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Author |
Gallina, Francesco |
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Title |
La fisica del rock. Da Einstein, Lovecraft e Paperino a Jeeg Robot, ai Queen e all'Universo degli Epica |
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Year |
2023 |
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Arcana |
Place of Publication |
Roma |
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9788892772274 |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2468 |
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Author |
Pichler, Peter |
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Title |
To the sources! On historical source criticism in metal studies |
Type |
Journal Article |
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Year |
2023 |
Publication |
Popular Music History |
Abbreviated Journal |
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Volume |
15 |
Issue |
1 |
Pages |
54–77 |
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Keywords |
Metal Studies, History, Source Criticism, sonic knowledge, Styria, historical sources, metal scenes |
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Abstract |
Metal studies is usually considered to be a fundamentally interdisciplinary field of research. However, the disciplines that were included at its beginning (mostly sociology, cultural anthropology, musicology, and philosophy) are still theoretically dominant. As a consequence, several important research questions that do not reflect these disciplines’ epistemologies have remained unanswered to this day. To a great extent, this applies to historical research questions on metal scenes. In this respect, the author argues that metal studies could benefit from the expertise of history in general and source criticism in particular. In order to develop this argument, necessary basic traits of contemporary historical source criticism are introduced. Then, the author proceeds by individually discussing three fundamental types of sources that are structurally tied to the historical long-term processes in metal scenes: concert flyers, album covers and band T-shirts. Research into the Styrian metal scene in south-eastern Austria provides examples. To conclude, it is posited that starting from a semiotic concept of source criticism and then adapting such a concept for the specific purposes of metal studies is necessary to nurture historical awareness and the accuracy of relevant research. |
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15 The Workstation 15 Paternoster Row, Sheffield, S1 2BX United Kingdom |
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Publisher |
Equinox Publishing Ltd |
Place of Publication |
United Kingdom |
Editor |
Catherine Strong; Shane Homan |
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English |
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1740-7133 (Print); 1743-1646 (Online) |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2469 |
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Author |
Tapia, Reynaldo |
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Title |
Observaciones y Resumen del Primer Congreso y Encuentro de Rock y Metal en Bolivia |
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Book Chapter |
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Year |
2023 |
Publication |
Perspectivas y Resistencias Musicales |
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Volume |
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Pages |
17-36 |
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Keywords |
Bolivia; Conferences |
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Ediciones Rincón |
Place of Publication |
La Paz |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2481 |
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Author |
Tapia, Reynaldo |
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Title |
Perspectivas y Resistencias Musicales |
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Journal Article |
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Year |
2023 |
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Bolivia |
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Ediciones Rincón |
Place of Publication |
La Paz |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2482 |
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Author |
Núñez, María de la Luz |
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Title |
Las portadas de Yana Raymi como una expresión de neobarroco peruano: la resistencia gráfica de los guerreros wankas |
Type |
Journal Article |
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Year |
2023 |
Publication |
UCOARTE. Revista De Teoría E Historia Del Arte |
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Volume |
12 |
Issue |
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Pages |
236–260 |
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Keywords |
Yana Raymi (band); Perú; Neobaroque; Aesthetics; Cover Art |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2491 |
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Author |
Prown, Pete |
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Title |
Ultimate Heavy Metal Guitars: The Guitarists Who Rocked the World |
Type |
Book Whole |
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Year |
2023 |
Publication |
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Volume |
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Pages |
192 |
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“From metal pioneers like Black Sabbath’s Tony Iommi, Led Zeppelin’s Jimmy Page, and Deep Purple’s Ritchie Blackmore to today’s hottest shredders, thrashers, and riffers, Ultimate Heavy Metal Guitars is your guide to the instruments and musicians that made metal. Author and guitar journalist Pete Prown presents his subjects by metal-defining eras and subgenres, including: early metal, hard rock and arena rock, prog rock, Euro metal, hair metal, shred, thrash, and more.” (source: Amazon.com) |
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Motorbooks |
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English |
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ISBN |
0760377758; 978-0760377758 |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2515 |
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Author |
Burns, Lori |
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Title |
Framing the Female Voice in Doom Metal: Formal and Sonic Elements in The Gathering’s “Strange Machines” (Mandylion, 1995) |
Type |
Book Chapter |
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Year |
2023 |
Publication |
Analyzing Recorded Music: Collected Perspectives |
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Pages |
323–338 |
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Keywords |
The Gathering (band); Madylion (album); Female artists; Singing; Musicology |
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Routledge |
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Editor |
Moylan, William; Burns, Lori; Alleyne, Mike |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2396 |
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Author |
Banchs, Edward; Bardine, Bryan A.; Chilewska, Anna; Cintrón-Gutiérrez, Luis Javier; Hagen, Ross; Madera, Sheilla R.; Nelson, Bradley J.; Podoshen, Jeffrey; Purves, Robin; Ramos-Pibernus, Alixida; Shadrack, Jasmine Hazel; Scott, Niall W.R.; Varas-Díaz, Nelson; Venkatesh, Vivek; & Wallin, Jason |
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Title |
On Extremity: From Music to Images, Words, and Experiences |
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Book Whole |
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Year |
2023 |
Publication |
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Pages |
290 |
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“On Extremity: From Music to Images, Words, and Experiences brings together transdisciplinary scholarship on sounds, images, words, and experiences (human and non-human) to reflect on the polysemic and polymorphic characteristics of extremity and the category of the extreme. The editors and authors aim to contribute to a living, breathing, and expanding definition of extremity that helps us understand what we gain, or lose, when we interact with it, create it, and share it with, or force it upon, others. The volume calls for the emergence of “extremity studies” as an area of perusal to help us navigate our current global condition.”
