| |
Author |
Title |
Year |
Publication |
Volume |
Pages  |
Links |
|
|
Belén Calvo, Manuela |
La construcción de la identidad metálica auténcia en la escena argentina |
2022 |
Música Extrema: ruídos, imagens e sentidos |
|
245-266 |
|
|
|
Souza, Leandro Candido de |
Cartografias da cultura underground: o surgimento da subcultura heavy metal no ABC paulista e os deslocamentos da identidade suburbana |
2020 |
História Revista |
25 |
232-256 |
|
|
|
Heath, Douglas |
Heavy Metal From The Antarctic Ends Of The Earth: Investigating The Metal Music Identity From Invercargill, Southland, New Zealand |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
230-239 |
|
|
|
Wang, Yuan |
Formation, Industries, And Identities: Observations On Extreme Metal In Mainland China 2000-2013 |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
219-229 |
|
|
|
Grant, Sam |
From Umm Kulthum to Orphaned Land: The influence of female musicians in constructing Israeli/Palestinian narratives |
2016 |
Metal Music Studies |
2 |
215-232 |
|
|
|
McGrath, Bill |
The Othering Of Botswanan Metal |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
206-218 |
|
|
|
Shakespeare, Steven |
Drone construction. Philosophy of identity in Conan's “Horseback Battle Hammer” |
2017 |
Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism |
|
202-213 |
|
|
|
Ferrarese, Marco |
Heavy Metal Nothingness: Alluring Foreignness And Authenticity Construction In Early 2010s Malaysian Metal |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
195-205 |
|
|
|
Pack, Christian |
‘Severed Reality’: Representations of reality in Salvadoran tribal metal |
2018 |
Metal Music Studies |
4 |
187-196 |
|
|
|
Barone, Stefano |
Metal Identities In Tunisia: Locality, Islam, Revolution |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
185-194 |
|
