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Holzbach, Ariane Diniz; Santos, Melina; Evangelista, Simone; Oliveira, Thaiane |
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Title |
Heavy Metal X Funk: disputas de gênero na cultura pop a partir do canal Mamilos Molengas |
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2015 |
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Cultura pop |
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131-150 |
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Video; Stereotypes; Parody; Quality |
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EDUFBA |
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Salvador |
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Sá, Simone Pereira de; Carreiro, Rodrigo; Ferraz, Rogerio |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2477 |
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Author |
Paganus, Arilson |
![find record details (via OpenURL) openurl](img/xref.gif)
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Title |
Quando o Diabo veste verde: o vegetarianismo e a natureza ecoando no underground |
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Book Chapter |
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2022 |
Publication |
Música Extrema: ruídos, imagens e sentidos |
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38-74 |
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Vegetarianism; Ecology; Nature; Punk; Extreme Metal |
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Pimenta Cultural |
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São Paulo |
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Bahy, Cristiane; dos Passos, Cristiano; Khalia, Lucas Martins Gama; Barchi, Rodrigo |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2356 |
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Author |
Swiniartzki, Marco |
![find record details (via OpenURL) openurl](img/xref.gif)
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Title |
Why Florida?: Regional conditions and further development of the “Florida death metal” scene and the local public response (1984–1994) |
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Journal Article |
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Year |
2021 |
Publication |
Journal of Popular Music Studies |
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33 |
Issue |
3 |
Pages |
168-193 |
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US Scene (Florida); Death metal; Sociology |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2125 |
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Author |
White, Frank; Tecchio, Alan |
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Title |
Jersey Metal: A History of the Garden State's Heavy Metal Scene Volume One (1969-1986) |
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2022 |
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United States; Western scenes |
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BookBaby |
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self-published |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2371 |
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Author |
Anesiadis, Alexandros; Scarpelos, Yiannis |
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Title |
Heroes of the Metal Underground: The Definitive Guide to 1980s American Independent Metal Bands |
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Book Whole |
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Year |
2023 |
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Underground; United States |
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Feral House |
Place of Publication |
Port Townsend |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2372 |
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Author |
Korczyński, Tomasz Michał |
![find record details (via OpenURL) openurl](img/xref.gif)
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Title |
The Genesis of Unblack Metal and its Contemporary Reception. Cognitive Prospects |
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Journal Article |
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Year |
2021 |
Publication |
Journal of Modern Science |
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46 |
Issue |
1 |
Pages |
73-91 |
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Unblack metal; History (metal music); Reception |
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Polish |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2114 |
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Author |
Aloe, Federico; Mailén, Ludmila |
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Title |
Crear es resistir, resistir es crear. Un documental de Raza Truncka. |
Type |
Miscellaneous |
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Year |
2021 |
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15'14" |
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Un documental [a documentary] |
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Abstract |
Producido por Raza Truncka
Dirigido por Federico Raposo Aloe y Ludmila Mailén Padilla
Dirección de Fotografía: Federico Raposo Aloe
Dirección de Sonido: Adrián Charras
Dirección de Montaje: Federico Raposo Aloe y Ludmila Mailén Padilla
Raza Truncka somos José Luis Terzaghi, Fausto Nascimbene, Diego Palavecino, Ezequiel Evangelista, Germán Barloqui, Facundo Evangelista e Ignacio Ponce
Entrevistades por orden de aparición: Sabrina Franciosi, Federico Calabia, Betiana Juárez, Gerardo Gramasco, Tito Müller, Julián Curinao, Horacio Andariego, Patricio Testa, Beto San Tuka, Gito Minore, Rocío Schlieper Yanca, Libertad Vázquez y Emanuel Corihuala
Investigación: Raza Truncka y Ludmila Mailén Padilla
Danza: Gerardo Gramasco, Betiana Juárez, Florencia Orrego, Lucas Valdéz y Sabrina Franciosi
Pintura: Federico Calabia
Máscaras: Gabriela Ayala, Gerardo Gramasco y Julius Gonup
Voz en off: Fausto Nascimbene
Cámaras: Federico Raposo Aloe, Pablo Ramiro y Beatriz Sánchez Picaso
Edición de audio: Adrián Charras, José Luis Terzaghi, Fausto Nascimbene y Facundo Evangelista
Logística: Sabrina Franciosi, Alejandro Zlatar, Natalia Usero y Marité Rotundo
Traducción al inglés: Ferna Dermit
Canciones:
El pensamiento, la ida
Baguala de la Raza Truncka
Pala pala
Poeta del Mishky Mayu
Napalpí
Vidalárbol trunckado
Un agradecimiento especial a les organizadores del Festival Pacha Huasi y a todas las personas que participaron de este proyecto. |
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https://www.youtube.com/user/RazaTruncka/about |
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Producido por Raza Truncka |
Place of Publication |
Tavakuairetã Paraguái [República del Paraguay] |
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Dirigido por Federico Raposo Aloe y Ludmila Mailén Padilla |
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Paraguayan Guarani |
Summary Language |
Subtitles in English |
