| |
Author |
Title  |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Swiniartzki, Marco |
Szene-Eliten. Selbststilisierung, soziale Praxis und postmoderne Ästhetisierung am Beispiel des norwegischen Black Metals |
2021 |
Archiv für Sozialgeschichte |
61 |
445-472 |
|
|
|
Connole, Edia |
Table talk with Vordb Na R.iidr |
2016 |
Metal Music Studies |
2 |
151-188 |
|
|
|
Fung, Owen |
The Construction of ”Peoplehood” in the Second Wave of Norwegian Black Metal |
2010 |
Reinvention: a Journal of Undergraduate Research |
3 |
|
|
|
|
Butler, Erik |
The Counter-Reformation in Stone and Metal: Spiritual Substances |
2014 |
Hideous gnosis: Black Metal Theory Symposium 1 |
|
23-32 |
|
|
|
Mustamo, Aila |
The Crisis of the Welfare State and the Politics of the Past in Black Metal and Folk Metal Subcultures |
2020 |
Young |
28 |
69-84 |
|
|
|
Wallin, Jason J. |
The Dark Ecology of Black Metal |
2014 |
Educational, Psychological, and Behavioral Considerations in Niche Online Communities |
|
389-394364 |
|
|
|
Korczyński, Tomasz Michał |
The Genesis of Unblack Metal and its Contemporary Reception. Cognitive Prospects |
2021 |
Journal of Modern Science |
46 |
73-91 |
|
|
|
Williams, Evan Calder |
The Headless Horsemen of the Apocalypse |
2014 |
Hideous gnosis: Black Metal Theory Symposium 1 |
|
129-142 |
|
|
|
Shakespeare, Steven |
The light that illuminates itself, the dark that soils itself: Blackened notes from Schelling’s Underground |
2014 |
Hideous gnosis: Black Metal Theory Symposium 1 |
|
5-22 |
|
|
|
Ishmael, Amelia |
The night is no longer dead; it has a life of its own |
2013 |
Helvete: A Journal of Black Metal Theory |
1 |
n.-p. |
|
