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Author |
Setničar, Robert |
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Title |
“From dawn till doom” – Od zore do pogube: razvoj in značilnosti doom metala kot glasbenega pojava : razvoj in značilnosti doom metala kot glasbenega pojava [“From dawn till doom”: the development and characteristics of doom metal as a musical phenomenon] |
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Year |
2020 |
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Keywords  |
Black Sabbath (band); Doom metal; Style |
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Bachelor's thesis |
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Univerza v Ljubljani |
Place of Publication |
Ljubljana |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
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2467 |
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Author |
Mattson, Douglas |
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Title |
Att välja blasfemi. Blasfemisk identitet i turkisk svartmetal [Choosing blasphemy. Blasphemous identity in Turkish black metal] |
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Year |
2022 |
Publication |
Blasfemi, heresi, kätteri, apostasi |
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119-131 |
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Blasphemy; Turkey; Non-Western scenes; Black metal |
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Svenska Forskningsinstitutet i Istanbul & Föreningen Svenska Istanbulinstitutets Vänner |
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Istambul |
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Sorgenfrei, Simon; Mattson, Douglas |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2395 |
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Author |
Cárdenas Azuaje, Diana María |
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Title |
MUJERES Y SUS REPRESENTACIONES SOCIALES DENTRO DEL METAL EN BOGOTÁ |
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Book Chapter |
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Year |
2021 |
Publication |
Representaciones Sociales e Imaginarios Colectivos del Género, el Cuerpo y la Sexualidad |
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355-393 |
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Bogotá; música Metal; mujeres; representaciones sociales |
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Abstract |
El presente texto muestra los hallazgos de la investigación “Representaciones sociales de la mujer en la cultura del Metal en Bogotá”, tesis de maestría presentada en la Universidad Distrital Francisco José de Caldas en 2012. Dicha investigación fue de corte cualitativo y abordó la perspectiva teórica estructural de las Representaciones Sociales (RS) de Jean Claude Abric (2001). Con ese constructo se determinaron el núcleo central (idea estable y organizadora) y los elementos periféricos (idea flexible auxiliar del núcleo) para las categorías: Mujer y Metal.
Para el estudio, se recurrió a la recolección e interpretación de 19 entrevistas semiestructuradas que se realizaron en Bogotá – Colombia. Las participantes son mujeres escuchas e intérpretes de música Metal con diversas características. En el análisis de instrumentos, se identificaron varios términos con alta frecuencia de reiteración (fuerza, vida, valentía y música), que se agruparon por semejanza, contigüidad o contraste, relacionados con la vivencia de la música Metal desde la perspectiva de las mujeres.
Los hallazgos se presentan relacionados a las categorías: 1. Mujer, asociada a cuatro núcleos: superficialidad, espiritualidad, liberación, pautas restrictivas. 2. Metal, que tiene como núcleos cultura/contracultura, machismo, Identidad/gusto, música, ritmo e interpretación. Así mismo se encontró (entre otras cuestiones) que las entrevistadas definen al Metal, como cultura en tanto genera elementos identitarios a partir de preferencias musicales, rituales, territorios, lenguajes, indumentarias y significados. Las mujeres del medio realizan una “transformación” frente a algunos parámetros de feminidad difundidos tradicionalmente consolidando una especie de feminidad transgresora. |
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https://imaginariosyrepresentaciones.com/miembros/diana-maria-cardenas-azuaje/ |
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Red Iberoamericana de Academias de Investigación, A.C. (978-607-99621) |
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XALAPA, VERACRUZ, MÉXICO |
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ELIZABETH BALLÉN GUACHETÁ; LUIS ENRIQUE PÉREZ MÉNDEZ; SINDY PAOLA DÍAZ BETTER; DIANA MARÍA CÁRDENAS AZUAJE |
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Spanish |
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Colección Imaginarios y Representaciones |
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First |
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978-607-99388-5-7 |
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PDF |
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See also INTRODUCCIÓN, pages 1-19. www.redibai.org; redibai@hotmail.com |
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INTech @ brianhickam2019 @ |
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2288 |
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Author |
Tapia, Reynaldo |
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Title |
Perspectivas y Resistencias Musicales |
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Year |
2023 |
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Bolivia |
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Ediciones Rincón |
Place of Publication |
La Paz |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2482 |
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Author |
Tapia, Reynaldo |
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Title |
Observaciones y Resumen del Primer Congreso y Encuentro de Rock y Metal en Bolivia |
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Year |
2023 |
Publication |
Perspectivas y Resistencias Musicales |
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Pages |
17-36 |
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Keywords |
Bolivia; Conferences |
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Ediciones Rincón |
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La Paz |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2481 |
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Author |
Tapia, Reynaldo; Mendoza, Boris |
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Title |
Hardcore punk as an effort to Indigenize the underground scene in La Paz during the neo-liberal era of resistance 1993‐2003 |
Type |
Journal Article |
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Year |
2022 |
Publication |
Metal Music Studies |
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Volume |
8 |
Issue |
2 |
Pages |
143-161 |
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Keywords |
Bolivia; Identity; Indigenism; Hardcore |
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ISSN |
2052-3998 |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2314 |
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Author |
Mendoza, Boris |
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Title |
El underground Boliviano de los Andes y su resonancia identitaria en la política pública de del siglo XXI |
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Book Chapter |
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Year |
2022 |
Publication |
El Tejido de las cuerdas disonantes del metal en Bolivia: Análisis descriptivo e histórico del under boliviano |
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33-56 |
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Keywords |
Bolivia; Identity; Politics |
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Ediciones Jichha |
Place of Publication |
La Paz |
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Tapia, Reynaldo; Mendoza, Boris |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2483 |
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Author |
Tapia, Reynaldo; Mendoza, Boris (eds) |
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Title |
El Tejido de las cuerdas disonantes del metal en Bolivia: Análisis descriptivo e histórico del under boliviano |
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Year |
2022 |
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Keywords |
Bolivia; Music History; Sociology |
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Ediciones Jichha |
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La Paz |
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Tapia, Reynaldo; Mendoza, Boris |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2480 |
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Author |
Fuertes, Fernando |
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Title |
Underground Boliviano: Una nueva mirada a la escena metalera |
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2022 |
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El Tejido de las cuerdas disonantes del metal en Bolivia: Análisis descriptivo e histórico del under boliviano |
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135-169 |
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Keywords |
Bolivia; Underground |
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Ediciones Jichha |
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La Paz |
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Tapia, Reynaldo; Mendoza, Boris |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2487 |
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Author |
Gutiérrez, Julio César |
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Title |
Imágenes Reflejo del Ajayu del Under Boliviano |
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Year |
2022 |
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El Tejido de las cuerdas disonantes del metal en Bolivia: Análisis descriptivo e histórico del under boliviano |
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Pages |
201-242 |
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Keywords |
Bolivia; Underground |
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Ediciones Jichha |
Place of Publication |
La Paz |
Editor |
Tapia, Reynaldo; Mendoza, Boris |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2489 |
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