 1994-2014 |
Type |
Journal Article |
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Year |
2019 |
Publication |
Pluriversidad, the academic journal of Vicerrectorado Académico de la Universidad Ricardo Palma |
Abbreviated Journal |
Pluriversidad |
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Issue |
3 |
Pages |
21 |
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Keywords |
Individualism; mercantilism; fetichism; rock music; habitus-field |
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Abstract |
This study has been oriented, to identify the benefits of the qualitative method of the theory built on the different aspects of feeling and thinking of the Metaleros1 in the city of Lima, in order to analyze their impersonal relations with society. In this sense the following objective was proposed: to understand why the social life individualization, the cultural commodification and the music fetishism is reproduced in the feeling and thinking of Lima’s metaleros. An in-depth interview was conducted with 23 young adults and metaleros between aged 14 to 48 years old as a range or limit, which resulted in a non-probabilistic sample. Two conceptual categories were identified: Rockandad and Metaldad, which serve to give interpretation to the problematic raised. In addition, a conceptual theoretical instrument called pyramidal dialectic was elaborated, to give way to the explanation of the research carried out. |
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Av. Benavides 5440 – Santiago de Surco Lima 33 Perú | postal section 1801 | ( 0511 ) 708 0000 | Email: helpdesk@urp.edu.pe |
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Universidad Ricardo Palma |
Place of Publication |
Lima, República del Perú |
Editor |
Martínez Llaque, José |
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Spanish |
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English |
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Print: 2617-6254 / Online: 2617-6262 |
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Notes |
Creative Commons 4.0 (CC BY-NC) |
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no |
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INTech @ brianhickam2019 @ |
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2282 |
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Author |
Yépez Aguirre, Jimmy Renzo |
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Title |
Campo y habitus de la metaldad limeña 1994-2014: Field and habitus of metaldad limeña 1994 – 2014 |
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Journal Article |
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Year |
2017 |
Publication |
Anales Científicos |
Abbreviated Journal |
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78 |
Issue |
2 |
Pages |
80-91 |
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Keywords |
Individualization; commodification; fetishization; rock; metal; habitus; field; consumer Society |
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This study was aimed at identifying the benefits that have the qualitative method of grounded theory on the different aspects of feeling and thinking of the metalheads of Lima in order to analyze their gregarious relations in society. In this regard the following objectives: Understand that reproduces the individualization of social life, cultural commodification and fetishization of music, the feelings and thoughts of the metalheads of Lima. Use of depth interview which was applied to a nonrandom sample of 23 youth and adults metalheads (14 to 48 years as age ranges or limits). The Rockandad and Metaldad, which serve to give the interpretation to the issues raised: two conceptual categories identified. And finally a conceptual theoretical instrument called pyramidal dialectic was prepared to give way to explaining the research. |
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https://revistas.lamolina.edu.pe/index.php/acu/issue/view/70 |
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Universidad Nacional Agraria La Molina, Lima - Perú |
Place of Publication |
Lima, República del Perú |
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Spanish |
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English |
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Print: 0255-0407 / Online: 2519-7398 |
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no |
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INTech @ brianhickam2019 @ |
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2283 |
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Author |
Yepes Aguirre, Jimmy Renzo |
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Title |
Política cultural neoliberal y la música heavy metal en la ciudad de Huánuco, Perú, 1990-2010 |
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Journal Article |
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Year |
2013 |
Publication |
Investigaciones Sociales |
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17 |
Issue |
30 |
Pages |
279-290 |
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Keywords |
Dialectica; politica cultural neoliberal; subculturas; musica heavy metal; Sociology; Latin America; Non-Western scenes; Perú |
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Abstract |
Este estudio estuvo orientado a identificar las bondades que tienen el método hegeliano en los diferentes aspectos de la política y la música con la finalidad de analizar su relación. En tal sentido se planteó los siguientes objetivos: determinar la relación entre la política cultural neoliberal2 y la música heavy metal3, analizar su desarrollo y sus características. Se hizo uso de la encuesta y la entrevista los que se aplicaron a una muestra no probabilística de 30 jóvenes (de 18 a 35 años de edad) metaleros de Huánuco. Se identificó tres generaciones: 1era. Generación de Metaleros 1990-1996 (tesis); 2da. Generación de Metaleros 1997-2003 (antítesis); 3era. Generación de Metaleros 2004-2010 (síntesis). Se evidencia la existencia de una contradicción dialéctica entre la música heavy metal (la cual forma parte de una subcultura) y la cultura dominante en el mundo (en este caso la política cultural neoliberal), ambas evidencian una relación directa no solamente en el aspecto cronológico, sino en el plano ideológico. |
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https://revistasinvestigacion.unmsm.edu.pe/index.php/sociales/issue/view/686 |
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Universidad Nacional Mayor de San Marcos, Facultad de Ciencias Sociales, Instituto de Investigaciones Histórico Sociales |
Place of Publication |
Lima, República del Perú |
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Print: 1560-9073 / Online: 1818-4758 |
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no |
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INTech @ brianhickam2019 @ |
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2284 |
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Author |
Tarazona Elvino, Luis Manuel |
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Title |
Características de la Identidad de Jóvenes que se reúnen entorno a la música Rock – Metal en la ciudad de Huancayo |
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Book Whole |
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Year |
2009 |
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Pages |
150 |
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Keywords |
Música Rock-Metal |
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Abstract |
En el Perú y los países de América Latina, se suceden los testimonios de búsqueda de una sociedad más inclusiva y democrática, sin embargo persisten problemas estructurales como el creciente deterioro económico, la corrupción en las esferas de poder, el descrédito de las instituciones políticas, el debilitamiento de los mecanismos de integración tradicional (la comunidad), generando una problemática compleja en el cual parecen ganar terreno la conformidad y la desesperanza. En este contexto, surgen formas organizativas y de expresión juveniles; una de estas es el espacio donde se congregan los jóvenes alrededor de la música rock metal, operando como punto de referencia, expresión y construcción de identidades. Sin embargo, no existe mucha información acerca de esta música y mucho menos tesis que hablen acerca de los jóvenes que lo practican. ' Por esta razón, el presente estudio está destinado a conocer como se convocan, organizan y construyen su identidad los jóvenes que se reúnen en torno a la música rock metal en la Ciudad de Huancayo. Para efecto de esta tesis, se recoge la información desde la observación participante y entrevistas a jóvenes varones y mujeres cultores de la música rock metal, así también a organizadores de conciertos y propietarios de discotiendas de música, salas de ensayo y centros donde realizan tatuajes. |
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Bachelor's thesis |
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Publisher |
Universidad Nacional del Centro del Perú |
Place of Publication |
Huancayo, República del Perú |
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Spanish |
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Spanish |
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Licenciado en Antropología |
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no |
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INTech @ brianhickam2019 @ |
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2285 |
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Author |
Sylvester, Steve; Cioppi, Gianni Della |
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Title |
The Necromancer of Rock: The Origins of Death SS |
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Book Whole |
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Year |
2021 |
Publication |
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Abbreviated Journal |
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Volume |
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Issue |
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207 |
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Ajna Bound |
Place of Publication |
Jacksonville, OR |
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English |
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978-1-7348950-1-8 |
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Notes |
Translated by Alberto Brandi. A first edition of this book was published in 2011 by Crac Edizioni-Falconara Marittima (AN) |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
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2286 |
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