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Author |
Thomson, Andrew; Thomson, Amanda M.E. |
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Title |
Metallica the state/Metallica the war machine: A Deleuzoguattarian analysis of the world’s biggest metal band |
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Journal Article |
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Year |
2022 |
Publication |
Metal Music Studies |
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Volume |
8 |
Issue |
3 |
Pages |
381-400 |
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Keywords |
Metallica (band); Gilles Deleuze; Felix Guattari; Philosophy |
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2052-3998 |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2353 |
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Author |
Thomas, Samuel |
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Title |
The Devil's Party. Metal and Literature |
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Book Chapter |
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Year |
2022 |
Publication |
The Routledge Companion to Music and Modern Literature |
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Pages |
406-415 |
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Keywords |
Literature |
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Routledge |
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London |
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Durkin, Rachael; Dayan, Peter; Englund, Axel; Clausius, Katharina |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2269 |
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Author |
Thomas, Niall |
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Title |
Innovation and tradition in metal music production |
Type |
Journal Article |
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Year |
2021 |
Publication |
Metal Music Studies |
Abbreviated Journal |
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Volume |
7 |
Issue |
3 |
Pages |
423-443 |
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Keywords |
Recording; Music industry; Music production |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2135 |
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Author |
Thibodeau, Anthony J.; Bond, Sage |
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Title |
“A Whole New Type of Isolation”: Resilience and Hope in the Navajo Nation Metal Scene during the COVID-19 Pandemic in 2020–2021 |
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Book Chapter |
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Year |
2023 |
Publication |
Defiant Sounds. Heavy Metal Music in the Global South |
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Pages |
91-112 |
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Keywords |
Navajo nation; COVID-19 Pandemic; Resilience |
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Publisher |
Lexington Books |
Place of Publication |
London |
Editor |
Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2426 |
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Author |
Temkin, Daniel |
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Title |
Intricate Machines for String Quartet |
Type |
Book Whole |
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Year |
2016 |
Publication |
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Keywords |
Classical music; Heavy Metal; Musical composition; String quartets |
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Abstract |
Program Notes: Intricate Machines was composed for the 2016 Saarbrücken Somermusik festival in Germany. The festival theme was “travel to foreign lands” and this piece, in some sense, represents a larger journey from the chaos of the outside world into a more peaceful sphere of inner reflection. Each of the five movements is connected together and played without pause. Beginning with dense and rhythmic outbursts, the first movement (“Heavy-Metal Viola”) imagines a musical offspring of Bartok and Metallica somehow fused together by string quartet. The second movement (“Bump in the Night”) focuses on juxtaposition: a lone, delicate, solo violin hums quietly, only to face jarring interruptions from the ensemble underneath. Ending with an introspective chorale, the second movement gives way to movement three (“Churning Gears”) in which fast and repetitive ostinatos create a dense interlocking musical machine. The fourth movement (“Constellations”) begins with an eruption of heavy, sustaining, chords that are played freely, out of time. These vibrating orbs of sound gradually recede into distant and ethereal harmonics. Suggesting a celestial atmosphere, the solo cello gently sings a muted melody, leaving us in a place of transformation relative to the earlier movements. Movement five, a playful folk-dance, completes the total journey as an overt contrast to the tense opening movements. Amidst its quirky and bizarre groove, elements of rock, funk, folk-fiddling, and pedal-tone drone music, are assimilated into what composer Steven Mackey describes as “a vernacular music from a culture that doesn’t really exist”—or as I phrase it here, a “Martian Jukebox Hoe-down.” |
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Thesis |
Doctoral thesis |
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Publisher |
University of Southern California |
Place of Publication |
Ann Arbor |
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ISBN |
9798460449484 |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2214 |
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Author |
Tardelli Filho, Fábio Alexandre |
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Title |
“Do it ourselves, together, as working class”: thrash metal e luta de classes |
Type |
Book Chapter |
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Year |
2021 |
Publication |
Diálogos com a música extrema |
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Pages |
67-95 |
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Keywords |
Thrash metal; Working class; Class struggle |
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Publisher |
editorafi.org |
Place of Publication |
Porto Alegre |
Editor |
Barchi, Rodrigo |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2160 |
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Author |
Tarazona Elvino, Luis Manuel |
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Title |
Características de la Identidad de Jóvenes que se reúnen entorno a la música Rock – Metal en la ciudad de Huancayo |
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Book Whole |
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Year |
2009 |
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Pages |
150 |
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Keywords |
Música Rock-Metal |
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Abstract |
En el Perú y los países de América Latina, se suceden los testimonios de búsqueda de una sociedad más inclusiva y democrática, sin embargo persisten problemas estructurales como el creciente deterioro económico, la corrupción en las esferas de poder, el descrédito de las instituciones políticas, el debilitamiento de los mecanismos de integración tradicional (la comunidad), generando una problemática compleja en el cual parecen ganar terreno la conformidad y la desesperanza. En este contexto, surgen formas organizativas y de expresión juveniles; una de estas es el espacio donde se congregan los jóvenes alrededor de la música rock metal, operando como punto de referencia, expresión y construcción de identidades. Sin embargo, no existe mucha información acerca de esta música y mucho menos tesis que hablen acerca de los jóvenes que lo practican. ' Por esta razón, el presente estudio está destinado a conocer como se convocan, organizan y construyen su identidad los jóvenes que se reúnen en torno a la música rock metal en la Ciudad de Huancayo. Para efecto de esta tesis, se recoge la información desde la observación participante y entrevistas a jóvenes varones y mujeres cultores de la música rock metal, así también a organizadores de conciertos y propietarios de discotiendas de música, salas de ensayo y centros donde realizan tatuajes. |
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Bachelor's thesis |
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Publisher |
Universidad Nacional del Centro del Perú |
Place of Publication |
Huancayo, República del Perú |
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Language |
Spanish |
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Spanish |
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Notes |
Licenciado en Antropología |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2285 |
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Author |
Tapia, Reynaldo; Mendoza, Boris (eds) |
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Title |
El Tejido de las cuerdas disonantes del metal en Bolivia: Análisis descriptivo e histórico del under boliviano |
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Book Whole |
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Year |
2022 |
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Keywords |
Bolivia; Music History; Sociology |
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Ediciones Jichha |
Place of Publication |
La Paz |
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Tapia, Reynaldo; Mendoza, Boris |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2480 |
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Author |
Tapia, Reynaldo; Mendoza, Boris |
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Title |
Hardcore punk as an effort to Indigenize the underground scene in La Paz during the neo-liberal era of resistance 1993‐2003 |
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Journal Article |
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Year |
2022 |
Publication |
Metal Music Studies |
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Volume |
8 |
Issue |
2 |
Pages |
143-161 |
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Keywords |
Bolivia; Identity; Indigenism; Hardcore |
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2052-3998 |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2314 |
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Author |
Tapia, Reynaldo |
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Title |
El Metal Underground como Cultura, Identidad y Resistencia |
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Year |
2022 |
Publication |
El Tejido de las cuerdas disonantes del metal en Bolivia: Análisis descriptivo e histórico del under boliviano |
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Pages |
9-30 |
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Keywords |
Identity; Resistance; Bolivia; Sociology |
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Publisher |
Ediciones Jichha |
Place of Publication |
La Paz |
Editor |
Tapia, Reynaldo; Mendoza, Boris |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2479 |
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