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Author |
Yépez Aguirre, Jimmy Renzo |
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Title |
La Metaldad y el Habitus y Metalicus en la ciudad de Lima 1994-2014 |
Type |
Journal Article |
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Year |
2019 |
Publication |
Pluriversidad, the academic journal of Vicerrectorado Académico de la Universidad Ricardo Palma |
Abbreviated Journal |
Pluriversidad |
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Volume |
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Issue |
3 |
Pages |
21 |
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Keywords |
Individualism; mercantilism; fetichism; rock music; habitus-field |
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Abstract |
This study has been oriented, to identify the benefits of the qualitative method of the theory built on the different aspects of feeling and thinking of the Metaleros1 in the city of Lima, in order to analyze their impersonal relations with society. In this sense the following objective was proposed: to understand why the social life individualization, the cultural commodification and the music fetishism is reproduced in the feeling and thinking of Lima’s metaleros. An in-depth interview was conducted with 23 young adults and metaleros between aged 14 to 48 years old as a range or limit, which resulted in a non-probabilistic sample. Two conceptual categories were identified: Rockandad and Metaldad, which serve to give interpretation to the problematic raised. In addition, a conceptual theoretical instrument called pyramidal dialectic was elaborated, to give way to the explanation of the research carried out. |
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Address |
Av. Benavides 5440 – Santiago de Surco Lima 33 Perú | postal section 1801 | ( 0511 ) 708 0000 | Email: helpdesk@urp.edu.pe |
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Publisher |
Universidad Ricardo Palma |
Place of Publication |
Lima, República del Perú |
Editor |
Martínez Llaque, José |
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Spanish |
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English |
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Print: 2617-6254 / Online: 2617-6262 |
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Notes |
Creative Commons 4.0 (CC BY-NC) |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2282 |
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Author |
Yépez Aguirre, Jimmy Renzo |
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Title |
Campo y habitus de la metaldad limeña 1994-2014: Field and habitus of metaldad limeña 1994 – 2014 |
Type |
Journal Article |
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Year |
2017 |
Publication |
Anales Científicos |
Abbreviated Journal |
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Volume |
78 |
Issue |
2 |
Pages |
80-91 |
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Keywords |
Individualization; commodification; fetishization; rock; metal; habitus; field; consumer Society |
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Abstract |
This study was aimed at identifying the benefits that have the qualitative method of grounded theory on the different aspects of feeling and thinking of the metalheads of Lima in order to analyze their gregarious relations in society. In this regard the following objectives: Understand that reproduces the individualization of social life, cultural commodification and fetishization of music, the feelings and thoughts of the metalheads of Lima. Use of depth interview which was applied to a nonrandom sample of 23 youth and adults metalheads (14 to 48 years as age ranges or limits). The Rockandad and Metaldad, which serve to give the interpretation to the issues raised: two conceptual categories identified. And finally a conceptual theoretical instrument called pyramidal dialectic was prepared to give way to explaining the research. |
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Address |
https://revistas.lamolina.edu.pe/index.php/acu/issue/view/70 |
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Publisher |
Universidad Nacional Agraria La Molina, Lima - Perú |
Place of Publication |
Lima, República del Perú |
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Spanish |
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English |
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Print: 0255-0407 / Online: 2519-7398 |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2283 |
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Author |
Yepes Aguirre, Jimmy Renzo |
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Title |
Política cultural neoliberal y la música heavy metal en la ciudad de Huánuco, Perú, 1990-2010 |
Type |
Journal Article |
