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Author |
Whalen, Kayley Margarite |
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Title |
Goth Subculture, Neurodivergence, and the Dark Power of Changeling Narratives |
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Year |
2024 |
Publication |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
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162-178 |
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Disability; Neurodivergence; Goth scene; Narratives |
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Intellect |
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Bristol |
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Shadrack, Jasmine Hazel; Kahn-Harris, Keith |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2565 |
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Author |
Pichler, Peter |
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Title |
“Breaking the Law...?” On the Role of Law and Legal References in the Cul- tural History of the Heavy Metal Scene in Styria since 1980 |
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Journal Article |
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Year |
2022 |
Publication |
Austrian Law Journal |
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2 |
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159-179 |
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Law; Asutrian scene |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2346 |
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Author |
Janotti Junior, Jeder |
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Title |
Rock Me Like The Devil: A Assinatura Das Cenas E Das Identidades Metálicas. |
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156 |
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eBook |
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O livro tem origem em um entre-lugar que abriga ao mesmo tempo pesquisa acadêmica sobre música e paixão pelo metal, transitando entre as discussões sobre gosto, gênero musical e afeto através de uma pergunta assombrosa: “o que é, afinal, música?”
Este livro não teria sido possível sem o apoio do Conselho Nacional de Desenvolvimento Científico e Tecnológico, do Programa de Pós-Graduação em Comunicação da Universidade Federal de Pernambuco (UFPE) e dos partipantes do Laboratório de Análise de Música e Audiovisual Audiovisual (L.A.M.A.) |
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https://simplissimo.com.br/ |
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Simplíssimo Livros Ltda |
Place of Publication |
Porto Alegre /RS - Brasil |
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Portuguese |
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8567125081; 9788567125084 |
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eBOOK |
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INTech @ brianhickam2019 @ |
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2293 |
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Author |
Filho, Fábio ALexandre Tardelli; Barbosa, Rafaella Fraga; Rodrigues, Ketelyn Rocha; Lima, Anderson; Fiusa, Marcelo Henrique |
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Title |
Zines e cultura underground: uma análise fanoniana pelo Prolecast |
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Book Chapter |
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2022 |
Publication |
Música Extrema: ruídos, imagens e sentidos |
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156-186 |
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Keywords |
Fanzines; Prolecast (podcast); Frantz Fanon; Colonialism |
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Pimenta Cultural |
Place of Publication |
São Paulo |
Editor |
Bahy, Cristiane; dos Passos, Cristiano; Khalia, Lucas Martins Gama; Barchi, Rodrigo |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2361 |
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Author |
Olavarría Ginocchio, Ricardo |
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Title |
Entre la profesionalización y el underground. Inicios de la escena metalera en Lima (1983-1989) |
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Book Whole |
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Year |
2019 |
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153 |
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Keywords |
Música--Perú--Lima--Historia--1983-1989; Música rock--Perú--Lima--Historia--1983-1989; Música popular--Perú--Lima--Historia--1983-1989 |
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Abstract |
La presente tesis tiene como objetivo analizar las razones que llevaron a un grupo de jóvenes limeños varones, en la década de los ochenta, a tocar metal, tanto en la variante de heavy metal tradicional como en la extrema, a la vez que busca explicar de qué manera las circunstancias de la realidad nacional, tanto económicas como sociales y políticas, influyeron en la constitución de dicho género musical como escena. Para ello, parto de dos hipótesis. Por un lado, en un contexto de globalización y desestructuración, estos jóvenes encuentran, en la oscuridad, pesadez y potencia del metal, un espacio en el que construir lazos sociales entre pares y afianzar estructuras paralelas de autonomía y poder. Por otro lado, la formación de la escena metalera se da primero en una etapa (1983-1985) de convivencia entre las bandas de metal y las de otros subgéneros del rock; y luego, en una segunda etapa (1986-1989), esta adquiere carácter independiente y se perfila en dos vertientes: una que busca la profesionalización, que eventualmente pierde terreno ante la crisis económica, y otra underground, que lograr sortear la crisis a partir de sus propios códigos, los cuales marcan el futuro de la escena.
