| |
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Odell, Grace Kate |
A Night at the Opera: Performance, Theatricality, and Identity in the Music of Queen |
2019 |
|
|
174 |
|
|
|
Olavarría Ginocchio, Ricardo |
Entre la profesionalización y el underground. Inicios de la escena metalera en Lima (1983-1989) |
2019 |
|
|
153 |
|
|
|
González, Susana Martínez |
El Quijote a ritmo de rock and roll: El heavy metal español como recurso didáctico en las clases de literatura de E.S.O |
2019 |
Campo Abierto. Revista de Educación |
38 |
107-124 |
|
|
|
García-Peinazo, Diego |
Héroes frigios, nación y distorsión. La batalla por la supertónica descendida como signo musical en el metal español |
2019 |
Cuadernos de Música Iberoamericana |
32 |
137-157 |
|
|
|
Swist, Jeremy J. |
Satan’s Empire: Ancient Rome’s anti-Christian appeal in extreme metal |
2019 |
Metal Music Studies |
5 |
35-51 |
|
|
|
Bolay, Jordan |
‘Their song was partial; but the harmony […] suspended hell’: Intertextuality, voice and gender in Milton/Symphony X’s Paradise Lost |
2019 |
Metal Music Studies |
5 |
5-20 |
|
|
|
Steinken, Woodrow |
Norwegian black metal, transgression and sonic abjection |
2019 |
Metal Music Studies |
5 |
21-33 |
|
|
|
Herbst, Jan-Peter |
Old sounds with new technologies? Examining the creative potential of guitar ‘profiling’ technology and the future of metal music from producers’ perspectives |
2019 |
Metal Music Studies |
5 |
53-69 |
|
|
|
Copilaș, Emanuel |
Negative determinations of intellect: A Hegelian critique of Slayer’s phenomenology |
2019 |
Metal Music Studies |
5 |
71-87 |
|
|
|
Zenerian, Eleftherios |
Vinyl records, metal fandom and fan labour: Productions and exchanges at the intersection of the cultural and financial economies |
2019 |
Metal Music Studies |
5 |
89-106 |
|
