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Miranda Bonilla, Sergio |
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Title |
TENSIONES NORTE-SUR EN LOS ESTUDIOS DE METAL. DISCURSOS COMO FORMA DE INTERVENCIÓN, VISIBILIZACIÓN Y DENUNCIA A PARTIR DE UNA GUERRA INTERMINABLE |
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Year |
2022 |
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Metal de Habla Hispana |
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1 |
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105-107 |
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Metal Studies; Global North; Global South |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2509 |
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Author |
Montanero Vico, Luis |
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Title |
The New Wave of British Heavy Metal. Desarrollo, expansión y muerte de un movimiento juvenil |
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Year |
2005 |
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Ex Novo. Revista d'Historia i Humanitats |
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2 |
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123-139 |
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NWOBHM; Music History; Sociology; Spain |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2494 |
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Author |
Montesinos, Omar |
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Title |
Cuero y metal: Memorias del underground paceño |
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Book Chapter |
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Year |
2022 |
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El Tejido de las cuerdas disonantes del metal en Bolivia: Análisis descriptivo e histórico del under boliviano |
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57-74 |
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Music History; Bolivia; La Paz; Underground |
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Ediciones Jichha |
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La Paz |
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Tapia, Reynaldo; Mendoza, Boris |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2484 |
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Author |
Moores, JR |
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Title |
Electric Wizards: A Tapestry of Heavy Music, 1968 to the Present |
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2021 |
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480 |
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“It began with the Beatles’ “Helter Skelter.” It was distilled to its dark essence by Black Sabbath. And it has flourished into a vibrant modern underground, epitomized by Newcastle’s Pigs Pigs Pigs Pigs Pigs Pigs Pigs. This is the evolution of heavy music. The voyage is as varied as it is illuminating: from the lysergic blunt trauma of Blue Cheer to the locked grooves of Funkadelic, the aural frightmares of Faust to the tectonic crush of Sleep, alighting on post-punk, industrial, grunge, stoner rock, and numerous other genres along the way.
Ranging from household names to obscure cult heroes and heroines, Electric Wizards demonstrates how each successive phase of heavy music was forged by what came before, outlining a rich and eclectic lineage that extends far beyond the usual boundaries of heavy rock or heavy metal. It extols those who did things differently, who introduced something fresh and exciting into this elemental tradition, whether by design, accident, or sheer chance. In doing so, Electric Wizards weaves an entirely new tapestry of heavy music.” (source: Reaktion Books) |
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Reaktion Books |
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London, U.K. |
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English |
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1789144485; 978-1789144482 |
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Hardback |
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INTech @ brianhickam2019 @ |
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2524 |
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Author |
Mora-Rioja, Arturo |
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Title |
Poetry in English and Metal Music. Adaptation and Appropriation Across Media |
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2023 |
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Literature; English Literature; Intertextuality; Poetry |
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Palgrave Macmillan |
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Cham |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2445 |
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Author |
Morton, Mark; Opipari, Ben |
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Title |
Desolation: A Heavy Metal Memoir |
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2024 |
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320 |
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Lamb of God; autobiography; biography; New wave of American heavy metal |
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“A gritty, revealing heavy metal memoir by Lamb of God’s lead guitarist and co-lyricist, which explores both his life in music and his tumultuous path through addiction and into recovery.
DESOLATION is the story of Morton's lifelong quest for clarity and self-acceptance, and shows how the pressures of career success and personal battles eventually came into conflict with Morton's dedication to the creative process. Intertwined with addiction, self-destruction, and the path to eventual surrender and recovery, Morton also reveals the greatest personal tragedy of his life: the death of his two-day old daughter, plunging Morton further into hopelessness. Surrounded by bandmates living their wildest dreams, Morton wanted nothing more than to disappear, ingesting potentially lethal cocktails of drugs and alcohol into his system on a daily basis.
And yet, amidst the harrowing heartbreak, there were moments of triumph, hope, and incredible personal connection. Morton developed close relationships with his bandmates and crew members, sharing experiences that have made for some strange and hilarious tales. He's also gained a greater sense of purpose through interactions with his fans, who remind him that his work reaches people on a deeply personal level. Through the highs and the lows, Morton learns how to find presence and gratitude where he once found fear and resentment, a process that he considers a gift of spiritual awakening.
DESOLATION is, at its core, about Morton's journey as a musician navigating self doubt, anxiety and the progressive disease of addiction, and ultimately finding relative serenity. Perfect for fans, new and old, as well as anyone who has ever been tested and brought to their limits, DESOLATION is a highly-satisfying, full-throttle investigation of the human experience. ”
(source: Hachette Book Group) |
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Hachette Books |
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New York City |
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English |
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0306830981, 978-0306830983 |
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Hardback |
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INTech @ brianhickam2019 @ |
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2523 |
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Author |
Muniesa, Mariano |
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Title |
HEAVY METAL. UNA GUERRA QUE NO GANAREMOS SOLOS |
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Journal Article |
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Year |
2022 |
Publication |
Metal de Habla Hispana |
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1 |
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Pages |
23-29 |
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Music History |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2499 |
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Author |
Nevárez Araújo, Daniel; Manuel Gagneux |
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Title |
Misusing Things in Metal Music: A Dialogue |
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Book Chapter |
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2023 |
Publication |
Defiant Sounds. Heavy Metal Music in the Global South |
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201-218 |
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Interview; Zeal & Ardor (band) |
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Lexington Books |
Place of Publication |
London |
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Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2431 |
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Author |
Nevárez Araújo, Daniel; Susane Hécate |
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Title |
An Interview on “Contar/Cantar Memórias da Resistência” |
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2023 |
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Defiant Sounds. Heavy Metal Music in the Global South |
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189-200 |
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Interview; Miasthenia (band) |
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Lexington Books |
Place of Publication |
London |
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Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2430 |
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Nevárez Araújo, Daniel; Varas-Díaz, Nelson |
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Title |
Lodes of Metal: The Texture and Sound of Memory in Latin American Heavy Metal Documentaries |
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2022 |
Publication |
Music, Sound, and Documentary Film in the Global South |
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89-112 |
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Latin America; Documentary films |
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Description of entire book:
“Music, Sound, and Documentary Film in the Global South, edited by Christopher L. Ballengee, represents an important step toward thinking about the production and analysis of the soundscapes of documentary film, all while exploring a range of social, cultural, technological, and theoretical questions relevant to current trends in Global South studies. Written by a diverse set of authors, including filmmakers, academics, and cultural critics, the ten essays in this book provide fresh evaluations of the place of music and sound in documentary films outside the European-American milieu. On the whole, the authors illuminate how the invention of documentary film was at first a product of the colonialist project.
Yet over time, access to filmmaking technologies led to the creation of documentary films relevant for local communities and national identities. In this sense, documentary film in the Global South might be broadly defined as a mode of personally or politically mediated storytelling that, by one route or another, has become a useful and recognizable means of memorializing traumatic histories and critiquing everyday lived experience. As the essays in this volume attest, close readings of documentary soundscapes provide fresh perspectives on ways of hearing and ways of being heard in the Global South.” (source: Lexington Books) |
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https://rowman.com/Action/SERIES/LEX/LEXEXSS |
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Lexington Books |
Place of Publication |
Lanham, Maryland |
Editor |
Ballengee, Christopher L. |
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English |
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Extreme Sounds Studies: Global Socio-Cultural Explorations |
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978-1-66690-295-2, 978-1-66690-296-9 |
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Hardback |
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INTech @ brianhickam2019 @ |
Serial |
2521 |
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