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LeVine, Mark |
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Title  |
We'll Play Till We Die: Journeys Across a Decade of Revolutionary Music in the Muslim World |
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2022 |
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Non-Western scenes; Islam; Extreme Metal; Sociology |
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Oakland |
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University of California Press |
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9780520350762 |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2268 |
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Author |
Rekedal, Jacob Eric |
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Title |
Warrior Spirit: From Invasion to Fusion Music in the Mapuche Territory of Southern Chile |
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Year |
2015 |
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418 |
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Keywords |
Araucanía; Communication and the arts; Cultural anthropology; Ethnography; Heavy metal; Hip-hop; Latin American history; Mapuche; Multiculturalism; Rock music |
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Abstract |
This dissertation chronicles the cultural, musical and performative fronts during two centuries of struggle and negotiation between Mapuche and Chilean societies. The perspective is mainly ethnomusicological, including two years of fieldwork in the Araucanía region, concerning new genres of Mapuche fusion music such as rock and hip-hop. This writing demonstrates how Mapuche expressions and representations accrued various forms of value during Chile's modernization—including colonization, nation building, the emergence of modern social movements, and the implementation of neoliberal policies—and how artists contend with and subvert those values today.
The opening chapters are historical. Following the invasion of Araucanía in the 1880s, Mapuche political activism eventually gained traction by carefully managing a relationship with the Chilean political establishment, while also cultivating a unique approach to political processes that incorporated preexisting rituals. Concurrently, the Mapuche transitioned from adversaries to objects of study, while concepts such as folklore took root in Chilean society. As popular culture took note of Mapuche sounds and symbols toward the mid-twentieth century, non-Mapuche artists and activists codified their progressive ideologies through their embrace of indigeneity, exemplified in art music, and most famously, nueva canción.
Based directly on fieldwork, the second half of the thesis discusses how Mapuche cultural continuity has involved both the recovery of traditions and the incorporation of non-traditional elements. I describe the conversion of a mingako ritual into a festival of music and poetry in the Mapuche comunidad of Saltapura. This transfer from agriculture to expressive culture demonstrates the diminishing value of Mapuche lands, parallel with the increasing value of their expressions, under neoliberal multiculturalism. Meanwhile, Mapuche heavy metal and hip-hop groups such as Pewmayén and Weichafe Newen build their music around ancestral principles of sound, ritual and language, raising the question as to whether Mapuche musical elements thus become ingredients of popular music, or whether popular music becomes Mapuche for incorporating these elements. Through detailed discussions of this music and its broader contexts, this dissertation issues a critique of the culture concept underpinning neoliberal multiculturalism, inherited from the investigations of the Mapuche during the early republican period. |
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University of California, Riverside |
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Ann Arbor |
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978-1-321-73632-8 |
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INTech @ brianhickam2019 @ |
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2226 |
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Author |
Švehla, Martin |
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Title |
Vývoj tuzemského metalového fandomu v době politické transformace 90. let s přihlédnutím k olomoucké scéně [The development of the metal fandom at a time of political transformation] |
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Year |
2023 |
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Keywords |
Fandom; Politics; History |
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Bachelor's thesis |
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Univerzita Palackého v Olomouci |
Place of Publication |
Olomouc |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
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2453 |
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Author |
Bona, Michelle |
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Title |
Vulgar discourses of power: the discursive construction of ideal heavy metal subjectivity and the erasure of black, indigenous, and women of colour in heavy metal music culture |
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Book Whole |
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Year |
2021 |
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Keywords |
Women musicians; Race; Masculinity |
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Master's thesis |
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Saint Mary's University |
Place of Publication |
Halifax |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2101 |
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Author |
Overell, Rosemary |
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Title |
Voicing the Real in Extreme Metal |
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Journal Article |
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Year |
2021 |
Publication |
Continental Thought & Theory |
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3 |
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3 |
Pages |
136-163 |
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Keywords |
Extreme metal; Reality; Society |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
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2241 |
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Author |
Heesch, Florian |
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Title |
Voice of anarchy: Gender aspects of aggressive metal vocals. The examples of Angela Gossow (Arch Enemy) |
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Year |
2018 |
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Criminocorpus: Revue hypermedian d'Histoire de la justice, des crimes et des peines |
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11 |
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1-18 |
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Keywords |
Aggression, Death metal, Gender and music, Vocal practice, vocal sound |
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Issue theme: Actes du colloque: Rock et violences en Europe: Metal et violence.
