| |
Author |
Title |
Year |
Publication |
Volume  |
Pages |
Links |
|
|
Ferrarese, Marco |
Heavy Metal Nothingness: Alluring Foreignness And Authenticity Construction In Early 2010s Malaysian Metal |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
195-205 |
|
|
|
McGrath, Bill |
The Othering Of Botswanan Metal |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
206-218 |
|
|
|
Wang, Yuan |
Formation, Industries, And Identities: Observations On Extreme Metal In Mainland China 2000-2013 |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
219-229 |
|
|
|
Heath, Douglas |
Heavy Metal From The Antarctic Ends Of The Earth: Investigating The Metal Music Identity From Invercargill, Southland, New Zealand |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
230-239 |
|
|
|
Lucas, Olivia |
Kentucky: Sound, Environment, History – Black Metal And Appalachian Coal Culture |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
555-563 |
|
|
|
Kaiser, Maisie |
Gender, Identity, and Power in Metal Music Scenes |
2016 |
|
|
|
|
|
|
Downing, Danny |
Defending the Realm: National Identity, Heritage and Nationalism in Black Metal |
2012 |
|
|
|
|
|
|
Karjalainen, Toni-Matti |
Tales from the North and Beyond: Sounds of Origin as Narrative Discourses |
2018 |
Sounds of origin in heavy metal music |
|
1-40 |
|
|
|
Frangioni, Tommaso; Masina, Filippo; Pieroni, Giulio; Venturella, Mario |
Son(g)s of Darkness: Identities in Italian Black Metal |
2018 |
Sounds of origin in heavy metal music |
|
71-94 |
|
|
|
Norman, Joseph |
From the Bogs of Aughiska: Dark Ambient, Folklore, and Irish National Identity |
2018 |
Sounds of origin in heavy metal music |
|
117-140 |
|