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Year |
2013 |
Publication |
Investigaciones Sociales |
Abbreviated Journal |
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Volume |
17 |
Issue |
30 |
Pages |
279-290 |
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Keywords |
Dialectica; politica cultural neoliberal; subculturas; musica heavy metal; Sociology; Latin America; Non-Western scenes; Perú |
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Abstract |
Este estudio estuvo orientado a identificar las bondades que tienen el método hegeliano en los diferentes aspectos de la política y la música con la finalidad de analizar su relación. En tal sentido se planteó los siguientes objetivos: determinar la relación entre la política cultural neoliberal2 y la música heavy metal3, analizar su desarrollo y sus características. Se hizo uso de la encuesta y la entrevista los que se aplicaron a una muestra no probabilística de 30 jóvenes (de 18 a 35 años de edad) metaleros de Huánuco. Se identificó tres generaciones: 1era. Generación de Metaleros 1990-1996 (tesis); 2da. Generación de Metaleros 1997-2003 (antítesis); 3era. Generación de Metaleros 2004-2010 (síntesis). Se evidencia la existencia de una contradicción dialéctica entre la música heavy metal (la cual forma parte de una subcultura) y la cultura dominante en el mundo (en este caso la política cultural neoliberal), ambas evidencian una relación directa no solamente en el aspecto cronológico, sino en el plano ideológico. |
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Address |
https://revistasinvestigacion.unmsm.edu.pe/index.php/sociales/issue/view/686 |
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Publisher |
Universidad Nacional Mayor de San Marcos, Facultad de Ciencias Sociales, Instituto de Investigaciones Histórico Sociales |
Place of Publication |
Lima, República del Perú |
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ISSN |
Print: 1560-9073 / Online: 1818-4758 |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2284 |
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Author |
Sylvester, Steve; Cioppi, Gianni Della |
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Title |
The Necromancer of Rock: The Origins of Death SS |
Type |
Book Whole |
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Year |
2021 |
Publication |
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Issue |
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Pages |
207 |
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Publisher |
Ajna Bound |
Place of Publication |
Jacksonville, OR |
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Language |
English |
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978-1-7348950-1-8 |
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Notes |
Translated by Alberto Brandi. A first edition of this book was published in 2011 by Crac Edizioni-Falconara Marittima (AN) |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2286 |
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Author |
Cárdenas Azuaje, Diana María |
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Title |
MUJERES Y SUS REPRESENTACIONES SOCIALES DENTRO DEL METAL EN BOGOTÁ |
Type |
Book Chapter |
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Year |
2021 |
Publication |
Representaciones Sociales e Imaginarios Colectivos del Género, el Cuerpo y la Sexualidad |
Abbreviated Journal |
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Volume |
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Issue |
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Pages |
355-393 |
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Keywords |
Bogotá; música Metal; mujeres; representaciones sociales |
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Abstract |
El presente texto muestra los hallazgos de la investigación “Representaciones sociales de la mujer en la cultura del Metal en Bogotá”, tesis de maestría presentada en la Universidad Distrital Francisco José de Caldas en 2012. Dicha investigación fue de corte cualitativo y abordó la perspectiva teórica estructural de las Representaciones Sociales (RS) de Jean Claude Abric (2001). Con ese constructo se determinaron el núcleo central (idea estable y organizadora) y los elementos periféricos (idea flexible auxiliar del núcleo) para las categorías: Mujer y Metal.
Para el estudio, se recurrió a la recolección e interpretación de 19 entrevistas semiestructuradas que se realizaron en Bogotá – Colombia. Las participantes son mujeres escuchas e intérpretes de música Metal con diversas características. En el análisis de instrumentos, se identificaron varios términos con alta frecuencia de reiteración (fuerza, vida, valentía y música), que se agruparon por semejanza, contigüidad o contraste, relacionados con la vivencia de la música Metal desde la perspectiva de las mujeres.
