| |
Records |
Links |
|
Author |
Alasia, Ezequiel |
|
| |
Title |
The Reason Behind My Writing: Another Day of Being |
Type |
Book Chapter |
| |
Year |
2020 |
Publication |
Heavy Metal Music In Argentina: in black we are seen. |
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
72-83 |
|
| |
Keywords |
Non-Western scenes; Argentina |
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
University of Chicago Press |
Place of Publication |
Chicago |
Editor |
Scaricaciottoli, Emiliano; Varas-Díaz, Nelson; Nevárez Araujo, Daniel |
|
| |
Language  |
English |
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
978-1-78938-299-0 |
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM - CAM @ amaranta.saguar.garcia @ scaricaciottoli_reason_2020 |
Serial |
739 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Scaricaciottoli, Emiliano |
|
| |
Title |
Piedra Libre: Referential Tensions in Argentinean Heavy Metal. Lyrics Since the Political Crisis of 2001/2002 |
Type |
Book Chapter |
| |
Year |
2020 |
Publication |
Heavy Metal Music In Argentina: in black we are seen. |
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
84-99 |
|
| |
Keywords |
Textuality; Politics; Non-Western scenes; Argentina; Crisis |
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
University of Chicago Press |
Place of Publication |
Chicago |
Editor |
Scaricaciottoli, Emiliano; Varas-Díaz, Nelson; Nevárez Araujo, Daniel |
|
| |
Language |
English |
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
978-1-78938-299-0 |
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM - CAM @ amaranta.saguar.garcia @ scaricaciottoli_piedra_2020 |
Serial |
740 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Romero Mariño, Soledad; Navas, David |
|
| |
Title |
Metallica The Unauthorized Biography |
Type |
Book Whole |
| |
Year |
2020 |
Publication |
|
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
|
|
| |
Keywords |
Metallica (band); Biography |
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
Sourcebooks |
Place of Publication |
Naperville |
Editor |
|
|
| |
Language |
English |
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
978-1-72823-507-3 |
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM - CAM @ amaranta.saguar.garcia @ romero_marino_metallica_2020 |
Serial |
1532 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Vincent, David; McIver, Joel |
|
| |
Title |
I am Morbid: ten lessons learned from extreme metal, outlaw country, and the power of self-determination |
Type |
Book Whole |
| |
Year |
2020 |
Publication |
|
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
|
|
| |
Keywords |
Biography; Morbid angel (band); David Vincent (musician) |
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
Jawbone |
Place of Publication |
London |
Editor |
|
|
| |
Language |
English |
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
978-1-911036-55-5 |
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM - CAM @ amaranta.saguar.garcia @ vincent_i_2020 |
Serial |
1782 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Anselmi, J.J. |
|
| |
Title |
Doomed to fail: the incredibly loud history of doom, sludge, and post-metal |
Type |
Book Whole |
| |
Year |
2020 |
Publication |
|
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
|
|
| |
Keywords |
History (metal music); Doom metal; Post-Metal; Sludge metal |
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
Rare Bird Books |
Place of Publication |
Los Angeles |
Editor |
|
|
| |
Language |
English |
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
978-1-64428-064-5 |
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM - CAM @ amaranta.saguar.garcia @ anselmi_doomed_2020 |
Serial |
1852 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Pichler, Peter |
|
| |
Title |
Metal Music, Sonic Knowledge, and the Cultural Ear in Europe since 1970 A Historiographic Exploration |
Type |
Book Whole |
| |
Year |
2020 |
Publication |
|
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
|
|
| |
Keywords |
History; Sociology |
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
Franz Steiner Verlag |
Place of Publication |
Stuttgart |
Editor |
|
|
| |
Language |
English |
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
978-3-515-12787-5 |
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM - CAM @ amaranta.saguar.garcia @ pichler_metal_2020 |
Serial |
1925 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Mudrian, Albert (ed) |
|
| |
Title |
The Decibel Hall of Fame Anthology: Volume III |
Type |
Book Whole |
| |
Year |
2020 |
Publication |
|
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
364 |
|
| |
Keywords |
Judas Priest, Satan, Hellhammer, Kreator, King Diamond, Candlemass, Napalm Death, Tormentor, Judge, Dismember, Ripping Corpse, Entombed, Cynic, Focus, My Dying Bride, Carcass, Cradle of Filth, Deadguy, Cryptopsy, Emperor, Refused, Opeth, Watain, Mastodon, Bloodbath. |
|
| |
Abstract |
Decibel Books is proud to announce the publication of The Decibel Hall of Fame Anthology: Volume III. Our latest limited edition, webstore exclusive includes 25 more Hall of Fame stories from our revered monthly series of artist interviews on the making of their classic extreme music albums.
