| |
Author |
Title  |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Hoad, Catherine; Whiting, Samuel |
True Kvlt? The Cultural Capital of “Nordicness” in Extreme Metal |
2017 |
M/C Journal |
20 |
n..p. |
|
|
|
Kahn-Harris, Keith |
Unspectacular Subculture? Transgression and Mundanity in the Global Extreme Metal Scene’ |
2004 |
After subculture: critical studies in contemporary youth culture |
|
107-118 |
|
|
|
Kloeppel, Mark |
Unveiling Extreme Metal Festival Producers: The Emergence of Narrative Identities |
|
|
|
136 |
|
|
|
Dairianathan, Eugene |
Vedic metal and e-mediated space: a perspective from Singapore |
2013 |
Asian Journal of Communication |
23 |
348-367 |
|
|
|
Dairianathan, Eugene I. |
Vedic metal and the South Indian community in Singapore: problems and prospects of identity |
2009 |
Inter-Asia Cultural Studies |
10 |
585-608 |
|
|
|
Jocson-Singh, Joan |
Vigilante feminism as a form of musical protest in extreme metal music |
2019 |
Metal Music Studies |
5 |
263-273 |
|
|
|
Overell, Rosemary |
Voicing the Real in Extreme Metal |
2021 |
Continental Thought & Theory |
3 |
136-163 |
|
|
|
LeVine, Mark |
We'll Play Till We Die: Journeys Across a Decade of Revolutionary Music in the Muslim World |
2022 |
|
|
|
|
|
|
Swiniartzki, Marco |
Working metal musicians: A case of transition in the long 1980s |
2023 |
Metal Music Studies |
9 |
59-75 |
|
|
|
Zaddach, Wolf-Georg |
»30 Jahre Ride The Lightning: So klingt unsere Tribute-CD«: Zur diskursiven Praxis des Erinnerns in der Kulturwelt Heavy und Extreme Metal |
2014 |
Lied und Populäre Kultur; Münster |
59 |
227-241,293 |
|
