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Author |
Karjalainen, Toni-Matti |
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Title |
Heavy Metal in Estonia: Cohesions and Divisions, Past and Present |
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Year |
2021 |
Publication |
Living Metal: Metal Scenes around the World |
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Keywords |
Estonia scene; Sociology |
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Publisher |
Intellect Books |
Place of Publication |
Bristol |
Editor |
Bardine, Bryan A.; Stueart, Jerome |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2196 |
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Author |
Granado, Rui Luiz Ferreira; Valente, Heloisa de Aaujo Duarte |
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Title |
From the Sound of the Lathes to the Noise of the Amplifiers: The Heavy Metal and the Music Scene in the ABC Region of Brazil (1980-1990) |
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Book Chapter |
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Year |
2021 |
Publication |
Living Metal: Metal Scenes around the World |
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Non-western scenes; Brazil; History (heavy metal) |
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Publisher |
Intellect Books |
Place of Publication |
Bristol |
Editor |
Bardine, Bryan A.; Stueart, Jerome |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
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2197 |
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Author |
Kennedy, Lewis |
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Title |
“This Is the City of Hate”: Surveying the Hull Metal/Hardcore Scene |
Type |
Book Chapter |
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Year |
2021 |
Publication |
Living Metal: Metal Scenes around the World |
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Keywords |
UK scene; Hull; Sociology |
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Intellect Books |
Place of Publication |
Bristol |
Editor |
Bardine, Bryan A.; Stueart, Jerome |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
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2198 |
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Author |
Radovanović, Bojana |
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Title |
Debunking “Potentially Monolithic Perceptions of Musicology”: The Role of Musicology in Metal Music Studies |
Type |
Book Chapter |
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Year |
2021 |
Publication |
Shaping the Present through the Future. Musicology, Ethnomusicology and Contemporaneity |
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Pages |
97-110 |
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Keywords |
Metal Studies; Musicology |
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Publisher |
Institute of Musicology SASA |
Place of Publication |
Belgrade |
Editor |
Radovanović, Bojana; Bralović, Miloš; Radivojević, Maja; Mihajlović, Danka Lajić; Medić, Ivana |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2236 |
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Author |
Swist, Jeremy J. |
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Title |
Headbanging to Byzantium: The Reception of the Byzantine Empire in Heavy Metal Music |
Type |
Book Chapter |
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Year |
2021 |
Publication |
İstanbul’da Bu Ne Bizantinizm! / What Byzantinism is this in Istanbul! |
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Pages |
200-229 |
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Keywords |
Byzantine Empire; History |
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İstanbul Araştırmaları Enstitüsü Yayınları |
Place of Publication |
Istanbul |
Editor |
Künyeleri, Eser |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2237 |
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Author |
Verne, Markus |
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Title |
Musikerfahrung und Kulturrelativismus: Heavy Metal in Madagaskar |
Type |
Book Chapter |
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Year |
2021 |
Publication |
Die Handlungsmacht ästhetischer Objekte |
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Pages |
167-196 |
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Keywords |
Non-Western Scenes; Africa; Madagascar |
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Publisher |
De Gruyter |
Place of Publication |
Berlin |
Editor |
Schlitte, Annila; Verne, Markus; Wedekind, Gregor |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2244 |
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Author |
Barajas, Jhon Edison |
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Title |
Historia del power metal colombiano: un documental para la creación de un panorama histórico e identitario del power metal |
Type |
Book Chapter |
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Year |
2021 |
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Keywords |
Power Metal; Colombia; Identity; Music history |
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Bachelor's thesis |
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Publisher |
Corporación Universitaria Minuto de Dios |
Place of Publication |
Bogotá |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2273 |
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Author |
Cárdenas Azuaje, Diana María |
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Title |
MUJERES Y SUS REPRESENTACIONES SOCIALES DENTRO DEL METAL EN BOGOTÁ |
Type |
Book Chapter |
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Year |
2021 |
Publication |
Representaciones Sociales e Imaginarios Colectivos del Género, el Cuerpo y la Sexualidad |
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Pages |
355-393 |
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Keywords |
Bogotá; música Metal; mujeres; representaciones sociales |
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Abstract |
El presente texto muestra los hallazgos de la investigación “Representaciones sociales de la mujer en la cultura del Metal en Bogotá”, tesis de maestría presentada en la Universidad Distrital Francisco José de Caldas en 2012. Dicha investigación fue de corte cualitativo y abordó la perspectiva teórica estructural de las Representaciones Sociales (RS) de Jean Claude Abric (2001). Con ese constructo se determinaron el núcleo central (idea estable y organizadora) y los elementos periféricos (idea flexible auxiliar del núcleo) para las categorías: Mujer y Metal.