(source: Amazon.com) |
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https://rowman.com/Page/Lexington |
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Publisher |
Lexington Books |
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Editor |
Varas-Díaz, Nelson; Bardine, Bryan; Scott, & Niall W.R. |
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English |
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Extreme Sounds Studies: Global Socio-Cultural Explorations |
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ISBN |
1666905208, 978-1666905205 |
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Hardback |
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no |
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INTech @ brianhickam2019 @ |
Serial |
2520 |
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Author |
Turley, Julie; Jocson-Singh, Joan |
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Title |
Heavy Music Mothers: Extreme Identities, Narrative Disruptions |
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Year |
2023 |
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Pages |
152 |
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“Heavy Music Mothers: Extreme Identities, Narrative Disruptions is an exploration of women and heavy music and the ways in which women have historically engaged with musicking as mothers. Julie Turley and Joan Jocson-Singh, musicking mothers themselves, largely employ an ethnographic lens, foregrounded in powerful one-on-one original interviews as vignettes that narrate thematic patterns. Other chapters examine motherhood identity embedded in respective published rock music memoirs, discussions of rock performance as a site of maternal bonding, and themes that arise when heavy music mothers write about motherhood. Autoethnographic portions throughout give the book an intimate and personal tone: one such chapter presents the concept of vigilante motherhood within an auto-ethnographic context.
The authors reference the book’s limitations, meditating on historically marginalized moms the authors predict and hope the focus will be on for the future. Heavy Music Mothers is a robust study of women and motherhood set within a music culture historically inhospitable to both women and mothers. This book, the first scholarly study of this topic, is just the beginning.”
(Source: Rowman & Littlefield) |
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Publisher |
Lexington Books |
Place of Publication |
Lanham, Maryland |
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Language |
English |
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Extreme Sounds Studies: Global Socio-Cultural Explorations |
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ISBN |
1666916153; 978-1666916157 |
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Hardback |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2530 |
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Author |
Rosa, Hartmut |
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Title |
When Monsters Roar and Angels Sing: Eine kleine Soziologie des Heavy Metal |
Type |
Book Whole |
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Year |
2023 |
Publication |
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Pages |
187 |
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<<Ehemals Musik junger Abgehängter und Outlaws, ist Heavy Metal heute mehr und mehr in der Mitte der Gesellschaft angekommen: Wohl mehr als 10 Millionen Deutsche hören Heavy Metal. Aber warum tun sie das? Was suchen und was finden sie in dieser Musik, die von Außenstehenden oft als purer Lärm empfunden wird? Warum wimmelt es im Heavy Metal nur so von Monstern und Teufeln – und wieso schweigen auch die Götter und die Engel nicht? Was erleben Metalfans, wenn sie ihre Musik hören – und welche Erfahrung treibt sie immer wieder ins Konzert? Wieso lesen sie ständig Musikzeitschriften und hören nicht auf, CDs zu kaufen? Wie ist es zu erklären, dass 40 Prozent der Metalfans behaupten, die Musik habe ihr Leben gerettet? Und warum ist Heavy Metal stärker als die Musikindustrie? Worum geht es im Heavy Metal wirklich? Diese Fragen und mehr beantwortet Hartmut Rosa in dieser kleinen Soziologie des Heavy Metal.>>
[Once the music of young socialites and outlaws, heavy metal has now become more and more mainstream in society: more than 10 million Germans listen to heavy metal. But why do they do this? What are they looking for and what do they find in this music, which outsiders often perceive as pure noise? Why is heavy metal so full of monsters and devils – and why don't the gods and angels stay silent either? What do metal fans experience when they listen to their music – and what experience drives them to go to concert again and again? Why do they keep reading music magazines and don't stop buying CDs? How can we explain the fact that 40 percent of metal fans claim that music saved their lives? And why is heavy metal stronger than the music industry? What is heavy metal really about? Hartmut Rosa answers these questions and more in this little sociology of heavy metal.]
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<< Der Soziologe Hartmut Rosa überträgt in „When Monsters Roar and Angels Sing. Eine kleine Soziologie des Heavy Metal“ seine vieldiskutierte Resonanztheorie ganz konkret auf das praktische Beispiel Heavy Metal. Was suchen und was finden Menschen in dieser Musik? Und was kann die Gesellschaft von der Kulturströmung Heavy Metal lernen? “Heavy Metal ist für mich ein troziges 'Trotzdem!'”, so Hartmut Rosa. Wir haben mit dem bekennenden Metalfan zu seinem neuen Buch gesprochen.“ >>
[In “When Monsters Roar and Angels Sing. A Short Sociology of Heavy Metal,” the sociologist Hartmut Rosa specifically transfers his much-discussed resonance theory to the practical example of heavy metal. What are people looking for and what do they find in this music? And what can society learn from the heavy metal cultural movement? ”For me, heavy metal is a defiant 'Nevertheless!'" says Hartmut Rosa. We spoke to the self-confessed metal fan about his new book.]
(Source: https://shop.kohlhammer.de/) |
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Kohlhammer Verlag |
Place of Publication |
Stuttgart, Baden-Württemberg, Germany |
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German |
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MetalBook (Volume 1) |
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ISBN |
9783170426481 |
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Hardback |
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Notes |
Print; PDF eBook; ePub eBook; Sonstiges Hörbuch/Audio-CD |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2531 |
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