|
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
Galicia Poblet, Fernando (ed) |
Heavy y metal, a través del cristal. Nuevas perspectivas culturales |
2019 |
|
|
|
|
|
García-Peinazo, Diego |
Héroes frigios, nación y distorsión. La batalla por la supertónica descendida como signo musical en el metal español |
2019 |
Cuadernos de Música Iberoamericana |
32 |
137-157 |
|
|
Herbst, Jan-Peter |
Historical development, sound aesthetics and production techniques of the distorted electric guitar in metal music |
2017 |
Metal Music Studies |
3 |
23-46 |
|
|
Rachau, Sebastian |
Im Feld des Heavy Metal: vier deutsche Bands |
2014 |
|
|
|
|
|
Waksman, Steve |
Instruments of desire: the electric guitar and the shaping of musical experience |
1999 |
|
|
|
|
|
Elflein, Dieter |
Iron and Steel: Forging Heavy Metal’s Song Structures or the Impact of Black Sabbath and Judas Priest on Metal’s Musical Language |
2016 |
Global metal music and culture: current directions in metal studies |
|
35-49 |
|
|
Brizard, Cyril |
La fusion de la musique metal et de la musique classique. Nightwish et les voix chantées. Une étude de cas |
2006 |
Volume! La revue des musiques populaires |
5 |
115-135 |
|
|
Lucas, Olivia R. |
Loudness, Rhythm and Environment: Analytical Issues in Extreme Metal Music |
2016 |
|
|
|
|
|
Geliebter, David; Ziegler, Ari J.; Mandery, Evan |
Lyrical stresses of heavy metal and rap |
2014 |
Metal Music Studies |
1 |
143-153 |
|
|
Kennedy, Lewis F.; Yavuz, M.Selim |
Metal and Musicology |
2019 |
Metal Music Studies |
5 |
293-296 |
|