Con el fin de poner a prueba dichas hipótesis, realicé entrevistas a participantes de la escena de la época, consulté diversos periódicos, revistas y fanzines, además de fuentes secundarias. Además de confirmar las hipótesis de investigación, esta tesis muestra, primero, que los códigos musicales (en este caso del metal) influyeron en la realidad de los jóvenes que adoptaron dicho género como seña identitaria; y, segundo, que las particularidades de la escena metalera limeña respondieron a eventos y tendencias sociales, políticas y económicas propias de la realidad peruana. |
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Pontificia Universidad Católica del Perú, https://www.pucp.edu.pe/ |
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Corporate Author |
Pontificia Universidad Católica del Perú |
Thesis |
Master's thesis |
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Publisher |
Pontificia Universidad Católica del Perú |
Place of Publication |
Lima, República del Perú |
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Language |
Spanish |
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Magíster en Historia. Creative common license: Atribución-NoComercial-CompartirIgual 2.5 Perú |
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INTech @ brianhickam2019 @ |
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2280 |
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Author |
Mokrý, Matouš |
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Title |
The conference “Metal and Religion”, 7-8 September 2022, Brno |
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Journal Article |
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Year |
2023 |
Publication |
Religio |
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Volume |
31 |
Issue |
1 |
Pages |
153-156 |
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Report; Conference |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2539 |
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Author |
Turley, Julie; Jocson-Singh, Joan |
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Title |
Heavy Music Mothers: Extreme Identities, Narrative Disruptions |
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Book Whole |
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Year |
2023 |
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152 |
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“Heavy Music Mothers: Extreme Identities, Narrative Disruptions is an exploration of women and heavy music and the ways in which women have historically engaged with musicking as mothers. Julie Turley and Joan Jocson-Singh, musicking mothers themselves, largely employ an ethnographic lens, foregrounded in powerful one-on-one original interviews as vignettes that narrate thematic patterns. Other chapters examine motherhood identity embedded in respective published rock music memoirs, discussions of rock performance as a site of maternal bonding, and themes that arise when heavy music mothers write about motherhood. Autoethnographic portions throughout give the book an intimate and personal tone: one such chapter presents the concept of vigilante motherhood within an auto-ethnographic context.
The authors reference the book’s limitations, meditating on historically marginalized moms the authors predict and hope the focus will be on for the future. Heavy Music Mothers is a robust study of women and motherhood set within a music culture historically inhospitable to both women and mothers. This book, the first scholarly study of this topic, is just the beginning.”
(Source: Rowman & Littlefield) |
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Lexington Books |
Place of Publication |
Lanham, Maryland |
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Language |
English |
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Extreme Sounds Studies: Global Socio-Cultural Explorations |
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ISBN |
1666916153; 978-1666916157 |
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Hardback |
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INTech @ brianhickam2019 @ |
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2530 |
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Author |
Hoad, Catherine |
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Title |
“Images and words”: Textual analysis and its uses for metal music studies |
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The Bloomsbury Handbook of Popular Music and Youth Culture |
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Pages |
151-169 |
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Textual analysis |
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Bloomsbury Publishing |
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New York; London; Dublin |
Editor |
Bennett, Andy |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2393 |
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Author |
Tarazona Elvino, Luis Manuel |
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Title |
Características de la Identidad de Jóvenes que se reúnen entorno a la música Rock – Metal en la ciudad de Huancayo |
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Year |
2009 |
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150 |
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Música Rock-Metal |
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En el Perú y los países de América Latina, se suceden los testimonios de búsqueda de una sociedad más inclusiva y democrática, sin embargo persisten problemas estructurales como el creciente deterioro económico, la corrupción en las esferas de poder, el descrédito de las instituciones políticas, el debilitamiento de los mecanismos de integración tradicional (la comunidad), generando una problemática compleja en el cual parecen ganar terreno la conformidad y la desesperanza. En este contexto, surgen formas organizativas y de expresión juveniles; una de estas es el espacio donde se congregan los jóvenes alrededor de la música rock metal, operando como punto de referencia, expresión y construcción de identidades. Sin embargo, no existe mucha información acerca de esta música y mucho menos tesis que hablen acerca de los jóvenes que lo practican. ' Por esta razón, el presente estudio está destinado a conocer como se convocan, organizan y construyen su identidad los jóvenes que se reúnen en torno a la música rock metal en la Ciudad de Huancayo. Para efecto de esta tesis, se recoge la información desde la observación participante y entrevistas a jóvenes varones y mujeres cultores de la música rock metal, así también a organizadores de conciertos y propietarios de discotiendas de música, salas de ensayo y centros donde realizan tatuajes. |
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Bachelor's thesis |
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Publisher |
Universidad Nacional del Centro del Perú |
Place of Publication |
Huancayo, República del Perú |
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Spanish |
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Spanish |
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Licenciado en Antropología |
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no |
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INTech @ brianhickam2019 @ |
Serial |
2285 |
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Author |
Tapia, Reynaldo; Mendoza, Boris |
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Title |
Hardcore punk as an effort to Indigenize the underground scene in La Paz during the neo-liberal era of resistance 1993‐2003 |
Type |
Journal Article |
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Year |
2022 |
Publication |
Metal Music Studies |
Abbreviated Journal |
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Volume |
8 |
Issue |
2 |
Pages |
143-161 |
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Keywords |
Bolivia; Identity; Indigenism; Hardcore |
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2052-3998 |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2314 |
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