Los hallazgos se presentan relacionados a las categorías: 1. Mujer, asociada a cuatro núcleos: superficialidad, espiritualidad, liberación, pautas restrictivas. 2. Metal, que tiene como núcleos cultura/contracultura, machismo, Identidad/gusto, música, ritmo e interpretación. Así mismo se encontró (entre otras cuestiones) que las entrevistadas definen al Metal, como cultura en tanto genera elementos identitarios a partir de preferencias musicales, rituales, territorios, lenguajes, indumentarias y significados. Las mujeres del medio realizan una “transformación” frente a algunos parámetros de feminidad difundidos tradicionalmente consolidando una especie de feminidad transgresora. |
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Address |
https://imaginariosyrepresentaciones.com/miembros/diana-maria-cardenas-azuaje/ |
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Publisher |
Red Iberoamericana de Academias de Investigación, A.C. (978-607-99621) |
Place of Publication |
XALAPA, VERACRUZ, MÉXICO |
Editor |
ELIZABETH BALLÉN GUACHETÁ; LUIS ENRIQUE PÉREZ MÉNDEZ; SINDY PAOLA DÍAZ BETTER; DIANA MARÍA CÁRDENAS AZUAJE |
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Language |
Spanish |
Summary Language |
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Series Title |
Colección Imaginarios y Representaciones |
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Edition |
First |
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ISBN |
978-607-99388-5-7 |
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Notes |
See also INTRODUCCIÓN, pages 1-19. www.redibai.org; redibai@hotmail.com |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2288 |
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Author |
Aloe, Federico; Mailén, Ludmila |
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Title |
Crear es resistir, resistir es crear. Un documental de Raza Truncka. |
Type |
Miscellaneous |
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Year |
2021 |
Publication |
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Issue |
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Pages |
15'14" |
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Keywords |
Un documental [a documentary] |
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Abstract |
Producido por Raza Truncka
Dirigido por Federico Raposo Aloe y Ludmila Mailén Padilla
Dirección de Fotografía: Federico Raposo Aloe
Dirección de Sonido: Adrián Charras
Dirección de Montaje: Federico Raposo Aloe y Ludmila Mailén Padilla
Raza Truncka somos José Luis Terzaghi, Fausto Nascimbene, Diego Palavecino, Ezequiel Evangelista, Germán Barloqui, Facundo Evangelista e Ignacio Ponce
Entrevistades por orden de aparición: Sabrina Franciosi, Federico Calabia, Betiana Juárez, Gerardo Gramasco, Tito Müller, Julián Curinao, Horacio Andariego, Patricio Testa, Beto San Tuka, Gito Minore, Rocío Schlieper Yanca, Libertad Vázquez y Emanuel Corihuala
Investigación: Raza Truncka y Ludmila Mailén Padilla
Danza: Gerardo Gramasco, Betiana Juárez, Florencia Orrego, Lucas Valdéz y Sabrina Franciosi
Pintura: Federico Calabia
Máscaras: Gabriela Ayala, Gerardo Gramasco y Julius Gonup
Voz en off: Fausto Nascimbene
Cámaras: Federico Raposo Aloe, Pablo Ramiro y Beatriz Sánchez Picaso
Edición de audio: Adrián Charras, José Luis Terzaghi, Fausto Nascimbene y Facundo Evangelista
Logística: Sabrina Franciosi, Alejandro Zlatar, Natalia Usero y Marité Rotundo
Traducción al inglés: Ferna Dermit
Canciones:
El pensamiento, la ida
Baguala de la Raza Truncka
Pala pala
Poeta del Mishky Mayu
Napalpí
Vidalárbol trunckado
Un agradecimiento especial a les organizadores del Festival Pacha Huasi y a todas las personas que participaron de este proyecto. |
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Address |
https://www.youtube.com/user/RazaTruncka/about |
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Publisher |
Producido por Raza Truncka |
Place of Publication |
Tavakuairetã Paraguái [República del Paraguay] |
Editor |
Dirigido por Federico Raposo Aloe y Ludmila Mailén Padilla |
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Language |
Paraguayan Guarani |
Summary Language |
Subtitles in English |
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Medium |
YouTube |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2289 |
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Author |
Baez, Christian |
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Title |
Metal Andino Guitarras, Bajo y Batería en los Andes (Proyecto documental). |
Type |
Miscellaneous |
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Abbreviated Journal |
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Pages |
52'24" |
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Keywords |
el heavy metal; la música andina |
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Abstract |
Proyecto documental dirigido por Christian Baez que indaga en los cruces sonoros entre el heavy metal y la música andina. Financiado por el Centro de Estudios Interculturales e Indígenas (CIIR) y producido por el Laboratorio de Antropología Visual (LAV UC). |
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Publisher |
Financiado por el Centro de Estudios Interculturales e Indígenas (CIIR) y producido por el Laboratorio de Antropología Visual (LAV UC) |
Place of Publication |
Cordillera de los Andes |
Editor |
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Language |
Spanish |
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YouTube |
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Notes |
Subtitles in Spanish available. |
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no |
