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Bahy, Cristiane |
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Title |
Lugar de mulher é onde ela quiser inclusive no metal extremo: mulheres, metal extremo, transgressão e resistência |
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Book Chapter |
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Year |
2022 |
Publication |
Música Extrema: ruídos, imagens e sentidos |
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Pages |
75-93 |
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Keywords |
Female artists; Female fans; Extreme Metal |
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Pimenta Cultural |
Place of Publication |
São Paulo |
Editor |
Bahy, Cristiane; dos Passos, Cristiano; Khalia, Lucas Martins Gama; Barchi, Rodrigo |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2357 |
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Author |
Bahy, Cristiane; dos Passos, Cristiano; Khalia, Lucas Martins Gama; Barchi, Rodrigo (eds) |
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Title |
Música Extrema. Ruídos, imagens e sentidos |
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Book Whole |
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Year |
2021 |
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Keywords |
Extreme Metal; Feminism; Ecology; Fanzines; Identity; Distribution; Theory |
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Pimenta Cultural |
Place of Publication |
São Paulo |
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Bahy, Cristiane; dos Passos, Cristiano; Khalia, Lucas Martins Gama; Barchi, Rodrigo |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2355 |
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Author |
Baker, Charley; Brown, Brian |
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Title |
Suicide, Self-Harm and Survival Strategies in Contemporary Heavy Metal Music: A Cultural and Literary Analysis |
Type |
Journal Article |
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Year |
2016 |
Publication |
Journal of Medical Humanities |
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Volume |
37 |
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Pages |
1-17 |
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Keywords |
Suicide; Lyrics; Sociology; Psychology |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2327 |
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Author |
Baltazar, Lídia Maria Ferrão |
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Title |
Are Heavy Metal Music Bands-Musicians, Managers of Their Own Music Business?: A Multiple Case Study: Portuguese vs. Finnish Bands |
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Book Whole |
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Year |
2013 |
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216 |
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Keywords |
Heavy Metal Music, Music Industry, Band Management, Entrepreneurship, Artistic Integrity |
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Abstract |
“The Music Industry is a very complex world that embraces different and broad segments needing of academic exploration. The big majority of studies and/or academic approaches to this unique business world have been focusing greatly on the record labels side but have failed to address the role of those who make the music – the musicians/artists. This is exactly what the present study aimed to understand: What is the role of the musicians in the music business? Aren’t they one of the key elements, essential players, within the whole industry, if not the most important elements ever?
The industry of music includes a large number of creative and wise musicians/bands behind one of the most discriminated music genres in the music history – Heavy Metal Music. However, diverse studies have demonstrated that Heavy Metal is recognized as a music genre that generates profit, with an increasing legion of fans all over the world hence, also considered popular music. Therefore, the purpose of this study is to understand how Heavy Metal Music bands and musicians succeed and how they manage to conciliate artistic creativity and commercial demands. By making a multiple case study analysis within two different settings – Portugal versus Finland – it will be shown that Heavy Metal bands / musicians possess business skills that allow them to manage and conduct both the artistic and business activities of their music business. In some of the cases, it will also be raised their entrepreneurial skills in innovating and finding new ways of reaching the audience and becoming more successful whilst doing what they love the most – making music and playing it live.”
(Source: ProQuest Dissertations Publishing)
Ciências Sociais e Humanas (Social Sciences and Humanities). |
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Thesis |
Doctoral thesis |
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Publisher |
Universidade da Beira Interior |
Place of Publication |
Covilhã, Portugal |
Editor |
Anabela Dinis |
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Language |
English |
Summary Language |
Portuguese |
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ProQuest order number 28761469 |
Approved |
yes |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2517 |
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Author |
Banchs, Edward |
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Title |
Ancient, Evil, and African: Heavy Metal and Conflict in East Africa |
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Book Chapter |
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Year |
2023 |
Publication |
Defiant Sounds. Heavy Metal Music in the Global South |
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Pages |
283-302 |
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Keywords |
East Africa; Sociology |
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Publisher |
Lexington Books |
Place of Publication |
London |
Editor |
Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2436 |
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Author |
Banchs, Edward |
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Title |
Scream for Me Africa! Heavy Metal Identities in Post-Colonial Africa |
Type |
Book Whole |
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Year |
2022 |
Publication |
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Keywords |
Non-Western scenes (Africa); Sociology; Postcolonialism |
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Publisher |
Intellect |
Place of Publication |
Bristol |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2230 |
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Author |
Banchs, Edward |
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Title |
From The Ashes of the Fallen Empire: Heavy Metal and Community in Post-Apartheid South Africa |
Type |
Book Chapter |
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Year |
2021 |
Publication |
Living Metal: Metal Scenes around the World |
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Non-western scenes; Africa; Sociology |
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Intellect Books |
Place of Publication |
Bristol |
Editor |
Bardine, Bryan A.; Stueart, Jerome |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2186 |
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Author |
Banchs, Edward; Bardine, Bryan A.; Chilewska, Anna; Cintrón-Gutiérrez, Luis Javier; Hagen, Ross; Madera, Sheilla R.; Nelson, Bradley J.; Podoshen, Jeffrey; Purves, Robin; Ramos-Pibernus, Alixida; Shadrack, Jasmine Hazel; Scott, Niall W.R.; Varas-Díaz, Nelson; Venkatesh, Vivek; & Wallin, Jason |
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Title |
On Extremity: From Music to Images, Words, and Experiences |
Type |
Book Whole |
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Year |
2023 |
Publication |
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Volume |
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Issue |
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Pages |
290 |
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Abstract |
“On Extremity: From Music to Images, Words, and Experiences brings together transdisciplinary scholarship on sounds, images, words, and experiences (human and non-human) to reflect on the polysemic and polymorphic characteristics of extremity and the category of the extreme. The editors and authors aim to contribute to a living, breathing, and expanding definition of extremity that helps us understand what we gain, or lose, when we interact with it, create it, and share it with, or force it upon, others. The volume calls for the emergence of “extremity studies” as an area of perusal to help us navigate our current global condition.”
(source: Amazon.com) |
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https://rowman.com/Page/Lexington |
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Publisher |
Lexington Books |
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Editor |
Varas-Díaz, Nelson; Bardine, Bryan; Scott, & Niall W.R. |
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Language |
English |
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Extreme Sounds Studies: Global Socio-Cultural Explorations |
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ISBN |
1666905208, 978-1666905205 |
Medium |
Hardback |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2520 |
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Author |
Banchs, Edward; Tshomarelo “Vulture” Mosaka |
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Type |
Book Chapter |
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Year |
2023 |
Publication |
Defiant Sounds. Heavy Metal Music in the Global South |
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Volume |
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Pages |
227-232 |
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Keywords |
Overthrust (band); Interview |
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Lexington Books |
Place of Publication |
London |
Editor |
Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2433 |
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Author |
Barajas, Jhon Edison |
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Title |
Historia del power metal colombiano: un documental para la creación de un panorama histórico e identitario del power metal |
Type |
Book Chapter |
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Year |
2021 |
Publication |
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Power Metal; Colombia; Identity; Music history |
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Bachelor's thesis |
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Publisher |
Corporación Universitaria Minuto de Dios |
Place of Publication |
Bogotá |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2273 |
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