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Fredriksson, Daniel |
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Title |
“Not Folk Metal, but...” Online intercultural musicking in “the Grove” |
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Journal Article |
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2021 |
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Svensk tidskrift för musikforskning [Swedish Journal of Music Research] |
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103 |
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111-126 |
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Folk Metal; Genres & Styles; On-line Culture; The Folk Metal Grove (Facebook Group) |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2249 |
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Author |
Castro, Álvaro Leonel de Oliveira; Rezende, Daniel Carvalho de |
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Title |
Music consumption and taste internalisation practices among educated Brazilian metal listeners and members of musical scenes |
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2023 |
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Poetics |
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99 |
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101803 |
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Sociology; Social relations |
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0304422X |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2460 |
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Author |
Forshaw, Juliet |
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Title |
Metal in Three Modes of Enmity: Political, Musical, Cosmic |
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2011 |
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Current Musicology |
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91 |
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139-160 |
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Book reviews |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2308 |
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Birnie-Smith, Jess; Robertson, Wesley C. |
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Superdiversity and translocal brutality in Asian extreme metal lyrics |
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2021 |
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Language & Communication |
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81 |
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48-63 |
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Extreme metal; Non-Western scenes (Japan); Non-Western scenes (Taiwan) |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2119 |
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Miller, Jason |
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Title |
What Makes Heavy Metal “Heavy”? |
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Journal Article |
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2021 |
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The Journal of Aesthetics and Art Criticism |
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80 |
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1 |
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70-82 |
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Aesthetics; Heaviness |
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0021-8529 |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2258 |
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Archer-Capuzzo, Sonia |
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Title |
Mining For Metal: Heavy Metal and the Music Library |
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2021 |
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Music Library Association |
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78 |
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1 |
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7-26 |
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Library Science; Bibliography |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2118 |
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Yépez Aguirre, Jimmy Renzo |
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Title |
Campo y habitus de la metaldad limeña 1994-2014: Field and habitus of metaldad limeña 1994 – 2014 |
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2017 |
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Anales Científicos |
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78 |
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2 |
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80-91 |
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Individualization; commodification; fetishization; rock; metal; habitus; field; consumer Society |
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This study was aimed at identifying the benefits that have the qualitative method of grounded theory on the different aspects of feeling and thinking of the metalheads of Lima in order to analyze their gregarious relations in society. In this regard the following objectives: Understand that reproduces the individualization of social life, cultural commodification and fetishization of music, the feelings and thoughts of the metalheads of Lima. Use of depth interview which was applied to a nonrandom sample of 23 youth and adults metalheads (14 to 48 years as age ranges or limits). The Rockandad and Metaldad, which serve to give the interpretation to the issues raised: two conceptual categories identified. And finally a conceptual theoretical instrument called pyramidal dialectic was prepared to give way to explaining the research. |
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https://revistas.lamolina.edu.pe/index.php/acu/issue/view/70 |
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Universidad Nacional Agraria La Molina, Lima - Perú |
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Lima, República del Perú |
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Spanish |
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English |
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Print: 0255-0407 / Online: 2519-7398 |
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INTech @ brianhickam2019 @ |
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2283 |
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Author |
Castillo Bernal, Stephen |
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Title |
Imágenes, ficción y consumo cultural. El impacto de la pantalla chica en la globalidad del heavy metal. |
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Journal Article |
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Year |
2016 |
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Dimensión Antropológica |
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66 |
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January-April |
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117-148 |
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En este trabajo exploraré la construcción de identidades y estereotipos sobre la escena metalera desde la pantalla chica. El cine, así como los programas televisivos, han jugado un papel fundamental en la reproducción del canon metalero.1 Destacan series animadas como Beavis and Butt-Head, transmitidas por el canal mtven la década de los 90, la cual dio paso a series como Metalocalypse, donde se privilegia la vida de los músicos y no tanto la de los fans.Si los productos fílmicos, audiovisuales y televisivos pueden verse como documentos etnográficos que evidencian un contexto cultural al margen de la intencionalidad del autor, entonces las imágenes televisivas asociadas con la escena metalera serán filtradas y re-significadas por cada sujeto y colectividad. Estos imaginarios ficcionales, que pueden o no corresponder con la realidad, generan estigmas, identidades, tabúes, temores y, paradójicamente, la reproducción de la escena metalera mundial mediante diversos consumos culturales. Se analizará la imagen global del heavy metal en las narrativas de Metalocalypse y cómo éstas evidencian el carácter estructural de ese género musical, ello a partir de un ejercicio etnográfico entre los participantes de esa comunidad de sentido en la ciudad de México. Los testimonios etnográficos fueron seleccionados de manera para apuntalar mis interpretaciones. |
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https://revistas.inah.gob.mx/index.php/dimension/index |
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Instituto Nacional de Antropología e Historia de México (INAH) |
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Palacio del Marqués del Apartado, Ciudad de México |
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Subdirector de Publicaciones Periódicas: Benigno Casas |
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español |
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ISSN: 1405776X |
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Revista CuatRimestRal |
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INTech @ brianhickam2019 @ |
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2405 |
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Swiniartzki, Marco |
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Szene-Eliten. Selbststilisierung, soziale Praxis und postmoderne Ästhetisierung am Beispiel des norwegischen Black Metals |
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2021 |
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Archiv für Sozialgeschichte |
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61 |
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445-472 |
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Sociology; Black Metal; Aesthetics; Self-Fashioning |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2232 |
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Kjellander Hellqvist, Eva |
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”Girls just wanna be fans” – om kvinnligt fanskap [“Girls just wanna be fans” – about female fandom] |
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2023 |
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HumaNetten |
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50 |
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76-91 |
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Gender; Women |
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UCM-CAM @ amaranta.saguar.garcia @ |
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