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Author |
Kosek, Jakub |
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„Raise the Dead”. Transgatunkowe gry z żywiołem tanatycznym w działalności zespołu Hollywood Vampires [Raise the Dead”. Cross-genre games with the thanatic element in the activities of Hollywood Vampires activities of Hollywood Vampires] |
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Book Chapter |
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Year |
2022 |
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Żywioły i ideologie w narracjach muzyki metalowej [Elements and ideologies in metal music narratives] |
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57-76 |
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Hollywood Vampires (band); Covers; Nostalgia; Rock legends |
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Wydawnictwo Naukowe Uniwersytetu Pedagogicznego w Krakowie |
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Krakow |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2340 |
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Author |
Dawes, Laina |
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“Freedom Ain’t Free:” Race and Representation(s) in Extreme Heavy Metal |
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2022 |
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Race; Representation; Extreme Metal |
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Ph.D. thesis |
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Columbia University |
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New York |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2465 |
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Author |
López Ramírez Gastón, José Ignacio |
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[Des]integraciones latinoamericanistas y peruanismo [sub]global: La subalternidad académica del metal en el Perú |
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Magazine Article |
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Year |
2022 |
Publication |
Disonancias del metal: Reflexiones del 1er y 2do Encuentro Sociocultural sobre Heavy Metal: Heterogeneidades Metaleras |
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1 |
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1 |
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18-19 |
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José Ignacio López Ramírez Gastón (Barcelona, 1968). Es Doctor en Música por la University of California San Diego. En 2018, publicó (con Giuseppe Risica) el libro Espíritu del Metal: La Conformación de la Escena Metalera Peruana (1981-1992). En 2019, forma el Grupo Peruano de Estudios del Metal (GPEM) y con ellos organiza en 2020 Espíritu del Metal: primera exhibición de la historia del metal peruano en el Ministerio de Cultura. En 2021, publica “Sounds of Exclusion and Seclusion: Peruvian Metal as a Model for Cultural Self-segregation”, en el primer libro en inglés sobre metal en Latinoamérica, Heavy Metal Music in Latin America: Perspectives from the Distorted South.
REEHM motto: Espacio interdisciplinario integrado por diverses actores sociales, les cuales nos proponemos la reflexión y el intercambio acerca del Heavy Metal y su cultura, partiendo del diálogo realizado desde la base de la horizontalidad y la heterogeneidad. |
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REEHM (Red De Estudios y Experiencias en y desde el Heavy Metal) |
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Autonomous City of Buenos Aires, Argentine Republic |
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español |
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https://www.facebook.com/reddeestudiosyexperienciasenydesdeelheavymetal/ |
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INTech @ brianhickam2019 @ |
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2378 |
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Author |
Kosek, Jakub (ed) |
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Title ![sorted by Title field, descending order (down)](img/sort_desc.gif) |
Żywioły i ideologie w narracjach muzyki metalowej [Elements and ideologies in metal music narratives] |
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2022 |
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Musicology; Literature; Philosophy; Politics |
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Wydawnictwo Naukowe Uniwersytetu Pedagogicznego w Krakowie |
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Krakow |
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Kosek, Jakub |
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978-83-8084-827-6 |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2339 |
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Author |
Filho, Fábio ALexandre Tardelli; Barbosa, Rafaella Fraga; Rodrigues, Ketelyn Rocha; Lima, Anderson; Fiusa, Marcelo Henrique |
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Title ![sorted by Title field, descending order (down)](img/sort_desc.gif) |
Zines e cultura underground: uma análise fanoniana pelo Prolecast |
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Book Chapter |
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Year |
2022 |
Publication |
Música Extrema: ruídos, imagens e sentidos |
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156-186 |
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Fanzines; Prolecast (podcast); Frantz Fanon; Colonialism |
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Pimenta Cultural |
Place of Publication |
São Paulo |
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Bahy, Cristiane; dos Passos, Cristiano; Khalia, Lucas Martins Gama; Barchi, Rodrigo |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2361 |
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Author |
Hill, Rosemary Lucy |
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Title ![sorted by Title field, descending order (down)](img/sort_desc.gif) |
When Love and Critique Collide. Methodology, Ontology, Fandom and Standpoint in Metal Music |
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Journal Article |
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2022 |
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Samples. Open Access Journal for Popular Music Studies |
