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Author |
Peláez Sánchez, Miguel Antonio |
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Title  |
El concepto de muerte en el rock gótico |
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Journal Article |
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Year |
2006 |
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Logos |
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10 |
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66-74 |
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Keywords |
Death; Gothic Rock |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2323 |
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Author |
Castillo Bernal, Stephen |
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Title |
EL CUERPO HUMANO COMO INSTRUMENTO SUBCULTURAL DE LOS INICIOS DEL HEAVY METAL AL SIMBOLISMO RITUAL DEL BLACK METAL. |
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Journal Article |
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Year |
2007 |
Publication |
Fuentes Humanísticas |
Abbreviated Journal |
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Volume |
19 |
Issue |
34 |
Pages |
43-57 |
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Keywords |
sociocultural, instrumento, heavy metal, simbolismo, black metal, Alice Cooper; instrument, symbolism |
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Abstract |
En el caso que aquí nos atañe, las manifestaciones corpóreas cargan un lenguajesimbólico que puede ser leído por los integrantes de una subcultura y, en consecuencia, puede ser diseccionado a partir de un ejercicio interpretativo. Decimos lo anterior en función de que la misma cultura, siguiendo a Millán (2001: 23), puede considerarse como un sistema de lenguaje articulado. Sobra decir que las significaciones corporales son una construcción social, por lo que su edificación varía de acuerdo con los ritmos históricos de aparición del saber y las tradiciones singulares de la cultura (Fournier y Jiménez, en prensa; Foucault, 1999). |
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Prolongación Canal de Miramontes 3855, colonia Ex-Hacienda de San Juan de Dios, delegación Tlalpan, c.p. 14387, Ciudad de México, y Av. San Pablo 180, colonia Reynosa Tamaulipas, delegación Azcapotzalco, c.p. 02200, Ciudad de México • Tel. 5318-9125 y 5318-9441 |
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la Universidad Autónoma Metropolitana a través de la Unidad Azcapotzalco, División de Ciencias Sociales y Humanidades, Departamento de Humanidades. |
Place of Publication |
Ciudad de México |
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español |
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eISSN 2007-5618, ISSN 0188-8900 |
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Open access: Licencia Creative Commons Atribución 4.0 Internacional. IMÁGENES CORPORALES Y CULTURA DE MASAS (Enero-Junio) |
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INTech @ brianhickam2019 @ |
Serial |
2403 |
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Author |
Peredo, Krupskaia |
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Title |
El festival de Metal más grande de Bolivia: Illimani Metal “Metal es cultura, sonido con altura” |
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Journal Article |
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Year |
2022 |
Publication |
El Tejido de las cuerdas disonantes del metal en Bolivia: Análisis descriptivo e histórico del under boliviano |
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75-98 |
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Festival; Bolivia; Ilimani Metal (festival) |
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Ediciones Jichha |
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La Paz |
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Tapia, Reynaldo; Mendoza, Boris |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2485 |
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Author |
Gómez Garay, Lucía de Fátima |
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Title |
El mediascape en la escena metalera de Lima. El concepto de escena y los flujos culturales globales |
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Magazine Article |
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Year |
2022 |
Publication |
Disonancias del metal: Reflexiones del 1er y 2do Encuentro Sociocultural sobre Heavy Metal: Heterogeneidades Metaleras |
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1 |
Issue |
1 |
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16-17 |
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Contacto: lucia.gomezg@pucp.pe
REEHM motto: Espacio interdisciplinario integrado por diverses actores sociales, les cuales nos proponemos la reflexión y el intercambio acerca del Heavy Metal y su cultura, partiendo del diálogo realizado desde la base de la horizontalidad y la heterogeneidad. |
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REEHM (Red De Estudios y Experiencias en y desde el Heavy Metal) |
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Autonomous City of Buenos Aires, Argentine Republic |
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2953-3805 |
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https://www.facebook.com/reddeestudiosyexperienciasenydesdeelheavymetal/ |
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INTech @ brianhickam2019 @ |
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2377 |
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Author |
Calvo, Manuela Belén |
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Title |
El metal en Argentina: disputas espacio-temporales de una escena musical |
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Journal Article |
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Year |
2024 |
Publication |
DEBATS |
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138 |
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1 |
Pages |
77-91 |
