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Coggins, Owen; Harris, James |
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Title  |
Circular scaffold |
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Book Chapter |
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Year |
2017 |
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Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism |
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6-9 |
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Drone metal |
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Void Front Press |
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St. Louis |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2167 |
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Author |
Coggins, Owen |
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Title |
Citation and Recitation in Mystical Scholarship and Om’s Drone Metal |
Type |
Journal Article |
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Year |
2014 |
Publication |
Diskus, Journal of the British Association for the Study of Religion |
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Volume |
16 |
Issue |
1 |
Pages |
30-47 |
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Om (band); Drone Metal; Mysticism |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2095 |
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Author |
Calvo, Manuela Belén |
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Title |
Coloniality and Gender in the Argentinian Metal Scene: A Study Through Four Cases |
Type |
Book Chapter |
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Year |
2023 |
Publication |
Defiant Sounds. Heavy Metal Music in the Global South |
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Pages |
163-186 |
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Keywords |
Argentina; Gender; Coloniality |
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Lexington Books |
Place of Publication |
London |
Editor |
Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2429 |
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Author |
Calvo, Manuela Belén; García Castiblanco, Norma; Núñez, María de la Luz; Padilla, Ludmila Mailén; Pascuchelli, María Natalia; Ruiz, Verónica; Saavedra Rodríguez, Milen Graciela; Vainscheinker, Erica |
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Title |
Consonancias del cuidado. Hacia un protocolo contra las violencias por motivos de género en las experiencias del metal |
Type |
Journal Article |
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Year |
2022 |
Publication |
Trans: Revista Transcultural de Música |
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Volume |
26 |
Issue |
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Pages |
1-16 |
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Keywords |
Metal, violencia, género, protocolo, Nuestra Abya Yala, Nuestra Afroamérica; Gender; Violence; Metal music, GBV, protocol, Red de Estudios y Experiencias en y desde el Heavy Metal (REEHM) |
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El objetivo de este artículo es narrar la experiencia de construcción de un protocolo contra violencias por motivos de género en las prácticas del metal dentro de la región de Nuestra Abya Yala y Nuestra Afroamérica, por parte de la Comisión de Género de la Red de Estudios y Experiencias en y desde el Heavy Metal (REEHM). Para ello se dará cuenta de las diferentes etapas que componen este proceso, las cuales van desde las necesidades iniciales surgidas a partir de diversos ataques de violencia epistémica hacia integrantes de la REEHM, hasta la elaboración colectiva mediante métodos colaborativos. Esto implica la lectura, la reflexión y la escucha cuidada y grupal en la Primera Ronda de Brujxs. Hacia el final se comentan algunas conclusiones y proyecciones futuras vinculadas al metal y las problemáticas de género.
