| |
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Andrew Klein |
Blood, Frets and Tears |
2018 |
|
|
1'15" |
|
|
|
Pascuchelli, María Natalia |
Las performance de rock como ámbito de construcción de identidades. Los seguidores de V8 en el área metropolitana de Buenos Aires. |
2012 |
Revista Lindes: Estudios Sociales del Arte y la Cultura |
Octubre |
17 |
|
|
|
Robertson, Wes |
Screaming of Slaughter and Samurai: Motives and Methods for Exploring Premodern Japan in the Japanese Folk Metal Scene |
2022 |
Parergon |
39 |
79-104 |
|
|
|
Olsen, Kirk N.; Terry, Josephine; Thompson, William Forde |
Psychosocial risks and benefits of exposure to heavy metal music with aggressive themes: Current theory and evidence |
2022 |
Current Psychology |
Online first |
|
|
|
|
Nenadalová, Jana; Menšíková, Tereza |
“Metal Studies in Central/Eastern Europe: 1st (online) Workshop” on Extreme Music and its Academic Studies |
2022 |
Religio: Revue pro religionistiku |
30 |
77-80 |
|
|
|
Forshaw, Juliet |
Metal in Three Modes of Enmity: Political, Musical, Cosmic |
2011 |
Current Musicology |
91 |
139-160 |
|
|
|
Koplow Villavicencio, Jan |
Aproximación a la relación entre la escena metalera chilena y los pueblos originarios Mapuche, Selk’nam y Kawésqar |
2022 |
Contrapulso – Revista Latinoamericana De Estudios En Música Popular |
4 |
78-93 |
|
|
|
Herbst, Jan-Peter; Mynett, Mark |
What Is “Heavy” in Metal? A Netnographic Analysis of Online Forums for Metal Musicians and Producers |
2022 |
Popular Music and Society |
t.b.c. |
t.b.c. |
|
|
|
Herbst, Jan-Peter; Mynett, Mark |
Toward a Systematic Understanding of “Heaviness” in Metal Music Production |
2022 |
Rock Music Studies |
t.b.c. |
|
|
|
|
Tzu-Han Cheng; Chen-Gia Tsai |
emale Listeners’ Autonomic Responses to Dramatic Shifts Between Loud and Soft Music/Sound Passages: A Study of Heavy Metal Songs |
2016 |
Frontiers in Psychology |
7 |
art. 182 |
|
