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Author |
Langebach, Martin; Schulze, Christoph |
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Title |
Affirmation and denial: Extreme right black metal and the Holocaust |
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Journal Article |
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Year |
2020 |
Publication |
Metal Music Studies |
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Volume  |
6 |
Issue |
3 |
Pages |
375-393 |
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Keywords |
Black Metal; NSBM; Holocaust |
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UCM - CAM @ amaranta.saguar.garcia @ langebach_affirmation_2020 |
Serial |
1957 |
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Author |
Kahn-Harris, Keith |
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Title |
Engaging with absence: Why is the Holocaust a ”problem” for metal? |
Type |
Journal Article |
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Year |
2020 |
Publication |
Metal Music Studies |
Abbreviated Journal |
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Volume |
6 |
Issue |
3 |
Pages |
395-414 |
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Keywords |
Holocaust |
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UCM - CAM @ amaranta.saguar.garcia @ kahn-harris_engaging_2020 |
Serial |
1958 |
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Author |
Nowakowski, Adam E. |
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Title |
“Horns Up!” The Horned Hand as the Emblematic Gesture of the Metal Subculture |
Type |
Journal Article |
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Year |
2020 |
Publication |
Półrocznik Językoznawczy Tertium |
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Volume |
5 |
Issue |
2 |
Pages |
62–82 |
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Keywords |
Gestures; Sociology |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2070 |
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Author |
López Ramírez Gastón, José Ignacio |
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Title |
El ritual de lo habitual: apuntes introductorios sobre un rock nacional peruano |
Type |
Journal Article |
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Year |
2020 |
Publication |
Antec: Revista Peruana de Investigación Musical |
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Volume |
4 |
Issue |
1 |
Pages |
60-85 |
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Keywords |
Rock; música popular; música peruana; rock nacional; translocalidad; nacionalismo |
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Abstract |
La participación del rock en el desarrollo de comunidades musicales en el Perú es un tema no explorado dentro del ámbito académico. En la construcción de los modelos nacionales y regionales de una musicalidad propia, las músicas populares urbanas de origen extranjero no han sido consideradas; tampoco lo han sido como elementos en la formación de una identidad regida por los parámetros del discurso del Estado-nación. En este trabajo, exploramos las confrontaciones y dicotomías que mantienen el tema del rock como ajeno y a las comunidades musicales del rock nacional, como lejanas. |
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La Universidad Nacional de Música (UNM) (Perú) |
Place of Publication |
Ciudad de Lima, la República del Perú |
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Language |
español |
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2616-681X (electrónico); 2521-8565 (impreso) |
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PDF, XML, EPUB, HTML |
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Open Access: Esta obra está bajo una licencia internacional: Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) |
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INTech @ brianhickam2019 @ |
Serial |
2379 |
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Author |
Rodríguez, Pablo |
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Title |
Encuentro de Ritmos Tradicionales con Distorsiones del Mundo: Propuestas musicales ecuatorianas donde conviven el rock y la música tradicional. |
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Magazine Article |
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Year |
2020 |
Publication |
R-ZINE |
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Volume |
1 |
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Pages |
14-25 |
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Sociedad Anómica; Universidad San Francisco de Quito |
Place of Publication |
San Francisco de Quito, Republic of Ecuador |
Editor |
Viteri, Juan Pablo |
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Spanish |
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Notes |
Este primer número de R-ZINE fue financia do por la Universidad San Francisco de Qui to USFQ (Ecuador) a través de su programa de Grants de Producción Creativa (grant 2019-2020) del Decanato de Investigación. R-Zine es un proyecto de investigación creativa del Colegio de Comunicación y Artes Contemporáneas (COCOA). Diez Años De Música Independiente. |
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INTech @ brianhickam2019 @ |
Serial |
2294 |
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Author |
Viteri, Juan Pablo |
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Title |
DIABLO-HUMA [AYA-UMA]: Fuerza ancentral música independiente. |
Type |
Magazine Article |
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Year |
2020 |
Publication |
R-ZINE |
Abbreviated Journal |
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Volume |
1 |
Issue |
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Pages |
26-37 |
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Sociedad Anómica; Universidad San Francisco de Quito |
Place of Publication |
San Francisco de Quito, Republic of Ecuador |
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Spanish |
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Notes |
Este primer número de R-ZINE fue financia do por la Universidad San Francisco de Qui to USFQ (Ecuador) a través de su programa de Grants de Producción Creativa (grant 2019-2020) del Decanato de Investigación. R-Zine es un proyecto de investigación creativa del Colegio de Comunicación y Artes Contemporáneas (COCOA). Diez Años De Música Independiente. |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2295 |
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Author |
Burns, Lori |
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Title |
Intersections of Gender, Race, and Genre: Cammie Gilbert and Black Female Subjectivity in Metal Music |
Type |
Journal Article |
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Year |
2020 |
Publication |
American Music Perspectives |
Abbreviated Journal |
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Volume |
1 |
Issue |
2 |
Pages |
98-118 |
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Keywords |
Oppression; Race; Gender; Oceans of Slumber (band); Cammie Gilbert (artist) |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2397 |
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Author |
Hagen, Ross |
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Title |
A Gothic Romance: Neomedieval Echoes of Fin’amor in Gothic and Doom Metal |
Type |
Book Chapter |
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Year |
2020 |
Publication |
The Oxford Handbook of Music and Medievalism |
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Pages |
546-563 |
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Keywords |
Gothic; Motifs; Subgenre; Doom metal; Neomedievalism; Gothic metal |
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Publisher |
Oxford University Press |
Place of Publication |
Oxford |
Editor |
Meyer, Stephen C.; Yri, Kirsten |
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Language |
en |
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ISBN |
978-0-19-065844-1 |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ meyer_gothic_2020 |
Serial |
142 |
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Author |
Trafford, Simon |
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Title |
Viking metal |
Type |
Book Chapter |
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Year |
2020 |
Publication |
The Oxford handbook of music and medievalism |
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Volume |
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Pages |
563-585 |
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Keywords |
Politics; Vikings; Viking metal; Neomedievalism |
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Oxford University Press |
Place of Publication |
Oxford |
Editor |
Meyer, Stephen C.; Yri, Kirsten |
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en |
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978-0-19-065844-1 |
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UCM - CAM @ amaranta.saguar.garcia @ meyer_viking_2020 |
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143 |
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Author |
Carlos, Caitlin Vaughn |
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Title |
“Ramble on”: medievalism as a nostalgic practice in Led Zeppelin’s use of J. R. R. Tolkien |
Type |
Book Chapter |
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Year |
2020 |
Publication |
The Oxford handbook of music and medievalism |
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Volume |
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Pages |
529-546 |
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Keywords |
Neomedievalism |
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Oxford University Press |
Place of Publication |
Oxford |
Editor |
Meyer, Stephen C.; Yri, Kirsten |
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Language |
en |
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978-0-19-065844-1 |
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no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ meyer_ramble_2020 |
Serial |
144 |
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