| |
Author |
Title |
Year |
Publication |
Volume  |
Pages |
Links |
|
|
Mustamo, Aila |
Symboleita, pahiksia ja rappiota: Kansallissosialismin ristiriitainen lumo suomalaisessa black metalissa [Symbols, villains and decadence: The contradictory enchantment of National Socialism in Finnish black metal] |
2024 |
KULTTUURINTUTKIMUS |
41 |
23-40 |
|
|
|
Lucas, Olivia R. |
“Kaitiakitanga, Whai Wāhi” and Alien Weaponry: indigenous frameworks for understanding language, identity and international success in the case of a Māori metal band |
2021 |
Popular Music |
40 |
263-280 |
|
|
|
Robertson, Wes |
Screaming of Slaughter and Samurai: Motives and Methods for Exploring Premodern Japan in the Japanese Folk Metal Scene |
2022 |
Parergon |
39 |
79-104 |
|
|
|
Varas-Díaz, Nelson; Mendoza, Sigrid; Rivera, Andrés |
La cultura de la música heavy metal como fenómeno social |
2015 |
Boletín Asociación de Psicología de Puerto Rico |
38 |
4-6 |
|
|
|
Arenillas Meléndez, Sara |
Negociaciones de la masculinidad en el heavy español de los ochenta |
2021 |
Feminismo/s |
38 |
261-279 |
|
|
|
Baker, Charley; Brown, Brian |
Suicide, Self-Harm and Survival Strategies in Contemporary Heavy Metal Music: A Cultural and Literary Analysis |
2016 |
Journal of Medical Humanities |
37 |
1-17 |
|
|
|
Davis, Amanda Blake; Sangster, Matthew |
“Load Every Rift”: Power, Opposition, and Community in Romantic Poetry and Heavy Metal |
2023 |
European Romantic Review |
34 |
291-302 |
|
|
|
Swiniartzki, Marco |
Why Florida?: Regional conditions and further development of the “Florida death metal” scene and the local public response (1984–1994) |
2021 |
Journal of Popular Music Studies |
33 |
168-193 |
|
|
|
Hosman, Sarah Siltanen |
Gender inequality in metal music production (book review) |
2019 |
Gender & Society |
33 |
652-654 |
|
|
|
Rivero-Vadillo, Alejandro |
“An Indigenous Fucking Blood Revival”: Pagan Aesthetics in The US Indigenous Black Metal Scene |
2024 |
Complutense Journal of English Studies |
32 |
e81707 |
|
