| |
Records |
Links |
|
Author |
Goossens, Didier |
|
| |
Title |
Reclaiming Aotearoa: Stories of Experimentation, Education, and Reflection in Aotearoa Indigenous Metal Music |
Type  |
Book Chapter |
| |
Year |
2023 |
Publication |
Defiant Sounds. Heavy Metal Music in the Global South |
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
67-90 |
|
| |
Keywords |
Aotearoa (New Zealand); Indigenity; Education; Experimentation |
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
Lexington Books |
Place of Publication |
London |
Editor |
Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
|
| |
Language |
|
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
|
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2425 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Thibodeau, Anthony J.; Bond, Sage |
|
| |
Title |
“A Whole New Type of Isolation”: Resilience and Hope in the Navajo Nation Metal Scene during the COVID-19 Pandemic in 2020–2021 |
Type |
Book Chapter |
| |
Year |
2023 |
Publication |
Defiant Sounds. Heavy Metal Music in the Global South |
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
91-112 |
|
| |
Keywords |
Navajo nation; COVID-19 Pandemic; Resilience |
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
Lexington Books |
Place of Publication |
London |
Editor |
Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
|
| |
Language |
|
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
|
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2426 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Le Vine, Mark |
|
| |
Title |
“We Play Heavy Metal because Our Lives Are Heavy Metal”: A Generation of Metal in the Middle East and North Africa |
Type |
Book Chapter |
| |
Year |
2023 |
Publication |
Defiant Sounds. Heavy Metal Music in the Global South |
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
115-136 |
|
| |
Keywords |
African scenes; Middle Eastern scenes |
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
Lexington Books |
Place of Publication |
London |
Editor |
Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
|
| |
Language |
|
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
|
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2427 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Rowe, Paula |
|
| |
Title |
Youth Activism and Decolonial Metal: Voice of Baceprot and Alien Weaponry as Case Studies |
Type |
Book Chapter |
| |
Year |
2023 |
Publication |
Defiant Sounds. Heavy Metal Music in the Global South |
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
137-162 |
|
| |
Keywords |
Decolonialism; Alien Weaponry (band); Voice of Baceprot (band) |
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
Lexington Books |
Place of Publication |
London |
Editor |
Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
|
| |
Language |
|
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
|
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2428 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Calvo, Manuela Belén |
|
| |
Title |
Coloniality and Gender in the Argentinian Metal Scene: A Study Through Four Cases |
Type |
Book Chapter |
| |
Year |
2023 |
Publication |
Defiant Sounds. Heavy Metal Music in the Global South |
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
163-186 |
|
| |
Keywords |
Argentina; Gender; Coloniality |
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
Lexington Books |
Place of Publication |
London |
Editor |
Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
|
| |
Language |
|
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
|
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2429 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Nevárez Araújo, Daniel; Susane Hécate |
|
| |
Title |
An Interview on “Contar/Cantar Memórias da Resistência” |
Type |
Book Chapter |
| |
Year |
2023 |
Publication |
Defiant Sounds. Heavy Metal Music in the Global South |
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
189-200 |
|
| |
Keywords |
Interview; Miasthenia (band) |
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
Lexington Books |
Place of Publication |
London |
Editor |
Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
|
| |
Language |
|
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
|
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2430 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Nevárez Araújo, Daniel; Manuel Gagneux |
|
| |
Title |
Misusing Things in Metal Music: A Dialogue |
Type |
Book Chapter |
| |
Year |
2023 |
Publication |
Defiant Sounds. Heavy Metal Music in the Global South |
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
201-218 |
|
| |
Keywords |
Interview; Zeal & Ardor (band) |
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
Lexington Books |
Place of Publication |
London |
Editor |
Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
|
| |
Language |
|
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
|
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2431 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Walch, Florian |
|
| |
Title |
Extreme Metal Across the Digital Divide: Music, Technology, Genre |
Type |
Book Whole |
| |
Year |
2023 |
Publication |
|
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
301 |
|
| |
Keywords |
analog; analysis; digital; extreme metal; genre; media; music history; music theory |
|
| |
Abstract |
This dissertation examines how the analog-digital transition influenced the development of extreme metal, interpreting its present obsession with fine sub-generic distinctions and “old-school” revivals of analog aesthetics as a means of coping with an uneasy dependence on digital media. While extreme metal’s values developed in analog networks, its transcendence of aural and bodily limits required digital prostheses. The digital divide in accessing these contested technologies structured extreme metal’s system of subgenres, which—like the remembered inconveniences of the past—memorialize now-lost resistances.
