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Author |
Zapata, Alex |
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Title |
La voz en los ochenta. Nuevos estilos al baile. |
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Journal Article |
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Year |
2003 |
Publication |
Pensamiento Crítico: Revista Electrónica de Historia |
Abbreviated Journal |
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Issue |
3 |
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1-63 |
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Rock in Chile (1983 – 1992). Authors, styles, its industry, social function of its lyrics among others. Period studied is one in which this musical movement was revised and recast after a long period of marginalization in Chile. |
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eJournal that is No longer available online. |
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Publisher |
Pensamiento Crítico |
Place of Publication |
Santiago de Chile |
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Spanish |
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English |
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0717-7224 |
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Article/issue is available online. |
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INTech @ brianhickam2019 @ |
Serial |
2291 |
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Author |
Pascuchelli, María Natalia |
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Title |
Las performance de rock como ámbito de construcción de identidades. Los seguidores de V8 en el área metropolitana de Buenos Aires. |
Type |
Journal Article |
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Year |
2012 |
Publication |
Revista Lindes: Estudios Sociales del Arte y la Cultura |
Abbreviated Journal |
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Volume |
Octubre |
Issue |
3 |
Pages |
17 |
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Abstract |
A través del presente artículo nos proponemos enfatizar sobre la performance del grupo V8 , agrupación de Heavy Metal argentino, entendida está como una manifestación artística – cultural, donde aparecen como disparadores , diversos códigos estético – ideológicos, a través de los cuales comienza a vislumbrarse una conformación de sentido de pertenencia y construcción de identidad entre los jóvenes seguidores. Esto revela la importancia de esta manifestación para los actores sociales, quienes van generando pautas que les permiten diferenciarse de otros grupos juveniles de la época. El contexto político que vivía el país, saliendo de la dictadura militar y entrando en la democracia, marco en todo el movimiento rockero y en el naciente Heavy Metal nacional, una postura contestaría y de resistencia cultural. |
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https://www.revistalindes.com.ar/indice.html |
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Place of Publication |
Ciudad Autónoma de Buenos Aires, República Argentina |
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Spanish |
Summary Language |
Spanish |
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ISSN |
1853-5798 |
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Notes |
María Natalia Pascuchelli, Licenciada en folklore por Instituto Universitario Nacional del Arte. Maestranda en Cultura y Sociedad. Instituto Universitario Nacional del Arte- Centro Argentino de Etnología Americana. Argentina |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2292 |
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Author |
Janotti Junior, Jeder |
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Title |
Rock Me Like The Devil: A Assinatura Das Cenas E Das Identidades Metálicas. |
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Book Whole |
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Pages |
156 |
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Keywords |
eBook |
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Abstract |
O livro tem origem em um entre-lugar que abriga ao mesmo tempo pesquisa acadêmica sobre música e paixão pelo metal, transitando entre as discussões sobre gosto, gênero musical e afeto através de uma pergunta assombrosa: “o que é, afinal, música?”