[The aim of this article is to recount the experience of building a protocol against gender-based violence (GBV) within metal music practices in the region of Nuestra Afroamerica, by the Gender Commission of the Heavy Metal Studies and Experiences Network (REEHM). The different stages that make up this process will be described, ranging from the initial needs arising from various attacks of epistemic violence against REEHM members, to the collective elaboration through collaborative methods. This involves group reading, reflection, and careful listening in the Primera Ronda de Brujxs (First Circle of Witches). Towards the end some conclusions and future projections related to metal and gender issues are discussed.] |
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SIBE: Sociedad de Etnomusicología |
Place of Publication |
Barcelona, España |
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español |
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English |
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1697-0101 |
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Open access: Creative Commons Attribution-NonCommercial-NoDerivs 2.5 Spain license. |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2387 |
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Author |
Yrivarren Valverde, Sara Dessiree |
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Title |
Construcción de los discursos de feminidad en la escena metalera limeña: Caso de la banda Strogena |
Type |
Book Whole |
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Year |
2022 |
Publication |
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Keywords |
Perú; Feminity; Strógena (band); Gender |
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Master's thesis |
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Pontificia Universidad Católica del Perú |
Place of Publication |
Lima |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2478 |
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Author |
Pichler, Peter |
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Title |
Contours of an Interdisciplinary Debate – a Conclusion |
Type |
Book Chapter |
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Year |
2024 |
Publication |
The Law of the Metal Scene: An Interdisciplinary Discussion |
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Pages |
135-142 |
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Keywords |
Law |
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Kohlhammer |
Place of Publication |
Stuttgart |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2578 |
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Author |
Mailén Padilla, Ludmila |
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Title |
Crear es resistir resistir es crear. |
Type |
Magazine Article |
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Year |
2022 |
Publication |
Disonancias del metal: Reflexiones del 1er y 2do Encuentro Sociocultural sobre Heavy Metal: Heterogeneidades Metaleras |
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Volume |
1 |
Issue |
1 |
Pages |
34-35 |
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Abstract |
REEHM motto: Espacio interdisciplinario integrado por diverses actores sociales, les cuales nos proponemos la reflexión y el intercambio acerca del Heavy Metal y su cultura, partiendo del diálogo realizado desde la base de la horizontalidad y la heterogeneidad. |
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Publisher |
REEHM (Red De Estudios y Experiencias en y desde el Heavy Metal) |
Place of Publication |
Autonomous City of Buenos Aires, Argentine Republic |
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español |
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ISSN |
2953-3805 |
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Notes |
https://www.facebook.com/reddeestudiosyexperienciasenydesdeelheavymetal/ |
Approved |
yes |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2414 |
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Author |
Aloe, Federico; Mailén, Ludmila |
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Title |
Crear es resistir, resistir es crear. Un documental de Raza Truncka. |
Type |
Miscellaneous |
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Year |
2021 |
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Pages |
15'14" |
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Keywords |
Un documental [a documentary] |
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Abstract |
Producido por Raza Truncka
Dirigido por Federico Raposo Aloe y Ludmila Mailén Padilla
Dirección de Fotografía: Federico Raposo Aloe
Dirección de Sonido: Adrián Charras
Dirección de Montaje: Federico Raposo Aloe y Ludmila Mailén Padilla
Raza Truncka somos José Luis Terzaghi, Fausto Nascimbene, Diego Palavecino, Ezequiel Evangelista, Germán Barloqui, Facundo Evangelista e Ignacio Ponce
Entrevistades por orden de aparición: Sabrina Franciosi, Federico Calabia, Betiana Juárez, Gerardo Gramasco, Tito Müller, Julián Curinao, Horacio Andariego, Patricio Testa, Beto San Tuka, Gito Minore, Rocío Schlieper Yanca, Libertad Vázquez y Emanuel Corihuala
Investigación: Raza Truncka y Ludmila Mailén Padilla
Danza: Gerardo Gramasco, Betiana Juárez, Florencia Orrego, Lucas Valdéz y Sabrina Franciosi
Pintura: Federico Calabia
Máscaras: Gabriela Ayala, Gerardo Gramasco y Julius Gonup
Voz en off: Fausto Nascimbene
Cámaras: Federico Raposo Aloe, Pablo Ramiro y Beatriz Sánchez Picaso
Edición de audio: Adrián Charras, José Luis Terzaghi, Fausto Nascimbene y Facundo Evangelista
Logística: Sabrina Franciosi, Alejandro Zlatar, Natalia Usero y Marité Rotundo
Traducción al inglés: Ferna Dermit
Canciones:
El pensamiento, la ida
Baguala de la Raza Truncka
Pala pala
Poeta del Mishky Mayu
Napalpí
Vidalárbol trunckado
