| |
Author |
Title  |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Williams, Dominic |
Embodying the Auschwitz ”Sonderkommando” in extreme metal |
2020 |
Metal Music Studies |
6 |
319-336 |
|
|
|
Riches, Gabrielle |
Embracing the Chaos: Mosh Pits, Extreme Metal Music and Liminality |
2011 |
Journal for Cultural Research |
15 |
315-332 |
|
|
|
Kahn-Harris, Keith |
End of the World Music: Is Extreme Metal the Sound of the Apocalypse |
2009 |
The end all around us: apocalyptic texts and popular culture |
|
22-42 |
|
|
|
Ollivier, Rosalie; Goupil, Louise; Liuni, Marco; Aucouturier, Jean-Julien |
Enjoy The Violence: Is Appreciation for Extreme Music the Result of Cognitive Control Over the Threat Response System? |
2019 |
Music Perception; Berkeley |
37 |
|
|
|
|
Chaney, Damien; Petite, Antoine; Chaney, Ludovic (eds) |
État des lieux des musiques extrêmes: les albums essentiels d’un demi-siècle de transgression hard rock, métal, punk, hardcore & co |
2011 |
|
|
|
|
|
|
Kitteringham, Sarah |
Extreme Conditions Demand Extreme Responses: The Treatment of Women in Black Metal, Death Metal, Doom Metal, and Grindcore |
2014 |
|
|
|
|
|
|
Morris, Martin |
Extreme Heavy Metal Music and Critical Theory |
2015 |
The Germanic Review |
90 |
|
|
|
|
Lidauer, Rainer |
Extreme Metal |
2011 |
|
|
|
|
|
|
McIver, Joel |
Extreme Metal |
2000 |
|
|
|
|
|
|
McIver, Joel |
Extreme metal : das Lexikon der neuen Metal-Szene |
2007 |
|
|
|
|
