| |
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Squires, Vik J. |
Stimming in the Pit: How Autistic Heavy Metal Fans Have Remained Unseen |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
113-125 |
|
|
|
Guzman, Carmen |
Babymetal's “Music in Action”: Redefining Authenticity, Decolonizing Metal, Destabilizing Economy |
2021 |
|
|
|
|
|
|
States, Dawn |
The Bone Ballet: An Examination in the Intersectionality of Metal, Ballet, and Disability |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
126-139 |
|
|
|
Cano Barrón, José Luis; Dulude, Daniel |
Banzai Records: The Power Of The Canadian Steel Blade |
2002 |
|
|
|
|
|
|
Faingold, Noam. |
Portfolio of compositions and technical commentary |
2015 |
|
|
|
|
|
|
Simms, Bekah |
Foreverdark: For Amplified Cello Soloist and Chamber Orchestra |
2019 |
|
|
64 |
|
|
|
Hannan, Calder |
Ghostly longing: Tonality as grieving in Bell Witch’s “Mirror Reaper” |
2021 |
Metal Music Studies |
7 |
277-297 |
|
|
|
Keith Kahn-Harris; Fabien Hein |
Metal studies : une bibliographie |
2006 |
Volume! La revue des musiques populaires |
5 |
19-30 |
|
|
|
Archer-Capuzzo, Sonia; Capuzzo, Guy |
Metaldata. A Bibliography of Heavy Metal Resources |
2021 |
|
|
|
|
|
|
Feria del Libro Heavy |
Cultura metálica 7: ponencias, debates y exposiciones de la 7a Feria del Libro Heavy de Buenos Aires |
2021 |
|
|
|
|