Un agradecimiento especial a les organizadores del Festival Pacha Huasi y a todas las personas que participaron de este proyecto. |
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https://www.youtube.com/user/RazaTruncka/about |
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Producido por Raza Truncka |
Place of Publication |
Tavakuairetã Paraguái [República del Paraguay] |
Editor |
Dirigido por Federico Raposo Aloe y Ludmila Mailén Padilla |
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Language |
Paraguayan Guarani |
Summary Language |
Subtitles in English |
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YouTube |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2289 |
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Author |
Miller, Diana |
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Title |
Creative Producers and Gender Relations: A Field Analysis of Two Grassroots Music Scenes |
Type |
Book Whole |
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Year |
2016 |
Publication |
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Issue |
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Pages |
205 |
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Keywords |
Cultural and symbolic capital; Cultural valuation; Gender and creative careers; Gender and habitus; Gender and organizations; Gender studies; Fields of cultural production; Heavy metal; Sociology |
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Abstract |
This dissertation uses a comparative case study of two grassroots music scenes—the folk music and heavy metal scenes in Toronto—to examine gender relations among cultural producers. I collect data using semi-structured interviews with 63 field actors, 70 instances of participant-observation, and discourse analysis of key public texts. Building on Bourdieu’s field theory, I argue that gender organizes fields of cultural production, including (1) the field’s economy of symbolic capital (2) the connection between field and habitus and (3) the spaces where musicians develop the embodied cultural capital required for music careers.
The first paper shows that field organization impacts the extent to which field members’ gendered dispositions produce symbolic capital, or reputation. Two features of cultural fields shape whether symbolic capital is gendered: the degree to which symbolic capital is institutionalized, and the level of symbolic boundary-drawing in the field. The metal field’s low institutionalization of symbolic capital and high boundaries foreground gender as a basis of symbolic capital, while the folk field’s high institutionalization of symbolic capital and low boundary-drawing reduce the extent to which gender matters.
The second paper situates gender as central to relationship between field and habitus. Participants in the metal field develop a metalhead habitus that privileges gendered practices centered on individual dominance and status competition, while the folkie habitus encourages gendered practices centered on caring, emotionality, and community-building. These gendered habitus support different working conventions: volunteer-based non-profit organizations in folk, and individual entrepreneurship in metal. The gendered habitus also supports different stylistic conventions: guitar virtuosity in the metal field, and participatory music-making in folk.
The third paper finds gendered access to the learning spaces where musicians develop performance capital, a form of embodied cultural capital denoting the instrumental and interpersonal skills required to perform music. Folk’s learning spaces are largely public and do not require social networks for access, while heavy metal’s learning spaces are private and centered on male-dominated friendship networks from which women are often excluded. These different learning spaces creates gendered patterns of access to the embodied cultural capital required to develop a music career. |
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Thesis |
Ph.D. thesis |
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Publisher |
University of Toronto (Canada) |
Place of Publication |
Ann Arbor |
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978-1-369-67340-1 |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2215 |
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Author |
Núñez, María de la Luz |
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Title |
Crítica feminista a través de la técnica de voz gutural: el caso Vofemex. |
Type |
Magazine Article |
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Year |
2022 |
Publication |
Disonancias del metal: Reflexiones del 1er y 2do Encuentro Sociocultural sobre Heavy Metal: Heterogeneidades Metaleras |
Abbreviated Journal |
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Volume |
1 |
Issue |
1 |
Pages |
26-27 |
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Abstract |
REEHM motto: Espacio interdisciplinario integrado por diverses actores sociales, les cuales nos proponemos la reflexión y el intercambio acerca del Heavy Metal y su cultura, partiendo del diálogo realizado desde la base de la horizontalidad y la heterogeneidad. |
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Publisher |
REEHM (Red De Estudios y Experiencias en y desde el Heavy Metal) |
Place of Publication |
Autonomous City of Buenos Aires, Argentine Republic |
Editor |
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español |
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ISSN |
2953-3805 |
ISBN |
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Notes |
https://www.facebook.com/reddeestudiosyexperienciasenydesdeelheavymetal/ |
Approved |
yes |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2418 |
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| Permanent link to this record |