In addition to reintroducing many Hall of Fame pieces from long out-of-print issues of Decibel, The Decibel Hall of Fame Anthology: Volume III also includes a previously unreleased bonus feature on the making of Bloodbath’s death metal classic Nightmares Made Flesh. 364 pages, hardcover. |
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
dB Books |
Place of Publication |
|
Editor |
Mudrian, Albert |
|
| |
Language |
English |
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
|
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
INTech @ brianhickam2019 @ |
Serial |
2275 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Szpajdel, Christophe |
|
| |
Title |
Archaic Modernism: The Art of Christophe Szpajdel |
Type |
Book Whole |
| |
Year |
2020 |
Publication |
|
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
252 |
|
| |
Keywords |
|
|
| |
Abstract |
“Christophe's work is extremely sought after, and it has now gained interest from clients outside the metal scene. By far one of the most prolific but also the furthest reaching artist with now around 10,000 logos completed to date. Art Deco and Art Nouveau are the real sources of inspiration, exploring the abyss of imagination in crafting a logo and at the same time, aesthetically pleasant, attractive and functional. 'Archaic Modernism' takes a journey into the artist visual universe and philosophy, accompanied by the works of Stanislav Krawczyk.” |
|
| |
Address |
Heavy Music Artwork, PO Box 5778, Sevenoaks, TN13 9RW, UK |
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
Heavy Music Artwork |
Place of Publication |
UK |
Editor |
|
|
| |
Language |
English |
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
9781800490413, 1800490410 |
Medium |
Hardback |
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
INTech @ brianhickam2019 @ |
Serial |
2471 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
López Ramírez Gastón, José Ignacio |
|
| |
Title |
El ritual de lo habitual: apuntes introductorios sobre un rock nacional peruano |
Type |
Journal Article |
| |
Year |
2020 |
Publication |
Antec: Revista Peruana de Investigación Musical |
Abbreviated Journal |
|
|
| |
Volume |
4 |
Issue |
1 |
Pages |
60-85 |
|
| |
Keywords |
Rock; música popular; música peruana; rock nacional; translocalidad; nacionalismo |
|
| |
Abstract |
La participación del rock en el desarrollo de comunidades musicales en el Perú es un tema no explorado dentro del ámbito académico. En la construcción de los modelos nacionales y regionales de una musicalidad propia, las músicas populares urbanas de origen extranjero no han sido consideradas; tampoco lo han sido como elementos en la formación de una identidad regida por los parámetros del discurso del Estado-nación. En este trabajo, exploramos las confrontaciones y dicotomías que mantienen el tema del rock como ajeno y a las comunidades musicales del rock nacional, como lejanas. |
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
La Universidad Nacional de Música (UNM) (Perú) |
Place of Publication |
Ciudad de Lima, la República del Perú |
Editor |
|
|
| |
Language |
español |
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
2616-681X (electrónico); 2521-8565 (impreso) |
ISBN |
|
Medium |
PDF, XML, EPUB, HTML |
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
Open Access: Esta obra está bajo una licencia internacional: Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) |
Approved |
no |
|
| |
Call Number |
INTech @ brianhickam2019 @ |
Serial |
2379 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Castillo Bernal, Stephen |
|
| |
Title |
¡Invierte la cruz invertida! Primeras apreciaciones sobre el metal cristiano mexicano. |
Type |
Book Chapter |
| |
Year |
2020 |
Publication |
Etnomusicología y globalización: Dinámicas cosmopolitas de la música popular. |
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
113-134 |
|
| |
Keywords |
Análisis etnográfico, simbólico e imaginario sobre el metal cristiano en México; Etnomusicología; Música–Aspectos sociales–México; Música y globalización–Aspectos sociales-México; Música popular mexicana–Aspectos sociales. |
|
| |
Abstract |
El heavy metal es un movimiento cultural que inició en la década de 1970. Este estilo musical periférico ha sido estigmatizado por gran parte de la sociedad, tachándolo de simple, de burdo, de satánico (Christe, 2004). De la misma forma, se ha estereotipado a sus fanáticos, dando por supuesto que se trata de drogadictos o delincuentes (Singer, Levi y Jou, 1993). Y, sin embargo, el heavy metal sigue siendo uno de los referentes musicales más socorridos entre las juventudes contemporáneas (Santos, 2016). Algo característico de esta escena musical, independientemente del subgénero, es su asociación con temas transgresores. El más característico es el cuestionamiento de los metarrelatos, como la religión judeocristiana o la política. A pesar de que existen muchas propuestas ideológicas, musicales y vocales dentro del heavy metal, el tocar temas tabú de la sociedad es algo fundamental de este género musical, por lo cual muchos jóvenes, en su época contestataria y rebelde, lo adoptan, casi siempre para no abandonarlo nunca más.
En este trabajo delinearé parte de los cimientos del heavy metal cristiano. Esta vertiente del heavy metal, a pesar de encontrarse dentro del movimiento planetario metalero, se estructura en función de su filiación cristiana, esto es, sus líricas aluden a Dios, a sus hazañas en la Tierra y a la lucha contra los pecados y la maldad del mundo. Pareciera ser que este tipo de ideología es impensable en el mundo del heavy metal, sobre todo porque éste se ha asociado erróneamente con el satanismo y con los temas tabú. Sin embargo, la música en sí misma del metal cristiano es transgresora, ya que las agrupaciones de este subgénero pueden especializarse en death, power, thrash o doom, o incluso en black metal, con sonidos y vocales que, definitivamente, alguien que no sea partícipe del movimiento lo tacharía de satánico.
Este trabajo será apuntalado mediante la mirada etnográfica realizada en el pasado XV Éxodo Metal Fest, festival musical celebrado en la montaña de La Malinche, en Tlaxcala, en abril de 2017. Este evento de metal al aire libre congrega a diferentes bandas de metal cristiano y a diversos seguidores del movimiento espiritual. Las pautas identitarias de los músicos, de los fans y de los organizadores serán utilizadas para perfilar un estudio más profundo de un movimiento que, desde mi punto de vista, constituye otra representación underground de lo underground. |
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
El Colegio de la Frontera Norte (El Colef) |
Place of Publication |
Tijuana, Baja California, México |
Editor |
Coordinación editorial: Érika Moreno Páez |
|
| |
Language |
español |
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
Olmos Aguilera, Miguel (coordinator) |
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
978-607-479-348-2 |
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
INTech @ brianhickam2019 @ |
Serial |
2406 |
|
| Permanent link to this record |