Este livro não teria sido possível sem o apoio do Conselho Nacional de Desenvolvimento Científico e Tecnológico, do Programa de Pós-Graduação em Comunicação da Universidade Federal de Pernambuco (UFPE) e dos partipantes do Laboratório de Análise de Música e Audiovisual Audiovisual (L.A.M.A.) |
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Address |
https://simplissimo.com.br/ |
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Publisher |
Simplíssimo Livros Ltda |
Place of Publication |
Porto Alegre /RS - Brasil |
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Language |
Portuguese |
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ISBN |
8567125081; 9788567125084 |
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eBOOK |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2293 |
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Author |
Rodríguez, Pablo |
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Title |
Encuentro de Ritmos Tradicionales con Distorsiones del Mundo: Propuestas musicales ecuatorianas donde conviven el rock y la música tradicional. |
Type |
Magazine Article |
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Year |
2020 |
Publication |
R-ZINE |
Abbreviated Journal |
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Volume |
1 |
Issue |
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Pages |
14-25 |
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Publisher |
Sociedad Anómica; Universidad San Francisco de Quito |
Place of Publication |
San Francisco de Quito, Republic of Ecuador |
Editor |
Viteri, Juan Pablo |
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Spanish |
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Google Doc |
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Este primer número de R-ZINE fue financia do por la Universidad San Francisco de Qui to USFQ (Ecuador) a través de su programa de Grants de Producción Creativa (grant 2019-2020) del Decanato de Investigación. R-Zine es un proyecto de investigación creativa del Colegio de Comunicación y Artes Contemporáneas (COCOA). Diez Años De Música Independiente. |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2294 |
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Author |
Viteri, Juan Pablo |
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Title |
DIABLO-HUMA [AYA-UMA]: Fuerza ancentral música independiente. |
Type |
Magazine Article |
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Year |
2020 |
Publication |
R-ZINE |
Abbreviated Journal |
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Volume |
1 |
Issue |
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Pages |
26-37 |
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Publisher |
Sociedad Anómica; Universidad San Francisco de Quito |
Place of Publication |
San Francisco de Quito, Republic of Ecuador |
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Language |
Spanish |
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Google Doc |
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Notes |
Este primer número de R-ZINE fue financia do por la Universidad San Francisco de Qui to USFQ (Ecuador) a través de su programa de Grants de Producción Creativa (grant 2019-2020) del Decanato de Investigación. R-Zine es un proyecto de investigación creativa del Colegio de Comunicación y Artes Contemporáneas (COCOA). Diez Años De Música Independiente. |
Approved |
no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2295 |
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Author |
Eckerström, Pasqualina |
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Title |
Extreme heavy metal and blasphemy in Iran: the case of Confess |
Type |
Journal Article |
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Year |
2022 |
Publication |
Contemporary Islam |
Abbreviated Journal |
Cont Islam |
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Volume |
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Issue |
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Pages |
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Keywords |
Transgression; Resistance; Extreme heavy metal; Blasphemy; Islam; Iran |
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Abstract |
Since the revolution in 1979, the Islamic Republic of Iran has imprisoned musicians, especially punk, hip-hop, and hard rock bands, as well as those playing heavy metal subgenres. Extreme heavy metal artists and fans emerged in the 1990s. The government soon targeted them as Satanists and began a systematic crackdown on metalheads. The metalcore band Confess is the most well-known case. The band was arrested in 2015 on counts of blasphemy, disturbing public opinion through the production of music, participating in interviews with the opposition media and propaganda against the Islamic Republic of Iran, among other charges. The majority of secular countries today do not consider extreme heavy metal to be transgressive. This is not the case in contexts where religious traditions have a significant influence on society. By analysing the narrative of the band Confess, the purpose of this paper is to provide an understanding of how Iranian extreme metal musicians resist religious oppression, challenge their government, religious precepts, and social values through their music. |
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Publisher |
Springer Nature Switzerland AG |
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Language |
English |
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Notes |
Open Access |
Approved |
no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2310 |
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| Permanent link to this record |
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Author |
Heesch, Florian |
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Title |
Voice of anarchy: Gender aspects of aggressive metal vocals. The examples of Angela Gossow (Arch Enemy) |
Type |
Journal Article |
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Year |
2018 |
Publication |
Criminocorpus: Revue hypermedian d'Histoire de la justice, des crimes et des peines |
Abbreviated Journal |
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Volume |
11 |
Issue |
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Pages |
1-18 |
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Keywords |
Aggression, Death metal, Gender and music, Vocal practice, vocal sound |
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Abstract |
Issue theme: Actes du colloque: Rock et violences en Europe: Metal et violence.
