|
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Metal drumming concepts: vital beats, exercises, fills, tips & techniques |
2012 |
|
|
|
|
|
|
The stylistic history of heavy metal guitar |
2010 |
|
|
|
|
|
Aledort, Andy |
Thrashing It Out |
1988 |
Guitar for the Practicing Musician |
March |
|
|
|
Antonieto, Thiago |
O inventor do peso no heavy metal |
2004 |
Cover Guitarra |
120 |
42-50 |
|
|
Armington, Nick; Lofas, Lars |
The Genesis of Metal |
1990 |
Drums and Drumming |
August/September |
21-25; |
|
|
Bechtold, Gernot |
Die Heavy Metal Kultur in bildender Kunst und Musik: Fachwissenschaftliche und fachdidaktische Aspekte |
2008 |
|
|
|
|
|
Berger, Harris M. |
Metal, rock, and jazz: perception and the phenomenology of musical experience |
1999 |
|
|
|
|
|
Berger, Harris M. |
Death metal tonality and the act of listening |
1999 |
Popular Music |
18 |
161-178 |
|
|
Berger, Harris M. |
The practice of perception: Multi-functionality and time in the musical experiences of a heavy metal drummer |
1997 |
Ethnomusicology; Champaign |
41 |
464-488 |
|
|
Berger, Harris M.; Fales, Cornelia |
”Heaviness” in the Perception of Heavy Metal Guitar Timbres: The Match of Perceptual and Acoustic Features |
2005 |
Wired for sound: engineering and technologies in sonic cultures |
|
181-197 |
|