| |
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Friconnet, Guillaume |
Establishing a taxonomy of metal subgenres based on quantitative musical and thematic features |
2022 |
Metal Music Studies |
8 |
183-203 |
|
|
|
Watier, Nicholas |
Threat cues in metal's visual code |
2022 |
Metal Music Studies |
8 |
205-223 |
|
|
|
Lajić Mihajlović, Danka; Radovanović, Bojana |
Black (metal) epics: Remediation of tradition in the case of Gavranovi from Serbia |
2022 |
Metal Music Studies |
8 |
225-243 |
|
|
|
Vrzal, Miroslav |
Against the devil’s metal: Christian public discursive strategies against metal concerts and festivals in Czechia and Slovakia |
2022 |
Metal Music Studies |
8 |
245-268 |
|
|
|
Heesch, Florian |
Voice of anarchy: Gender aspects of aggressive metal vocals. The examples of Angela Gossow (Arch Enemy) |
2018 |
Criminocorpus: Revue hypermedian d'Histoire de la justice, des crimes et des peines |
11 |
1-18 |
|
|
|
Córdoba, Jesús |
Metaleras feministas (Feminist Metalheads) |
2021 |
Metal to the Bone |
|
1-4 |
|
|
|
Zapata, Alex |
Primer ataque sonoro-visual: Apropiación del metal en Santiago de Chile (1982-1993) |
2022 |
Disonancias del metal: Reflexiones del 1er y 2do Encuentro Sociocultural sobre Heavy Metal: Heterogeneidades Metaleras |
1 |
8-9 |
|
|
|
Peláez Sánchez, Miguel Antonio |
El concepto de muerte en el rock gótico |
2006 |
Logos |
10 |
66-74 |
|
|
|
Hernando González, Paola |
La tradición clásica en el heavy metal y el rock |
2021 |
|
|
|
|
|
|
Mora Rioja, Arturo |
“Into the Valley of Death”: A Textual and Musical Analysis of Metal Music’s Adaptation, Appropriation, and Quotation of Poetry in English |
2021 |
|
|
|
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