| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Adamo, Noelia |
“In Black We Are Seen”. Heavy Metal Music in Argentina |
2021 |
Para cruzar mil senderos: Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano |
|
67-72 |
|
|
|
Alasia, Ezequiel |
The Reason Behind My Writing: Another Day of Being |
2020 |
Heavy Metal Music In Argentina: in black we are seen. |
|
72-83 |
|
|
|
Belén Calvo, Manuela |
La construcción de la identidad metálica auténcia en la escena argentina |
2022 |
Música Extrema: ruídos, imagens e sentidos |
|
245-266 |
|
|
|
Belén Calvo, Manuela |
Indigenista perspectives in Argentine metal music |
2018 |
Metal Music Studies |
4 |
155-163 |
|
|
|
Bernal, Manuel; Caballero, Manuel |
Walkabout, Just Walking about for the Sake of Walking: The Journey as an Ethos in the Poetics of Ricardo Iorio |
2020 |
Heavy Metal Music In Argentina: in black we are seen. |
|
46-57 |
|
|
|
Calvo, Manuela |
Ricardo Iorio e e metal argentino: uma genealogia dos seus nacionalismos |
2021 |
Tropos: Comunicação, Sociedade e Cultura |
10 |
s.p. |
|
|
|
Calvo, Manuela |
Diálogos que construyen un modo de nacionalismo argentino en el metal pesado argento de Almafuerte |
2014 |
Tensiones, tránsitos y desplazamientos. Reflexiones desde una perspectiva comparatística |
|
120-137 |
|
|
|
Calvo, Manuela Belén |
Coloniality and Gender in the Argentinian Metal Scene: A Study Through Four Cases |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
163-186 |
|
|
|
Calvo, Manuela Belén |
Metal and Politics in Argentina: A Study into the Audienceship Surrounding Ricardo Iorio |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
183-200 |
|
|
|
Calvo, Manuela Belén |
Perspectiva indigenista en la música metal de Argentina |
2018 |
Metal Music Studies |
4 |
147-154 |
|
