| |
Author |
Title |
Year |
Publication |
Volume  |
Pages |
Links |
|
|
Dairianathan, Eugene |
Vedic metal and e-mediated space: a perspective from Singapore |
2013 |
Asian Journal of Communication |
23 |
348-367 |
|
|
|
Baulch, Emma |
Gesturing elsewhere: The identity politics of the Balinese death/thrash metal scene |
2003 |
Popular Music; Cambridge |
22 |
195-215 |
|
|
|
Avelar, Idelber |
Genealogías y Contrastes en el Heavy Metal Brasileño |
2009 |
TodaVÍA |
21 |
62-67 |
|
|
|
Greene, Paul |
Mixed messages: unsettled cosmopolitanisms in Nepali pop |
2001 |
Popular Music |
20 |
169-187 |
|
|
|
Arboleda, Juan Camilo |
Narrar o mal para compreender a tragédia na Colômbia: a banda Masacre e a violência |
2016 |
Líbero |
19 |
81-92 |
|
|
|
Pailahual, Stefanie Pacheco; Hernández, Katherin Pailahual |
Identidad autorepresentación y discurso decolonial en las letras del album debut del grupo Mapuche Peumayen |
2018 |
Arte y Políticas de Identidad; Murcia |
19 |
183-200 |
|
|
|
Kahn-Harris, Keith |
“I hate this fucking country”: Dealing with the Global and the Local in the Israeli Extreme Metal Scene |
2002 |
Music, Popular Culture, Identities |
19 |
119-136 |
|
|
|
Yepes Aguirre, Jimmy Renzo |
Política cultural neoliberal y la música heavy metal en la ciudad de Huánuco, Perú, 1990-2010 |
2013 |
Investigaciones Sociales |
17 |
279-290 |
|
|
|
Otterbeck, Jonas; nueva, Enlace a. sitio externo Este enlace se abrirá en una ventana; Mattsson, Douglas; Pastene, Orlando |
“I am Satan!” black metal, Islam and blasphemy in Turkey and Saudi Arabia |
2018 |
Contemporary Islam; Dordrecht |
12 |
267-286 |
|
|
|
Avelar, Idelber |
Heavy Metal Music in Postdictatorial Brazil: Sepultura and the Coding of Nationality in Sound |
2003 |
Journal of Latin American Cultural Studies |
12 |
329-346 |
|
