|
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
Stoop, David Christopher |
Germanen, Trolle und Nazis. Thematisierungen des Nationalen im Heavy Metal |
2015 |
(Un)Politischer Metal? Musikalische Artikulationen des Politischen zwischen Ideologie und Utopie |
|
33-48 |
|
|
Brown, Andy R.; Spracklen, Karl; Scott, Niall W.R.; Kahn-Harris, Keith (eds) |
Global metal music and culture: current directions in metal studies |
2016 |
|
|
|
|
|
Spanu, Michael |
Global noise, local language: A socio-anthropological approach of the language choice in underground French metal |
2015 |
Modern heavy metal: Markets, Practices and Cultures. International Academic Research Conference, June 8–12, 2015, Helsinki, Finland |
|
122-130 |
|
|
Tapia, Reynaldo; Mendoza, Boris |
Hardcore punk as an effort to Indigenize the underground scene in La Paz during the neo-liberal era of resistance 1993‐2003 |
2022 |
Metal Music Studies |
8 |
143-161 |
|
|
Hill, Rosemary; Spracklen, Karl (eds) |
Heavy fundametalisms: music, metal and politics |
2010 |
|
|
|
|
|
Heath, Douglas |
Heavy Metal From The Antarctic Ends Of The Earth: Investigating The Metal Music Identity From Invercargill, Southland, New Zealand |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
230-239 |
|
|
Cheung, Oi Wun Joyce |
Heavy metal music lyrics: identity construction and social struggle |
2016 |
|
|
|
|
|
Ferrarese, Marco |
Heavy Metal Nothingness: Alluring Foreignness And Authenticity Construction In Early 2010s Malaysian Metal |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
195-205 |
|
|
Barajas, Jhon Edison |
Historia del power metal colombiano: un documental para la creación de un panorama histórico e identitario del power metal |
2021 |
|
|
|
|
|
Olson, Benjamin Hedge |
I am the Black Wizards: Multiplicity, Mysticism and Identity in Black Metal Music and Culture |
2008 |
|
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