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Keywords |
Argentina; Sociology; Authenticity; Underground; Conservative values |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2579 |
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Author |
Cárdenas Azuaje, Diana maría |
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Title |
El metal en clave de género |
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Journal Article |
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Year |
2022 |
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Imaginación o Barbarie |
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25 |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2496 |
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Author |
Tapia, Reynaldo |
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Title |
El Metal Underground como Cultura, Identidad y Resistencia |
Type |
Book Chapter |
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Year |
2022 |
Publication |
El Tejido de las cuerdas disonantes del metal en Bolivia: Análisis descriptivo e histórico del under boliviano |
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9-30 |
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Keywords |
Identity; Resistance; Bolivia; Sociology |
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Ediciones Jichha |
Place of Publication |
La Paz |
Editor |
Tapia, Reynaldo; Mendoza, Boris |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2479 |
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Author |
Pérez Pelayo, Marisol |
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Title |
El mundo alegórico de Cemican: Un estudio en antropología simbólica sobre metal |
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Journal Article |
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Year |
2021 |
Publication |
Lenguas Radicales |
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1 |
Issue |
2 |
Pages |
7-18 |
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Keywords |
Cemican (band); Symbolism; Cultural anthropology |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2238 |
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Author |
Castillo Bernal, Stephen |
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Title |
El mundo del Heavy Metal en la Ciudad de México: Radiografías imaginarias y rituales. |
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Book Chapter |
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Year |
2016 |
Publication |
Atlas Etnográfico de los Mundos Contemporáneos |
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1 |
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83-117 |
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La finalidad de este trabajo es delinear las características fundamentales de la escena metalera de la Ciudad de México, así como los cimientos simbólicos, imaginarios y rituales que sustentan a los partidarios de esta comunidad de sentido. Para lograr este cometido dividí el ensayo en tres segmentos. En el primero se definirán las características angulares e ideológicas del Heavy Metal así como las de la escena metalera mexicana; en el segundo apartado repasaré algunos de los constructos teóricos de Turner tocantes a la teoría del ritual. En el último bloque pondré a prueba las categorías analíticas para darle luz a las prácticas metaleras gestadas en los conciertos. Este último apartado me permitirá avanzar algunas hipótesis referidas al imaginario estructural de la escena cultural metalera. |
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www.edicionesnavarra.com |
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Escuela Nacional de Antropología e Historia, ENAH: Ediciones Navarra |
Place of Publication |
Ciudad de México |
Editor |
de la Peña Martínez, Francisco |
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español |
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ISBN |
978-607-9497-08-8 |
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Primera edición |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2404 |
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Author |
López Ramírez Gastón, José Ignacio |
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Title |
El ritual de lo habitual: apuntes introductorios sobre un rock nacional peruano |
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Journal Article |
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Year |
2020 |
Publication |
Antec: Revista Peruana de Investigación Musical |
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4 |
Issue |
1 |
Pages |
60-85 |
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Keywords |
Rock; música popular; música peruana; rock nacional; translocalidad; nacionalismo |
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Abstract |
La participación del rock en el desarrollo de comunidades musicales en el Perú es un tema no explorado dentro del ámbito académico. En la construcción de los modelos nacionales y regionales de una musicalidad propia, las músicas populares urbanas de origen extranjero no han sido consideradas; tampoco lo han sido como elementos en la formación de una identidad regida por los parámetros del discurso del Estado-nación. En este trabajo, exploramos las confrontaciones y dicotomías que mantienen el tema del rock como ajeno y a las comunidades musicales del rock nacional, como lejanas. |
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La Universidad Nacional de Música (UNM) (Perú) |
Place of Publication |
Ciudad de Lima, la República del Perú |
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2616-681X (electrónico); 2521-8565 (impreso) |
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PDF, XML, EPUB, HTML |
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Open Access: Esta obra está bajo una licencia internacional: Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) |
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INTech @ brianhickam2019 @ |
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2379 |
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