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YouTube |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2289 |
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Permanent link to this record |
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Author |
Venegas Marín, María Paula |
![goto web page (via DOI) doi](img/doi.gif)
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Title |
Análisis del impacto en la sociedad del movimiento contestatario “Ultra Metal” como alternativa a la violencia que experimentaron los jóvenes de la ciudad de Medellín durante la década de los 80s. |
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Journal Article |
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Ultra metal, Contracultura, Década de los 80s, Violencia, Juventud, Medellín; Ultra metal, Counterculture, 1980s, Violence, Youth, Medellín. |
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Este trabajo investigativo y de carácter cualitativo busca centrarse en las posturas que han derivado desde la comunicación, con aportes de la sociología y las ciencias sociales, a través de un recorrido teórico e histórico de los sucesos más importantes del espectro de tiempo, así como de sus principales aportes y limitaciones de las expresiones artísticas y musicales asociados al movimiento de “Ultra Metal” y la importancia de éste en las transformaciones de la sociedad producto de las dinámicas de violencia asociadas a las disputas de narcotraficantes. Dichas disciplinas han brindado diferentes conceptos al fenómeno de la búsqueda de identidades y de pares, con connotaciones como subcultura, contracultura, tribus urbanas y culturas juveniles, las cuales han surgido con visiones muy diferentes y diversas. Esta investigación tiene por objetivo analizar el impacto en la sociedad del movimiento contestatario “Ultra Metal” como alternativa a la violencia que experimentaron los jóvenes de la ciudad de Medellín durante la década de los 80s. Esto se sustenta en cuatro factores: las condiciones del contexto histórico en la creación del movimiento contracultural contestatario “Ultra Metal”; los imaginarios que se configuran a través de la música y grupos juveniles contestarios que permiten la concepción del mismo como contracultura; los contextos sociales dinamizadores expresados a través de la música, la individualidad, las tribus urbanas en los escenarios de respuesta contra la violencia generada en el tiempo y los conceptos del fenómeno de la búsqueda de identidades y de pares, con connotaciones como subcultura, contracultura, tribus urbanas y culturas juveniles. Bajo esta perspectiva, esta investigación contribuye a las ciencias sociales porque al conocer los impactos que la música tiene en las transformaciones de la sociedad puede servir como base para construir estrategias que permitan a los y las jóvenes encontrar un sentido de vida a través del arte y, de esta manera, convertirse en agentes significativos dentro de una sociedad más justa y equitativa.
[ This investigative and qualitative paper seeks to focus on the positions that have derived from communication, with contributions from sociology and social sciences, through a theoretical and historical journey of the most important events of the spectrum of time, as well as of its main contributions and limitations of the artistic and musical expressions associated with the “Ultra Metal” movement and its importance in the transformations of society as a result of the dynamics of violence associated with drug traffickers' disputes. These disciplines have provided different concepts to the phenomenon of the search for identities and peers, with connotations such as subculture, counterculture, urban tribes and youth cultures, which have emerged with very different and diverse visions. This study aims to analyze the impact on society of the “Ultra Metal” protest movement as an alternative to the violence experienced by young people in the city of Medellin during the 1980s. This is based on four factors: the conditions of the historical context in the creation of the protesting countercultural movement “Ultra Metal”; the imaginaries that are configured through music and rebellious youth groups that allow the conception of it as a counterculture; the dynamic social contexts expressed through music, individuality, urban tribes in response scenarios against violence generated over time and the concepts of the phenomenon of searching for identities and peers, with connotations such as subculture, counterculture, urban tribes and youth cultures.] |
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https://www.unicundi.edu.co/ |
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Universidad de Cundinamarca, Facultad de Educación |
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Bachelor's thesis |
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Universidad de Cundinamarca |
Place of Publication |
Fusagasugá, Cundinamarca, Republic of Colombia. |
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español |
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English |
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PDF, 1.169Mb |
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Open access. Trabajo de grado, Licenciatura en Educación Básica con Énfasis en Ciencias Sociales [127]. |
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Call Number |
INTech @ brianhickam2019 @ |
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2401 |
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Author |
Hassan, Nedim |
![find record details (via OpenURL) openurl](img/xref.gif)
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Title |
Metal on Merseyside: Music Scenes, Community and Locality |
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Book Whole |
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Year |
2021 |
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UK scene; Sociology |
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Palgrave Macmillan |
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Cham |
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978-3-030-77681-7 |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2120 |
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Author |
Kennedy, Lewis |
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Title |
“This Is the City of Hate”: Surveying the Hull Metal/Hardcore Scene |
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Book Chapter |
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2021 |
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Living Metal: Metal Scenes around the World |
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UK scene; Hull; Sociology |
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Intellect Books |
Place of Publication |
Bristol |
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Bardine, Bryan A.; Stueart, Jerome |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2198 |
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