| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Baulch, Emma |
Gesturing elsewhere: The identity politics of the Balinese death/thrash metal scene |
2003 |
Popular Music; Cambridge |
22 |
195-215 |
|
|
|
Berger, Harris M. |
”Aspects du death metal”. Affect, objet et vécu social de la musique |
2006 |
Volume! La revue des musiques populaires |
5 |
31-51 |
|
|
|
Berger, Harris M. |
Death metal tonality and the act of listening |
1999 |
Popular Music |
18 |
161-178 |
|
|
|
Bogue, Ronald |
Violence in Three Shades of Metal : Death, Doom and Black |
2004 |
Deleuze and Music |
|
95-117 |
|
|
|
Cardwell, Thomas |
Still life and death metal: painting the battle jacket |
2017 |
|
|
|
|
|
|
Chaker, Sarah |
What is ‘male’ about black and death metal music? An empirical approach |
2016 |
Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches |
|
147-162 |
|
|
|
Chaker, Sarah |
Schwarzmetall und Todesblei: Über den Umgang mit Musik in den Black- und Death-Metal-Szenen |
2014 |
|
|
|
|
|
|
Chaker, Sarah |
Götter des Gemetzels: Mediale Inszenierung von Tod und Gewalt im Death Metal |
2011 |
Heavy Metal Studies: Lyrics und Intertextualität |
|
11-24 |
|
|
|
Chaker, Sarah |
Extreme music for extreme people: black and death metal put to the test in a comparative empirical study |
2010 |
The metal void: first gatherings |
|
265-278 |
|
|
|
Chaker, Sarah |
Death Metal Made in Germany. Mit Suffocate Bastard im Tonstudio |
2008 |
Journal der Jugendkulturen |
13 |
43-54 |
|
