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Author |
Lucas, Olivia R. |
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Title |
“Kaitiakitanga, Whai Wāhi” and Alien Weaponry: indigenous frameworks for understanding language, identity and international success in the case of a Māori metal band |
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Journal Article |
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Year |
2021 |
Publication  |
Popular Music |
Abbreviated Journal |
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Volume |
40 |
Issue |
2 |
Pages |
263-280 |
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Keywords |
Alien Weaponry (band); Maori metal; Language; Identity; Nationhood |
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0261-1430 |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2386 |
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Author |
Herbst, Jan-Peter; Mynett, Mark |
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Title |
What Is “Heavy” in Metal? A Netnographic Analysis of Online Forums for Metal Musicians and Producers |
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Journal Article |
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Year |
2022 |
Publication |
Popular Music and Society |
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t.b.c. |
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Pages |
t.b.c. |
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Keywords |
Music Production; Sound; Heaviness |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2311 |
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Author |
Pichler, Peter |
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Title |
To the sources! On historical source criticism in metal studies |
Type |
Journal Article |
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Year |
2023 |
Publication |
Popular Music History |
Abbreviated Journal |
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Volume |
15 |
Issue |
1 |
Pages |
54–77 |
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Keywords |
Metal Studies, History, Source Criticism, sonic knowledge, Styria, historical sources, metal scenes |
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Abstract |
Metal studies is usually considered to be a fundamentally interdisciplinary field of research. However, the disciplines that were included at its beginning (mostly sociology, cultural anthropology, musicology, and philosophy) are still theoretically dominant. As a consequence, several important research questions that do not reflect these disciplines’ epistemologies have remained unanswered to this day. To a great extent, this applies to historical research questions on metal scenes. In this respect, the author argues that metal studies could benefit from the expertise of history in general and source criticism in particular. In order to develop this argument, necessary basic traits of contemporary historical source criticism are introduced. Then, the author proceeds by individually discussing three fundamental types of sources that are structurally tied to the historical long-term processes in metal scenes: concert flyers, album covers and band T-shirts. Research into the Styrian metal scene in south-eastern Austria provides examples. To conclude, it is posited that starting from a semiotic concept of source criticism and then adapting such a concept for the specific purposes of metal studies is necessary to nurture historical awareness and the accuracy of relevant research. |
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15 The Workstation 15 Paternoster Row, Sheffield, S1 2BX United Kingdom |
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Equinox Publishing Ltd |
Place of Publication |
United Kingdom |
Editor |
Catherine Strong; Shane Homan |
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English |
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1740-7133 (Print); 1743-1646 (Online) |
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INTech @ brianhickam2019 @ |
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2469 |
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Author |
Burns, Lori |
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Title |
Unsettling Masculinity: Illness Narrative in Pain of Salvation’s “In the Passing Light of Day” (2017) |
Type |
Book Chapter |
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Year |
2020 |
Publication |
Popular Musicology and Identity: Essays in Honour of Stan Hawkins |
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Pages |
196–217 |
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Keywords |
Masculinity; Pain of Salvation (band); Disease |
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Routledge |
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Hansen, Kai Arne; Askeroi, Eirik; Jarman, Freya |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2398 |
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Author |
Beckmayer, Sonja |
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Title |
“Metal is Religion” – Heavy Metal und Liturgie. Popkulturelle Vermittlungsweisen gottesdienstlicher Elementeam Beispiel des Heavy Metal |
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Journal Article |
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Year |
2024 |
Publication |
Praktische Theologie |
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Volume |
59 |
Issue |
1 |
Pages |
58-65 |
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Keywords |
Religion; Pop culture; Liturgy |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2548 |
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Author |
Flores Delgado, Mario Alonso |
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Title |
Rebelión en la Guarida. El legado cultural del movimiento musical del metal en Mérida: Un aporte etnohistórico |
Type |
Journal Article |
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Year |
2019 |
Publication |
Presente y Pasado – Revista de Historia |
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Volume |
47 |
Issue |
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Pages |
109-131 |
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Keywords |
Ethnohistory; México |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2590 |
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Author |
Powell, Merrick; Olsen, Kirk N., Davidson, Jane; Thompson, William Forde |
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Title |
Understanding the Attraction to Music Containing Violent Themes: A Qualitative Analysis |
Type |
Journal Article |
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Year |
2024 |
Publication |
Psychology of Popular Media |
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Advance online publication |
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Violence; Lyrics; Morbidness; Curiosity |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2551 |
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Author |
Kneer, Julia; Rieger, Diana |
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Title |
“The Memory Remains”: How Heavy Metal Fans Buffer Against the Fear of Death |
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Journal Article |
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Year |
2015 |
Publication |
Psychology of Popular Media Culture |
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5 |
Issue |
3 |
Pages |
1-15 |
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Psychology; Death |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2332 |
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Author |
Rodríguez, Pablo |
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Title |
Encuentro de Ritmos Tradicionales con Distorsiones del Mundo: Propuestas musicales ecuatorianas donde conviven el rock y la música tradicional. |
Type |
Magazine Article |
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Year |
2020 |
Publication |
R-ZINE |
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1 |
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Pages |
14-25 |
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Sociedad Anómica; Universidad San Francisco de Quito |
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San Francisco de Quito, Republic of Ecuador |
Editor |
Viteri, Juan Pablo |
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Spanish |
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Este primer número de R-ZINE fue financia do por la Universidad San Francisco de Qui to USFQ (Ecuador) a través de su programa de Grants de Producción Creativa (grant 2019-2020) del Decanato de Investigación. R-Zine es un proyecto de investigación creativa del Colegio de Comunicación y Artes Contemporáneas (COCOA). Diez Años De Música Independiente. |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2294 |
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Author |
Viteri, Juan Pablo |
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Title |
DIABLO-HUMA [AYA-UMA]: Fuerza ancentral música independiente. |
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Magazine Article |
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2020 |
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R-ZINE |
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1 |
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26-37 |
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Sociedad Anómica; Universidad San Francisco de Quito |
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San Francisco de Quito, Republic of Ecuador |
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Spanish |
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Este primer número de R-ZINE fue financia do por la Universidad San Francisco de Qui to USFQ (Ecuador) a través de su programa de Grants de Producción Creativa (grant 2019-2020) del Decanato de Investigación. R-Zine es un proyecto de investigación creativa del Colegio de Comunicación y Artes Contemporáneas (COCOA). Diez Años De Música Independiente. |
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INTech @ brianhickam2019 @ |
Serial |
2295 |
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