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INTech @ brianhickam2019 @ |
Serial |
2290 |
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Author |
Zapata, Alex |
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Title |
La voz en los ochenta. Nuevos estilos al baile. |
Type |
Journal Article |
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Year |
2003 |
Publication |
Pensamiento Crítico: Revista Electrónica de Historia |
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Issue |
3 |
Pages |
1-63 |
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Abstract |
Rock in Chile (1983 – 1992). Authors, styles, its industry, social function of its lyrics among others. Period studied is one in which this musical movement was revised and recast after a long period of marginalization in Chile. |
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Address |
eJournal that is No longer available online. |
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Publisher |
Pensamiento Crítico |
Place of Publication |
Santiago de Chile |
Editor |
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Language |
Spanish |
Summary Language |
English |
Original Title |
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Series Editor |
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ISSN |
0717-7224 |
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Notes |
Article/issue is available online. |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2291 |
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Author |
Pascuchelli, María Natalia |
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Title |
Las performance de rock como ámbito de construcción de identidades. Los seguidores de V8 en el área metropolitana de Buenos Aires. |
Type |
Journal Article |
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Year |
2012 |
Publication |
Revista Lindes: Estudios Sociales del Arte y la Cultura |
Abbreviated Journal |
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Volume |
Octubre |
Issue |
3 |
Pages |
17 |
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Abstract |
A través del presente artículo nos proponemos enfatizar sobre la performance del grupo V8 , agrupación de Heavy Metal argentino, entendida está como una manifestación artística – cultural, donde aparecen como disparadores , diversos códigos estético – ideológicos, a través de los cuales comienza a vislumbrarse una conformación de sentido de pertenencia y construcción de identidad entre los jóvenes seguidores. Esto revela la importancia de esta manifestación para los actores sociales, quienes van generando pautas que les permiten diferenciarse de otros grupos juveniles de la época. El contexto político que vivía el país, saliendo de la dictadura militar y entrando en la democracia, marco en todo el movimiento rockero y en el naciente Heavy Metal nacional, una postura contestaría y de resistencia cultural. |
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Address |
https://www.revistalindes.com.ar/indice.html |
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Place of Publication |
Ciudad Autónoma de Buenos Aires, República Argentina |
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Language |
Spanish |
Summary Language |
Spanish |
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ISSN |
1853-5798 |
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Notes |
María Natalia Pascuchelli, Licenciada en folklore por Instituto Universitario Nacional del Arte. Maestranda en Cultura y Sociedad. Instituto Universitario Nacional del Arte- Centro Argentino de Etnología Americana. Argentina |
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INTech @ brianhickam2019 @ |
Serial |
2292 |
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Author |
Janotti Junior, Jeder |
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Title |
Rock Me Like The Devil: A Assinatura Das Cenas E Das Identidades Metálicas. |
Type |
Book Whole |
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Year |
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Publication |
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Abbreviated Journal |
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Volume |
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Issue |
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Pages |
156 |
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Keywords |
eBook |
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Abstract |
O livro tem origem em um entre-lugar que abriga ao mesmo tempo pesquisa acadêmica sobre música e paixão pelo metal, transitando entre as discussões sobre gosto, gênero musical e afeto através de uma pergunta assombrosa: “o que é, afinal, música?”
Este livro não teria sido possível sem o apoio do Conselho Nacional de Desenvolvimento Científico e Tecnológico, do Programa de Pós-Graduação em Comunicação da Universidade Federal de Pernambuco (UFPE) e dos partipantes do Laboratório de Análise de Música e Audiovisual Audiovisual (L.A.M.A.) |
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Address |
https://simplissimo.com.br/ |
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Publisher |
Simplíssimo Livros Ltda |
Place of Publication |
Porto Alegre /RS - Brasil |
Editor |
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Language |
Portuguese |
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ISBN |
8567125081; 9788567125084 |
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eBOOK |
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Approved |
no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2293 |
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