Para el estudio, se recurrió a la recolección e interpretación de 19 entrevistas semiestructuradas que se realizaron en Bogotá – Colombia. Las participantes son mujeres escuchas e intérpretes de música Metal con diversas características. En el análisis de instrumentos, se identificaron varios términos con alta frecuencia de reiteración (fuerza, vida, valentía y música), que se agruparon por semejanza, contigüidad o contraste, relacionados con la vivencia de la música Metal desde la perspectiva de las mujeres.
Los hallazgos se presentan relacionados a las categorías: 1. Mujer, asociada a cuatro núcleos: superficialidad, espiritualidad, liberación, pautas restrictivas. 2. Metal, que tiene como núcleos cultura/contracultura, machismo, Identidad/gusto, música, ritmo e interpretación. Así mismo se encontró (entre otras cuestiones) que las entrevistadas definen al Metal, como cultura en tanto genera elementos identitarios a partir de preferencias musicales, rituales, territorios, lenguajes, indumentarias y significados. Las mujeres del medio realizan una “transformación” frente a algunos parámetros de feminidad difundidos tradicionalmente consolidando una especie de feminidad transgresora. |
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https://imaginariosyrepresentaciones.com/miembros/diana-maria-cardenas-azuaje/ |
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Publisher |
Red Iberoamericana de Academias de Investigación, A.C. (978-607-99621) |
Place of Publication |
XALAPA, VERACRUZ, MÉXICO |
Editor |
ELIZABETH BALLÉN GUACHETÁ; LUIS ENRIQUE PÉREZ MÉNDEZ; SINDY PAOLA DÍAZ BETTER; DIANA MARÍA CÁRDENAS AZUAJE |
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Spanish |
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Colección Imaginarios y Representaciones |
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First |
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978-607-99388-5-7 |
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PDF |
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Notes |
See also INTRODUCCIÓN, pages 1-19. www.redibai.org; redibai@hotmail.com |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2288 |
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Author |
Lucas, Olivia R. |
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Title |
Light Shows as Public, Vernacular Music Theory |
Type |
Book Chapter |
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Year |
2021 |
Publication |
The Oxford Handbook of Public Music Theory The Oxford Handbook of Public Music Theory |
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Pages |
s.p. |
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Keywords |
Concert Lightning |
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Oxford University Press |
Place of Publication |
Oxford |
Editor |
Jenkins, J. Daniel |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2383 |
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Author |
Trafford, Simon |
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Title |
Amon Amarth Make Mead! Alcohol consumption, masculinity, and the modern Viking |
Type |
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Year |
2021 |
Publication |
Middle Ages without borders: A conversation on Medievalism |
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Abstract |
“This paper explores and comments upon the way in which neo-Viking identities, masculinity and alcoholic consumption have become aligned and mutually reinforcing in popular culture, aided and abetted by consumer capitalism and the power of advertising.”
Since 2020, all volumes from the Collection of the French School of Rome and the Library of the French Schools of Athens and Rome are also freely available online on the OpenEdition Books website:
https://books.openedition.org /efr/95
https://books.openedition.org/efr/96 |
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https://www.publications.efrome.it/opencms/opencms/ |
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Publications de l’École française de Rome |
Place of Publication |
Italy |
Editor |
Tommaso di Carpegna Falconieri; Pierre Savy; & Lila Yawn |
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Language |
English |
Summary Language |
English, Spanish, French |
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École Française de Rome |
Series Title |
Collection de l'École française de Rome |
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978-2-7283-1494-2; 978-2-7283-1493-5 |
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eBook |
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Notes |
OpenEdition Books |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2514 |
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