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Author |
Varas-Díaz, Nelson; Mendoza, Sigrid; Rivera, Andrés |
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Title |
La cultura de la música heavy metal como fenómeno social |
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Journal Article |
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Year |
2015 |
Publication |
Boletín Asociación de Psicología de Puerto Rico |
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Volume |
38 |
Issue |
1 |
Pages |
4-6 |
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Sociology; Psychology |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2330 |
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Author |
Varas-Díaz, Nelson; Kobi Farhi |
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Title |
The Alternative Side of the Frame: A Dialogue on Southern Inspirations |
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Book Chapter |
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Year |
2023 |
Publication |
Defiant Sounds. Heavy Metal Music in the Global South |
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Pages |
219-226 |
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Keywords |
Interview; Orphaned Land (band) |
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Lexington Books |
Place of Publication |
London |
Editor |
Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2432 |
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Author |
Varas-Díaz, Nelson; Hickam, Brian; González-Martínez, Susana; Castañeda, Mario; Galicia Poblet, Fernando; Nieves Molina, Alfredo; Scaricaciottoli, Emiliano |
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Title |
“Toda la sangre formando un río”. Contributions to the histories of metal music studies from the Spanish-speaking world |
Type |
Journal Article |
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Year |
2022 |
Publication |
Metal Music Studies |
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Volume |
8 |
Issue |
1 |
Pages |
47-68 |
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Keywords |
Music history; Spanish; Scholarship |
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ISSN |
2052-3998 |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2261 |
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Author |
Varas-Díaz, Nelson |
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Title |
El sujeto criminal sónico: heavy metal y el reto a la normativa social dominante |
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Book Chapter |
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Year |
2012 |
Publication |
Registros criminológicos contemporáneos |
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Pages |
207-240 |
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Keywords |
Sociology |
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SITUM |
Place of Publication |
San Juan |
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Serrano, Sonia |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2328 |
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Author |
Varas-Díaz, Nelson |
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Title |
El Sur Distorsionado como un cambio paradigmático para el metal y su estudio |
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Journal Article |
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Year |
2022 |
Publication |
Lenguas Radicales |
Abbreviated Journal |
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Volume |
1 |
Issue |
4 |
Pages |
28-41 |
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Keywords |
Global South; Non-Western scenes; Decolonisation |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2388 |
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Author |
van Doesburg, Eline |
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Title |
The Rejection and Redemption of Technology in Black Metal |
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Book Whole |
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Year |
2023 |
Publication |
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Keywords |
Black Metal; Technology; Authenticity; Rejection |
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Thesis |
Bachelor's thesis |
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Publisher |
Radboud University |
Place of Publication |
Nijmegen |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2451 |
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Author |
Valijärvi, Riitta-Liisa |
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Title |
Cultural trauma in the lyrics of the Estonian folk metal band Metsatöll |
Type |
Journal Article |
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Year |
2022 |
Publication |
Metal Music Studies |
Abbreviated Journal |
metal music studies |
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Volume |
8 |
Issue |
1 |
Pages |
7-27 |
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Keywords |
Metsatöll (band); Folk Metal; Trauma; Identity |
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2052-3998 |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2262 |
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Author |
Uribe Álvarez, José Jefferson |
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Title |
DEL ROCK AL METAL EXTREMO EN COLOMBIA. DISCURSOS COMO FORMA DE INTERVENCIÓN, VISIBILIZACIÓN Y DENUNCIA A PARTIR DE UNA GUERRA INTERMINABLE |
Type |
Journal Article |
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Year |
2022 |
Publication |
Metal de Habla Hispana |
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Volume |
1 |
Issue |
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Pages |
93-99 |
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Keywords |
Colombia; Music History; War |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2507 |
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Author |
Uriarte Trancon, Camilo |
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Title |
La Chakalidad en el grupo Hadez 1988-2000: discursos de autenticidad en la producción musical del metal extremo peruano. |
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Book Whole |
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Year |
2021 |
Publication |
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Abbreviated Journal |
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Issue |
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Pages |
104 |
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Keywords |
Metal extremo (Música)--Perú--1988-2000; Música popular--Perú--Siglo XX |
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Abstract |
El presente trabajo se enfrenta a las estrategias utilizadas por las bandas de metal en el Perú, específicamente aquellas corrientes denominadas como “metal extremo”, para la construcción de discursos de autenticidad. Estas estrategias se expresan a través de técnicas de proceso sonoro y decisiones en relación a la producción musical tomadas durante el registro en el estudio de grabación y posterior edición en fonogramas. Estas decisiones, son también determinadas con anterioridad a la producción, y representan tanto la forma en la que las bandas conceptualizan su sonoridad en la práctica musical privada y grupal, como su expresión en la interpretación en el espacio escénico. Para lograr identificar estas estrategias, se aplican técnicas etnográficas y de la musicología de la producción musical, aunadas al análisis de conceptos relacionados con la autenticidad dentro del metal, especialmente la percepción de transgresión, con el fin de definir las características centrales que identifican el sonido del metal extremo peruano. Para ello realizo un estudio de caso que identifica y analiza la producción musical en la discografía de la banda limeña Hadez entre los años 1988 y 2000.
Esta producción se compone por 4 “demos” y 2 álbumes, en los que vemos reflejados los cambios en los discursos sonoros de autenticidad de la banda a través del tiempo. Esta investigación pretende demostrar el valor fundamental de la toma de decisiones en la producción musical del metal extremo peruano, ya que es a través de estas decisiones que se construyen y negocian los discursos de autenticidad. Estas estrategias y decisiones prácticas, influenciadas por el uso y acceso a la tecnología en el entorno de grabación e informadas por los discursos de autogestión, comunes una “escena global” underground del metal extremo, se encuentran en constante proceso de negociación con características propias locales, que exploro a través de este trabajo, y que definiremos como “chakalidad”. |
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https://tesis.pucp.edu.pe/repositorio/ |
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Master's thesis |
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Pontificia Universidad Católica del Perú, PUCP |
Place of Publication |
Lima, República del Perú |
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Spanish |
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Magíster en Musicología |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2287 |
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Author |
Tzu-Han Cheng; Chen-Gia Tsai |
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Title |
emale Listeners’ Autonomic Responses to Dramatic Shifts Between Loud and Soft Music/Sound Passages: A Study of Heavy Metal Songs |
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Journal Article |
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Year |
2016 |
Publication |
Frontiers in Psychology |
Abbreviated Journal |
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Volume |
7 |
Issue |
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Pages |
art. 182 |
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Keywords |
Gender; Psychology; Emotion |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2313 |
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