| |
Author |
Title |
Year |
Publication |
Volume |
Pages  |
Links |
|
|
Urtaza, Eugenio Manuel Otero |
Identidad, cosmopolitismo y educación en las bandas de metal extremo: el caso de Finlandia |
2020 |
Historia y Memoria de la Educación |
|
271-332 |
|
|
|
Banchs, Edward |
Swahili-tongued devils: Kenya’s heavy metal at the crossroads of identity |
2016 |
Metal Music Studies |
2 |
311-324 |
|
|
|
Alarcón Ruiz, Juan Carlos |
CULTURA JUVENIL E IDENTIDAD: ORIGEN Y DESARROLLO DE LA CULTURA DEL METAL EN LA CIUDAD DE LIMA ENTRE LOS AÑOS 1980 Y 2017 |
2017 |
|
|
316 |
|
|
|
Sikes, Laura |
In the Groove: American Rock Criticism, 1966-1978 |
2017 |
|
|
390 |
|
|
|
Spracklen, Karl |
‘Yours is the Earth and everything that’s in it, and – which is more – you’ll be a man, my son’: Myths of British masculinity and Britishness in the construction and reception of Iron Maiden |
2017 |
Metal Music Studies |
3 |
405-419 |
|
|
|
Herbst, Jan-Peter |
Culture-specific production and performance characteristics: An interview study with “Teutonic” metal producers |
2021 |
Metal Music Studies |
7 |
445-467 |
|
|
|
Burns, Robert G.H. |
German symbolism in rock music: national signification in the imagery and songs of Rammstein |
2008 |
Popular Music; Cambridge |
27 |
457-472 |
|
|
|
Nagy, Tamás |
Terms and identities: Forms of music related to national identity practices in blog posts of the Hungarian rock/metal discourse community |
2018 |
Metal Music Studies |
4 |
507-530 |
|
|
|
Lucas, Olivia |
Kentucky: Sound, Environment, History – Black Metal And Appalachian Coal Culture |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
555-563 |
|