This dissertation’s arc is conceptual and chronological. Its introduction and conclusion frame its inquiry with present concerns, while the inner chapters are case studies that progress from undifferentiated analog beginnings in the 1980s to sub-generic crystallization up to the arrival of the digital audio workstation in the mid-1990s. Using archival materials, newly conducted interviews, and close readings of musical records, these case studies put vernacular theories into dialog with discourses drawn from the musicology of record production, music theory, and critical theory. Ultimately, these constellations aim to articulate a constitutive relationship between what it means to analyze, make, and enjoy popular music. This dissertation’s contributions are twofold. First, it provides models for the analysis of popular music grounded in the historically conditioned values of an aesthetic community—and how these values are adapted to disruptions. Second, this dissertation argues that (sub-)genre, as the promise of being able to repeat (increasingly narrow) aesthetic experiences, requires technologies that make this repetition possible—at least in fantasy. The Introduction uses ethnographic vignettes to establish the contemporary importance of sub-genre and nostalgia.
Chapter 1 asks why pioneering musicians can claim to have heard extreme metal before it existed, by manipulating the time-axis of existing records on tape or vinyl players. This fetish-like objectification of creativity reflects a disavowal of subjective creativity. Chapter 2 analyzes death metal drumming’s labor theory of value, demonstrating why digital drum sample replacement was both essential and intolerable for the development of the prized blast beat, which was valued as concrete time, but measured as abstract time.
An Interlude examines how moral panics around backmasking let horror-inspired album introductions transmit different messages to insiders and outsiders. Chapter 3 reconstructs the digital-analog assemblage Morrisound Studios used to create the signature hyper-real performance associated with death metal and explores how its aural trace made the digital divide audible. Chapter 4 argues that the death metal production aesthetic undermined the groove-based forms of grindcore, examining how former grindcore bands re-record their own songs in a death metal idiom. Chapter 5 contests the notion that black metal was only a return to an imagined analog past, analyzing it as a post-digital style that used the devaluation of human performance it critiqued in death metal to incorporate influences from electronic dance music. The Postlude returns to the present and considers what is at stake when resistances are lost to remediation. (source: Uchicago.edu) |
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
Ph.D. thesis |
|
| |
Publisher |
The University of Texas at San Antoniohicago |
Place of Publication |
Chicago, Illinois |
Editor |
|
|
| |
Language |
English |
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
|
Medium |
PDF |
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
INTech @ brianhickam2019 @ |
Serial |
2604 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Gallina, Francesco |
|
| |
Title |
La fisica del rock. Da Einstein, Lovecraft e Paperino a Jeeg Robot, ai Queen e all'Universo degli Epica |
Type |
Book Whole |
| |
Year |
2023 |
Publication |
|
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
|
|
| |
Keywords |
|
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
Arcana |
Place of Publication |
Roma |
Editor |
|
|
| |
Language |
|
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
9788892772274 |
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2468 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Prown, Pete |
|
| |
Title |
Ultimate Heavy Metal Guitars: The Guitarists Who Rocked the World |
Type |
Book Whole |
| |
Year |
2023 |
Publication |
|
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
192 |
|
| |
Keywords |
|
|
| |
Abstract |
“From metal pioneers like Black Sabbath’s Tony Iommi, Led Zeppelin’s Jimmy Page, and Deep Purple’s Ritchie Blackmore to today’s hottest shredders, thrashers, and riffers, Ultimate Heavy Metal Guitars is your guide to the instruments and musicians that made metal. Author and guitar journalist Pete Prown presents his subjects by metal-defining eras and subgenres, including: early metal, hard rock and arena rock, prog rock, Euro metal, hair metal, shred, thrash, and more.” (source: Amazon.com) |
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
Motorbooks |
Place of Publication |
|
Editor |
|
|
| |
Language |
English |
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
0760377758; 978-0760377758 |
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
INTech @ brianhickam2019 @ |
Serial |
2515 |
|
| Permanent link to this record |
