| |
Author |
Title |
Year |
Publication |
Volume |
Pages  |
Links |
|
|
Pichler, Peter |
The power of the imagination of historical distance: Melechesh’ ‘Mesopotamian Metal’ as a musical attempt of solving cultural conflicts in the twenty-first century |
2017 |
Metal Music Studies |
3 |
97-112 |
|
|
|
Saguar García, Amaranta |
The Return of El Cid: The Topicality of Rodrigo Díaz in Spanish Heavy Metal |
2019 |
Medievalism and Metal Music Studies: Throwing down the gauntlet |
|
93-106 |
|
|
|
Glitsos, Laura |
Frontierswomen and the Perth Scene: Female Metal Musicians on the ‘Western Front’ and the Construction of the Gothic Sublime |
2019 |
Australian Metal Music |
|
91-110 |
|
|
|
Herbst, Jan-Peter |
From Bach to Helloween: ‘Teutonic’ stereotypes in the history of popular music and heavy metal |
2020 |
Metal Music Studies |
6 |
87-108 |
|
|
|
Wallach, Jeremy |
Unleashed in the East: metal music, masculinity, and ”malayness” in Indonesia, Malaysia, and Singapore |
2011 |
Metal rules the globe: heavy metal music around the world |
|
86-105 |
|
|
|
Manea, Irina-Maria |
Norse Myth and Identity in Swedish Viking Metal: Imagining Heritage and a Leisure Community |
2016 |
Sociology and Anthropology |
4 |
82-91 |
|
|
|
Robertson, Wes |
Screaming of Slaughter and Samurai: Motives and Methods for Exploring Premodern Japan in the Japanese Folk Metal Scene |
2022 |
Parergon |
39 |
79-104 |
|
|
|
Tolvanen, Hannu |
The quiet past and the loud present: the Kalevala and heavy metal |
2006 |
Volume! La revue des musiques populaires |
5 |
75-89 |
|
|
|
Manea, Irina-Maria |
Interludium: Die völkische Dimension des Black Metal |
2016 |
Zwischen Germanomanie und Antisemitismus: Transformationen altnordischer Mythologie in den Metal-Subkulturen |
|
75-82 |
|
|
|
Jakić, Ivan; Beroš, Marin |
Nenormalnost ili o potrazi za identitetnim osnovama heavy metala [Abnormality or the search for heavy metal's fundamental identity] |
2021 |
Studia Polensia |
10 |
73-86 |
|
