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Author |
Yildirim, Yavuz |
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Heavy metal in Turkey: Tracking the tensions of democratization in the 1990s |
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Journal Article |
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Year |
2023 |
Publication |
Sociology Compass |
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17 |
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Pages |
e13122 |
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Turkey; Democracy; Politics |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
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2538 |
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Author |
Brown, Andy R. |
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Heavy metal justice?: Calibrating the economic and aesthetic accreditation of the heavy metal genre in the pages of Rolling Stone, 1980‐91: Part two 1986‐91 |
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Journal Article |
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Year |
2021 |
Publication |
Metal Music Studies |
Abbreviated Journal |
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Volume |
7 |
Issue |
2 |
Pages |
257-276 |
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Keywords |
History (metal music); Perception of metal music; Rolling Stone (magazine) |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2128 |
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Author |
Barratt-Peacock, Ruth |
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Heavy metal made for children? Interrogating the adult/child divide in Heavysaurus’s heavy metal humour |
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Journal Article |
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Year |
2022 |
Publication |
Metal Music Studies |
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Volume |
8 |
Issue |
3 |
Pages |
293-308 |
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Keywords |
Heavysaurus (band); Humour; Children |
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2052-3998 |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2349 |
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Author |
Angeler, David |
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Heavy Metal Music Meets Complexity and Sustainability Science |
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Journal Article |
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Year |
2017 |
Publication |
SpringerPlus |
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5 |
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1-20 |
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Sustainability |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2334 |
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Author |
Saito, Kei |
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Heavy Metal Scene in Osaka: Localness Now and Then |
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Book Chapter |
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Year |
2021 |
Publication |
Living Metal: Metal Scenes around the World |
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Non-western scenes; Japan; History (metal music); Sociology |
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Intellect Books |
Place of Publication |
Bristol |
Editor |
Bardine, Bryan A.; Stueart, Jerome |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2191 |
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Holzbach, Ariane Diniz; Santos, Melina; Evangelista, Simone; Oliveira, Thaiane |
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Heavy Metal X Funk: disputas de gênero na cultura pop a partir do canal Mamilos Molengas |
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Book Chapter |
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2015 |
Publication |
Cultura pop |
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Pages |
131-150 |
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Keywords |
Video; Stereotypes; Parody; Quality |
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EDUFBA |
Place of Publication |
Salvador |
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Sá, Simone Pereira de; Carreiro, Rodrigo; Ferraz, Rogerio |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2477 |
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Author |
Rafanelli, Cristina |
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Title ![sorted by Title field, ascending order (up)](img/sort_asc.gif) |
Heavy metal y folklore. |
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Magazine Article |
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Year |
2022 |
Publication |
Disonancias del metal: Reflexiones del 1er y 2do Encuentro Sociocultural sobre Heavy Metal: Heterogeneidades Metaleras |
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1 |
Issue |
1 |
Pages |
38-39 |
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REEHM motto: Espacio interdisciplinario integrado por diverses actores sociales, les cuales nos proponemos la reflexión y el intercambio acerca del Heavy Metal y su cultura, partiendo del diálogo realizado desde la base de la horizontalidad y la heterogeneidad. |
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REEHM (Red De Estudios y Experiencias en y desde el Heavy Metal) |
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Autonomous City of Buenos Aires, Argentine Republic |
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2953-3805 |
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PDF |
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https://www.facebook.com/reddeestudiosyexperienciasenydesdeelheavymetal/ |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2412 |
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Author |
Muniesa, Mariano |
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Title ![sorted by Title field, ascending order (up)](img/sort_asc.gif) |
HEAVY METAL. UNA GUERRA QUE NO GANAREMOS SOLOS |
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Journal Article |
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Year |
2022 |
Publication |
Metal de Habla Hispana |
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1 |
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23-29 |
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Music History |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2499 |
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Author |
Gracyk, Theodore |
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Title ![sorted by Title field, ascending order (up)](img/sort_asc.gif) |
Heavy Metal: Genre? Style? Subculture? |
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Journal Article |
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Year |
2016 |
Publication |
Philosophy Compass |
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11 |
Issue |
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Pages |
775-785 |
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Keywords |
Sociology; Genre; Subculture |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2333 |
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Author |
Turley, Julie; Jocson-Singh, Joan |
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Title ![sorted by Title field, ascending order (up)](img/sort_asc.gif) |
Heavy Music Mothers: Extreme Identities, Narrative Disruptions |
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Book Whole |
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Year |
2023 |
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152 |
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“Heavy Music Mothers: Extreme Identities, Narrative Disruptions is an exploration of women and heavy music and the ways in which women have historically engaged with musicking as mothers. Julie Turley and Joan Jocson-Singh, musicking mothers themselves, largely employ an ethnographic lens, foregrounded in powerful one-on-one original interviews as vignettes that narrate thematic patterns. Other chapters examine motherhood identity embedded in respective published rock music memoirs, discussions of rock performance as a site of maternal bonding, and themes that arise when heavy music mothers write about motherhood. Autoethnographic portions throughout give the book an intimate and personal tone: one such chapter presents the concept of vigilante motherhood within an auto-ethnographic context.
The authors reference the book’s limitations, meditating on historically marginalized moms the authors predict and hope the focus will be on for the future. Heavy Music Mothers is a robust study of women and motherhood set within a music culture historically inhospitable to both women and mothers. This book, the first scholarly study of this topic, is just the beginning.”
(Source: Rowman & Littlefield) |
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Lexington Books |
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Lanham, Maryland |
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English |
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Extreme Sounds Studies: Global Socio-Cultural Explorations |
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ISBN |
1666916153; 978-1666916157 |
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Hardback |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2530 |
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