- Résumé:
Growling can be regarded as a key aesthetic practice of death metal. This practice, throughout the history of the genre, has been heavily gendered; while practiced both by men and women since the early 1990s it has nevertheless been associated with masculinity, due to its perceived aggressive sound, as well as corresponding notions of perceived low pitch and noise. In 2001 Angela Gossow became the singer of the band Arch Enemy and has since established herself as one of the most outstanding female growlers within the global metal scene. An analytical look at Gossow’s individual vocal style will be applied to argue that growling could potentially contribute to a more complex understanding of how voice, gender and aggression are related. This article examines the musical phenomenon of death metal growling, as well as the marginalization of women in what has been conceived as a primarily masculine style. |
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Address |
https://journals.openedition.org/ |
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Publisher |
OpenEdition Journals (Centre pour l'Édition Électronique Ouverte) |
Place of Publication |
Marseille, France |
Editor |
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Language |
English |
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Edition |
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ISSN |
2108-6907 |
ISBN |
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Notes |
https://en.wikipedia.org/wiki/Centrepourl%27%C3%89dition%C3%89lectroniqueOuverte |
Approved |
no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2320 |
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Author |
Córdoba, Jesús |
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Title |
Metaleras feministas (Feminist Metalheads) |
Type |
Miscellaneous |
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Year |
2021 |
Publication |
Metal to the Bone |
Abbreviated Journal |
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Issue |
8 March |
Pages |
1-4 |
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Keywords |
Feminism |
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Abstract |
- 'Metal to the Bone' es un espacio donde podrás encontrar entrevistas con las distintas mujeres que hacen parte del Hardock/Metal y otros escritos sobre la escena y el acontecer musical.
- Publicado por 'Metal to the Bone':
'Metal to the Bone' es un blog colombiano (Bogotá) dedicado a visibilizar la participación de las mujeres en el metal, teniendo siempre presente una dimensión en Derechos Humanos, enfoque de género. También podrán encontrar artículos y notas sobre la actualidad del metal. Ver todas las entradas de Metal to the Bone |
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Address |
https://metaltotheboneccmr.wordpress.com/ |
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Place of Publication |
Bogotá, Distrito Capital, Republic of Colombia |
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Language |
Spanish |
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Blog post |
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Approved |
no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2321 |
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Author |
Zapata, Alex |
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Title |
Primer ataque sonoro-visual: Apropiación del metal en Santiago de Chile (1982-1993) |
Type |
Magazine Article |
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Year |
2022 |
Publication |
Disonancias del metal: Reflexiones del 1er y 2do Encuentro Sociocultural sobre Heavy Metal: Heterogeneidades Metaleras |
Abbreviated Journal |
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Volume |
1 |
Issue |
1 |
Pages |
8-9 |
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Abstract |
REEHM motto: Espacio interdisciplinario integrado por diverses actores sociales, les cuales nos proponemos la reflexión y el intercambio acerca del Heavy Metal y su cultura, partiendo del diálogo realizado desde la base de la horizontalidad y la heterogeneidad. |
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Publisher |
REEHM (Red De Estudios y Experiencias en y desde el Heavy Metal) |
Place of Publication |
Autonomous City of Buenos Aires, Argentine Republic |
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español |
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ISSN |
2953-3805 |
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Notes |
https://www.facebook.com/reddeestudiosyexperienciasenydesdeelheavymetal/ |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2322 |
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Author |
Sabbath, Juan |
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Title |
Bienvenidos al Sabbath: Crónicas, Reseñas y Reflexiones en Torno a la Vigencia del Underground, 2001–2021 |
Type |
Book Whole |
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Year |
2021 |
Publication |
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Abbreviated Journal |
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Volume |
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Issue |
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Pages |
312 |
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Keywords |
Music Genres & Styles; Heavy Metal; Literary Criticism; Semiotics & Theory; Essays; Interviews; Ethnomusicology; Blues music; Jazz; Punk; Rock music; Cultural & Social Anthropology; Sociology |
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Abstract |
El libro 'Bienvenidos al Sabbath' ofrece reflexiones en torno a la apreciación de la música metal y la vigencia del underground que contribuyen a la construcción de una teoría del metal. Además, recopila ensayos inéditos junto a una antología de las entrevistas, crónicas y reseñas sobre rock & metal hechas por el autor durante los últimos 20 años. |
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Address |
jcmendozacol@unal.edu.co |
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Publisher |
Nixx Editores |
Place of Publication |
Sogamoso, Boyacá, Republic of Colombia |
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español |
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ISBN |
9584944851, 9789584944856 |
Medium |
print |
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Notes |
Copyright owner: Juan Mendoza-Collazos; diseño de la portada: Nadia Jiménez B.; prólogo por Carlos Reina; prólogo por Manfred Navarro |
Approved |
no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2373 |
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| Permanent link to this record |
