| |
Author |
Title  |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Herbst, Jan-Peter |
The formation of the West German power metal scene and the question of a ‘Teutonic’ sound |
2019 |
Metal Music Studies |
5 |
201-223 |
|
|
|
Epp, André |
The mosh pit – An area for excess or a place of learning? |
2019 |
Metal Music Studies |
5 |
107-114 |
|
|
|
Boyarin, Shamma |
The New Metal Medievalism: Alexander the Great, Islamic historiography and Nile’s ”Iskander Dhul Kharnon” |
2019 |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
|
81-92 |
|
|
|
Boyarin, Shamma; Saguar García, Amaranta; Christensen, Annika; Swinford, Dean |
The Politics and Poetics of Metal’s Medieval Pasts |
2019 |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
|
71-80 |
|
|
|
Saguar García, Amaranta |
The Return of El Cid: The Topicality of Rodrigo Díaz in Spanish Heavy Metal |
2019 |
Medievalism and Metal Music Studies: Throwing down the gauntlet |
|
93-106 |
|
|
|
Pérez Pelayo, Marisol |
The role of Musicking and the body in the Metal community of Guadalajara México. How does bonding through Metal music enable new kinship and friendship structures |
2019 |
|
|
|
|
|
|
Hellrich, Johannes; Rzymski, Christoph; Vestergaard, Vitus |
The Trans-Medial Fight for Glory |
2019 |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
|
13-20 |
|
|
|
Barratt-Peacock, Ruth |
The Villon that Never Was |
2019 |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
|
157-170 |
|
|
|
Surendra, Sebastian |
Transgresyjność w kulturze obnażania? Teledysk Pussy zespołu Rammstein |
2019 |
Kultura rocka 2. Słowo, dźwięk, performance |
|
299-310 |
|
|
|
Olivares Merino, Julio Ángel |
Un bosque ignoto: Die Kunst Der Finsternis y las sombras de intertextualidad gótico-expresionista |
2019 |
Heavy y metal, a través del cristal. Nuevas perspectivas culturales |
|
183-214 |
|
