|
Author |
Title |
Year ![sorted by Year field, ascending order (up)](img/sort_asc.gif) |
Publication |
Volume |
Pages |
Links |
|
Karjalainen, Toni-Matti |
Tales from the North and Beyond: Sounds of Origin as Narrative Discourses |
2018 |
Sounds of origin in heavy metal music |
|
1-40 |
|
|
Frangioni, Tommaso; Masina, Filippo; Pieroni, Giulio; Venturella, Mario |
Son(g)s of Darkness: Identities in Italian Black Metal |
2018 |
Sounds of origin in heavy metal music |
|
71-94 |
|
|
Norman, Joseph |
From the Bogs of Aughiska: Dark Ambient, Folklore, and Irish National Identity |
2018 |
Sounds of origin in heavy metal music |
|
117-140 |
|
|
Belén Calvo, Manuela |
Indigenista perspectives in Argentine metal music |
2018 |
Metal Music Studies |
4 |
155-163 |
|
|
Rivera-Segarra, Eliut; Varas-Díaz, Nelson; Mendoza, Sigrid; Díaz, Xaymara |
Morbo ancestral: Reformulando la cultural local a través de la música metal en Puerto Rico |
2018 |
Metal Music Studies |
4 |
165-174 |
|
|
Calvo, Manuela Belén |
Perspectiva indigenista en la música metal de Argentina |
2018 |
Metal Music Studies |
4 |
147-154 |
|
|
Pack, Christian |
‘Severed Reality’: Representations of reality in Salvadoran tribal metal |
2018 |
Metal Music Studies |
4 |
187-196 |
|
|
Rivera-Segarra, Eliut; Varas-Díaz, Nelson; Mendoza, Sigrid; Díaz, Xaymara |
Ancestral morbid fascinations: Reformulating local culture through metal music in Puerto Rico |
2018 |
Metal Music Studies |
4 |
175-186 |
|
|
Nagy, Tamás |
Terms and identities: Forms of music related to national identity practices in blog posts of the Hungarian rock/metal discourse community |
2018 |
Metal Music Studies |
4 |
507-530 |
|
|
Hoad, Catherine |
’He can be whatever you want him to be’: Identity and intimacy in the masked performance of Ghost |
2018 |
Popular Music; Cambridge |
37 |
175-192 |
|