- Résumé:
Growling can be regarded as a key aesthetic practice of death metal. This practice, throughout the history of the genre, has been heavily gendered; while practiced both by men and women since the early 1990s it has nevertheless been associated with masculinity, due to its perceived aggressive sound, as well as corresponding notions of perceived low pitch and noise. In 2001 Angela Gossow became the singer of the band Arch Enemy and has since established herself as one of the most outstanding female growlers within the global metal scene. An analytical look at Gossow’s individual vocal style will be applied to argue that growling could potentially contribute to a more complex understanding of how voice, gender and aggression are related. This article examines the musical phenomenon of death metal growling, as well as the marginalization of women in what has been conceived as a primarily masculine style. |
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https://journals.openedition.org/ |
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Publisher |
OpenEdition Journals (Centre pour l'Édition Électronique Ouverte) |
Place of Publication |
Marseille, France |
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English |
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ISSN |
2108-6907 |
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https://en.wikipedia.org/wiki/Centrepourl%27%C3%89dition%C3%89lectroniqueOuverte |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
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2320 |
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Author |
García Castiblanco, Norma; Cáceres Parra, Jórge |
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Title |
Voces Resonantes Memoria y Resistencia. Metal en Colombia: Memorias de violencia y resistencia para la No Repetición. |
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Magazine Article |
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Year |
2022 |
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Disonancias del metal: Reflexiones del 1er y 2do Encuentro Sociocultural sobre Heavy Metal: Heterogeneidades Metaleras |
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1 |
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1 |
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48-49 |
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REEHM motto: Espacio interdisciplinario integrado por diverses actores sociales, les cuales nos proponemos la reflexión y el intercambio acerca del Heavy Metal y su cultura, partiendo del diálogo realizado desde la base de la horizontalidad y la heterogeneidad. |
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REEHM (Red De Estudios y Experiencias en y desde el Heavy Metal) |
Place of Publication |
Autonomous City of Buenos Aires, Argentine Republic |
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español |
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2953-3805 |
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https://www.facebook.com/reddeestudiosyexperienciasenydesdeelheavymetal/ |
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INTech @ brianhickam2019 @ |
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2407 |
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Author |
Yépez, Jimmy |
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Title |
Vivir adentro y en contra. Metaleros de las ciudades de Lima (2016) y Huánuco (2010) Perú. |
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Journal Article |
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Year |
2022 |
Publication |
PLURIVERSIDAD |
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10 |
Issue |
n/a |
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73-100 |
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Keywords |
Jóvenes, Metaleros, colonialidad del poder, modernidad, globalización; Young people, metalheads, coloniality of power, modernity, globalization |
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RESUMEN
El siguiente trabajo de investigación tuvo como objetivo el análisis de dos trabajos de campo de mi autoría en dos momentos diferentes 2016 (Lima) y 2010 (Huánuco). “En ambos trabajos se hizo uso de la encuesta y la entrevista a profundidad a una muestra no probabilística de 23 personas en el caso de Lima y 30 personas en el caso de Huánuco” (Yépez, J.2011; Yépez, J. 2017b). En el análisis comparativo de ambas investigaciones podemos concluir que la reproducción de la colonialidad del poder y el nudo arguediano (identidad-modernidad-democracia) son las trabas para el desarrollo de las comunidades juveniles en el Perú.
[The following research work had as objective the analyze two field works of my authorship at two different times: 2016 (Lima) and 2010 (Huánuco). “In both works, the survey and the in-depth interview were used with a non-probabilistic sample of 23 people in the case of Lima and 30 people in the case of Huánuco” (Yépez, J. 2011; Yépez, J. 2017b) In the comparative analysis of both investigations we can conclude that the reproduction of the coloniality of power and the argued knot (identity-modernity-democracy) are the obstacles for the development of youth communities in Peru.] |
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jyepez@lamolina.edu.pe |
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Universidad Nacional Agraria la Molina, Lima, Perú |
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Universidad Ricardo Palma |
Place of Publication |
Lima, República del Perú |
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español |
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English |
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Online: 2617-6262 |
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open access |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2400 |
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Author |
Ćurko, Bruno |
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Title |
Utjecaj glazbe na kvalitetu života – primjer heavy metal glazbe [The influence of music on life quality – Heavy metal music as an example] |
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Year |
2021 |
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Studia Polensia |
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10 |
Issue |
1 |
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59-72 |
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Keywords |
Life Quality; Stress; Psychology; Well-being |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2252 |
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Author |
Checa García, Fernando |
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Title |
USO DE LAS REDES SOCIALES POR LAS BANDAS DE HEAVY METAL DURANTE LA PANDEMIA |
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Journal Article |
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Year |
2022 |
Publication |
Metal de Habla Hispana |
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1 |
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Pages |
30-37 |
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Keywords |
RRSS; Pandemic |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2500 |
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