|
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
Barratt-Peacock, Ruth |
The Villon that Never Was |
2019 |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
|
157-170 |
|
|
Gardenour Walter, Brenda S. |
Satanic Bowels: Medieval Inversion and the Black Metal Grotesque |
2019 |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
|
171-180 |
|
|
Hoad, Catherine (ed) |
Australian Metal Music |
2019 |
|
|
|
|
|
Hoad, Catherine |
Critical Introduction: What is ‘Australian’ about Australian Heavy Metal? |
2019 |
Australian Metal Music |
|
1-18 |
|
|
Oldham, Paul ’Nazz’ |
Heavy Metal Kids: A Historiographical Exploration of Australian Proto-Heavy Metal in the 1960s–1970s |
2019 |
Australian Metal Music |
|
19-36 |
|
|
Vallen, Sam |
’A Blaze in the Northern Suburbs’: Australian Extreme Metal’s Larrikinish Lineage |
2019 |
Australian Metal Music |
|
37-54 |
|
|
Whitting, Samuel; Klimentou, Paige; Rogers, Ian |
‘We’re Just Normal Dudes’: Hegemonic Masculinity, Australian Identity, and Parkway Drive |
2019 |
Australian Metal Music |
|
55-70 |
|
|
Overell, Rosemary |
‘I Think Sydney’s Pretty Shit’: Melbourne Grindcore Fans and their Others |
2019 |
Australian Metal Music |
|
71-90 |
|
|
Glitsos, Laura |
Frontierswomen and the Perth Scene: Female Metal Musicians on the ‘Western Front’ and the Construction of the Gothic Sublime |
2019 |
Australian Metal Music |
|
91-110 |
|
|
Yalcinkaya, Can; Ahmed, Safdar |
Creeping Sharia: An Extreme Response to Islamophobia |
2019 |
Australian Metal Music |
|
111-128 |
|