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Roby, David Allen |
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Title |
Crust Punk: An Anarchist Political Epistemology |
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2021 |
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204 |
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Affect; Anarchism; Clothing; Cultural anthropology; Crust punk; Heavy Metal Music; Political science; Punk rock music; Reggae; Tattoos; Transiency |
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The Sex Pistols’ 1976 anthem, “Anarchy in the UK,” memorialized an ongoing relationship between anarchism and punk rock music. Although scholars of punk music have long documented the relationship between leftist or progressive politics in punk music scenes, they have not interrogated the content and sources of anarchist politics, often taking for granted the relationship between anarchism and punk. This dissertation examines the anarchist politics of a particular genre of punk, called “crust punk,” which is a blend of punk and heavy metal. Like most music subcultures, the crust punk scene is much more than musical sounds; it is associated with a particular lifestyle as well. Crust punks’ choices to drop out of society and live in squats or on the streets, I argue, are political. This dissertation combines ethnomusicological methods with a field of study called “political epistemology” from political science that seeks to understand the origins and composition of political ideas. I combine these two approaches to examine crust punk political ideas: where they come from, how they are shared within the scene, and in what ways they can be considered “anarchist.” I conclude that crust punk represents a form of what I theorize as “vernacular anarchism” that arises from precarious forms of existence, is formulated in everyday life experiences, and is given substance through affective and emotional responses to the poetics of crust punk song texts. |
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Ph.D. thesis |
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University of California, Davis |
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Ann Arbor |
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INTech @ brianhickam2019 @ |
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2199 |
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Author |
Coulombe, Alexander Paul |
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Title |
Burakku Metaru: Japanese Black Metal Music and the 'Glocalization' of a Transgressive Sub-culture |
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2018 |
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110 |
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Asian Studies; Black metal; Community; Cultural anthropology; Globalization; Heavy metal; Japan; Localization; Social transgression |
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This thesis will demonstrate how Black Metal music became established in Japan, how it evolved, and how musicians situate themselves in a globalized form of community. It is a study of how Japanese Black Metal functions in the tensions between globalization and localization, a term called “glocalization” (Victor Roudometof 10). Japanese Black Metal is globalized around a set of rules and ideas, a term Deena Weinstein uses to describe Heavy Metal music called “codes” (Heavy Metal the Music 100). Additionally, as this music is localized, it reveals how many Japanese musicians express uniquely cynical viewpoints of religion and established authority using these globalized codes. Due to its anti-Christian and brutal history in other countries, Black Metal is seen as transgressive against mainstream society. Through electronic ethnographic research with Japanese Black Metal artists, this thesis finally examines how Black Metal is at once desirable yet also transgressive in Japanese society, a country with a comparatively low population of Christians. |
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Master's thesis |
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University of Arizona |
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Ann Arbor |
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978-0-438-33093-1 |
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INTech @ brianhickam2019 @ |
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2205 |
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Guzman, Carmen |
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Title |
Babymetal's “Music in Action”: Redefining Authenticity, Decolonizing Metal, Destabilizing Economy |
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2021 |
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Babymetal (band); Authenticity; Decolonisation; Music industry |
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Master's thesis |
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University of Anchorage |
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Anchorage |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2138 |
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Soares Espindola, Mariana |
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Title |
Heavy, Holy, and Homey: The Role of Religious Imagery in Heavy Metal Album Covers |
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2023 |
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Visual Culture; Religion; Aesthetics; Album covers |
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Master's thesis |
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University of Alberta |
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Alberta |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2457 |
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Author |
Tontsch, Katharina |
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Title |
Reign in Blood Beauty: Eine empirische Studie zum Schönheitsideal im Heavy Metal |
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2021 |
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Aesthetics; Poetics; Beauty |
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Master's thesis |
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Universität Salzburg |
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Salzburg |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2337 |
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Author |
Pikri, Zainal; Muthmainnah, Inna |
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Title |
Perdebatan Kontemporer tentang Islam, Gender dan Musik: Analisis Wacana atas Band Hijabi Metal VOB (Voice of Baceprot) [Contemporary Debates on Islam, Gender and Music: Discourse Analysis of the Hijabi Metal Band VOB (Voice of Baceprot)] |
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2022 |
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VOB (band); Voice of Baceprot (band); Hijab; Islam; Gender; Women |
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Bachelor's thesis |
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Universitat Islan Negeri Antasari Banjarmasin |
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Banjarmasin |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2392 |
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Author |
Hernando González, Paola |
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Title |
La tradición clásica en el heavy metal y el rock |
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2021 |
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Classicism |
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Bachelor's thesis |
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Universitat autònoma de Barcelona |
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Barcelona |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2324 |
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Author |
Lopes, Pedro Alvim Leite |
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Title |
Heavy Metal no Rio de Janeiro e Dessacralização de símbolos religiosos: a música do demônio na cidade de São Sebastião das Terras de Vera Cruz |
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2006 |
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204 |
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Non-Western scenes; Brazil; REligion |
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Ph.D. thesis |
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Universidade Federal do Rio de Janeiro |
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Rio de Janeiro |
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PDF |
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UCM - CAM @ amaranta.saguar.garcia @ lopes_heavy_2006 |
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986 |
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Author |
Faria, Fabio Coura de |
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Title |
Roots and Routes: The Cultural Politics and Translocality of Hip Hop and Heavy Metal |
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2022 |
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Hip Hop; Politics; Locality; Identity; Latin America; Colonisation; Hybridity |
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Doctoral thesis |
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Universidade Federal de Santa Catarina |
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Florianópolis |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2347 |
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Author |
Reis Alecrim, Thales |
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Title |
The Day of Doom Has Come: A representação do mal, a indústria cultural e a cultura da participação na produção do Sepultura (1984-1987) |
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2021 |
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Sepultura (band); Evil; Music Industry |
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Master's thesis |
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Universidade de São Paulo |
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São Paulo |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2260 |
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