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20 |
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197-210 |
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Methodology |
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This article is a slightly updated version of the article of the same name published in Metal Music Studies 7 (2), 197-210 (2021), with permission from the editor. |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2348 |
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Author |
Herbst, Jan-Peter; Mynett, Mark |
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Title ![sorted by Title field, descending order (down)](img/sort_desc.gif) |
What Is “Heavy” in Metal? A Netnographic Analysis of Online Forums for Metal Musicians and Producers |
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2022 |
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Popular Music and Society |
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t.b.c. |
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t.b.c. |
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Music Production; Sound; Heaviness |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2311 |
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Author |
LeVine, Mark |
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We'll Play Till We Die: Journeys Across a Decade of Revolutionary Music in the Muslim World |
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2022 |
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Non-Western scenes; Islam; Extreme Metal; Sociology |
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Oakland |
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University of California Press |
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9780520350762 |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2268 |
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Author |
García Castiblanco, Norma; Cáceres Parra, Jórge |
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Voces Resonantes Memoria y Resistencia. Metal en Colombia: Memorias de violencia y resistencia para la No Repetición. |
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Magazine Article |
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Year |
2022 |
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Disonancias del metal: Reflexiones del 1er y 2do Encuentro Sociocultural sobre Heavy Metal: Heterogeneidades Metaleras |
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1 |
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1 |
Pages |
48-49 |
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Abstract |
REEHM motto: Espacio interdisciplinario integrado por diverses actores sociales, les cuales nos proponemos la reflexión y el intercambio acerca del Heavy Metal y su cultura, partiendo del diálogo realizado desde la base de la horizontalidad y la heterogeneidad. |
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REEHM (Red De Estudios y Experiencias en y desde el Heavy Metal) |
Place of Publication |
Autonomous City of Buenos Aires, Argentine Republic |
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español |
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2953-3805 |
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https://www.facebook.com/reddeestudiosyexperienciasenydesdeelheavymetal/ |
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INTech @ brianhickam2019 @ |
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2407 |
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Author |
Yépez, Jimmy |
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Title ![sorted by Title field, descending order (down)](img/sort_desc.gif) |
Vivir adentro y en contra. Metaleros de las ciudades de Lima (2016) y Huánuco (2010) Perú. |
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Journal Article |
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Year |
2022 |
Publication |
PLURIVERSIDAD |
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10 |
Issue |
n/a |
Pages |
73-100 |
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Keywords |
Jóvenes, Metaleros, colonialidad del poder, modernidad, globalización; Young people, metalheads, coloniality of power, modernity, globalization |
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Abstract |
RESUMEN
El siguiente trabajo de investigación tuvo como objetivo el análisis de dos trabajos de campo de mi autoría en dos momentos diferentes 2016 (Lima) y 2010 (Huánuco). “En ambos trabajos se hizo uso de la encuesta y la entrevista a profundidad a una muestra no probabilística de 23 personas en el caso de Lima y 30 personas en el caso de Huánuco” (Yépez, J.2011; Yépez, J. 2017b). En el análisis comparativo de ambas investigaciones podemos concluir que la reproducción de la colonialidad del poder y el nudo arguediano (identidad-modernidad-democracia) son las trabas para el desarrollo de las comunidades juveniles en el Perú.
[The following research work had as objective the analyze two field works of my authorship at two different times: 2016 (Lima) and 2010 (Huánuco). “In both works, the survey and the in-depth interview were used with a non-probabilistic sample of 23 people in the case of Lima and 30 people in the case of Huánuco” (Yépez, J. 2011; Yépez, J. 2017b) In the comparative analysis of both investigations we can conclude that the reproduction of the coloniality of power and the argued knot (identity-modernity-democracy) are the obstacles for the development of youth communities in Peru.] |
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jyepez@lamolina.edu.pe |
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Universidad Nacional Agraria la Molina, Lima, Perú |
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Universidad Ricardo Palma |
Place of Publication |
Lima, República del Perú |
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español |
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English |
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Online: 2617-6262 |
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open access |
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Call Number |
INTech @ brianhickam2019 @ |
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2400 |
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