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Herbst, Jan-Peter |
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Title |
“Keeper of the Seven Keys”: Audio heritage in metal music production |
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2022 |
Publication |
Metal Music Studies |
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8 |
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1 |
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109-126 |
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Keywords |
Preservation; Music Production; Music Industry; Archiving |
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2052-3998 |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2266 |
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Author |
Herbst, Jan-Peter |
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Title |
Culture-specific production and performance characteristics: An interview study with “Teutonic” metal producers |
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Journal Article |
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Year |
2021 |
Publication |
Metal Music Studies |
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7 |
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3 |
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445-467 |
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Teutonic metal; Music production; Performance; Cultural identity; Aesthetics |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2136 |
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Author |
Herbst, Jan-Peter |
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Title |
Nail the Mix: Standardization in Mixing Metal Music? |
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Journal Article |
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Year |
2021 |
Publication |
Popular Music and Society |
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t.b.c. |
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Music production; Music Industry; Recording |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2123 |
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Author |
Herbst, Jan-Peter |
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Title |
(No?) Adventures in Recording Land: Engineering Conventions in Metal Music |
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Year |
2021 |
Publication |
Rock Music Studies |
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t.b.c. |
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Recording; Music Industry; Music Production |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2122 |
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Author |
Herbst, Jan-Peter (ed) |
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Title |
The Cambridge Companion to Metal Music |
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Book Whole |
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Year |
2023 |
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320 |
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Keywords |
Heavy metal; Twentieth-Century and Contemporary music; Music: General interest; Music performance |
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“Exploring the musical styles and cultures of metal, this Companion is an indispensable introduction to this popular and distinctive genre” (source: Amazon.com).
“Since its beginnings more than fifty years ago, metal music has grown in popularity worldwide, not only as a musical culture but increasingly as a recognised field of study. This Cambridge Companion reflects the maturing field of 'metal music studies' by introducing the music and its cultures, as well as recent research perspectives from disciplines ranging from musicology and music technology to religious studies, Classics, and Scandinavian and African studies. Topics covered include technology and practice, identity and culture, modern metal genres, and global metal, with reference to performers including Black Sabbath, Metallica and Amon Amarth. Designed for students and their teachers, contributions explore the various musical styles and cultures of metal, providing an informative introduction for those new to the field and an up-to-date resource for readers familiar with the academic metal literature” (source: https://www.cambridge.org/).
Collection: The Cambridge Companions to Music. |
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Cambridge University Press |
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Cambridge, England |
Editor |
Herbst, Jan-Peter |
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English |
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Cambridge Companions to Music |
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978-1108845861; 978-1108993982; eBook: 9781108991162 |
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no |
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INTech @ brianhickam2019 @ |
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2463 |
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Author |
Herbst, Jan-Peter; Mynett, Mark |
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Title |
What Is “Heavy” in Metal? A Netnographic Analysis of Online Forums for Metal Musicians and Producers |
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2022 |
Publication |
Popular Music and Society |
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t.b.c. |
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t.b.c. |
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Keywords |
Music Production; Sound; Heaviness |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2311 |
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Author |
Herbst, Jan-Peter; Mynett, Mark |
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Title |
Toward a Systematic Understanding of “Heaviness” in Metal Music Production |
Type |
Journal Article |
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2022 |
Publication |
Rock Music Studies |
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t.b.c. |
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Heaviness; Music Production; Sound |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2312 |
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Author |
Hereld, Diana Christine |
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Title |
Musical Intensity in Affect Regulation: Uncovering Hope and Resilience Through Heavy Music |
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Book Whole |
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Year |
2016 |
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Pages |
141 |
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Communication and the arts; Clinical psychology; Emotion regulation; Heavy metal; Heavy music; Plasticity; Resilience; Self-destructive behavior |
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This thesis discusses the nature of music’s impact on identity, subjectivity, and the self. To better understand music’s role in promoting hope and resilience, I pinpoint how heavy, intense, and highly emotive music applied over distinct listening practices impacts the regulation of affect and self-destructive impulses in individuals who suffer from trauma, mental illness, or self-destructive behavior. This research also investigates the characteristic of intensity often found in heavy music that seems (despite intuition) to ease negative or painful emotions, circumvent impulses to self-harm, and propel one to positive action.
Of particular interest to this project are the ways both heavy and non-genre specific music listeners use various listening strategies in the regulation and modulation of negative affect and emotion. Specifically highlighted are the three strategies defined by Saarikallio (2008) in the Music in Mood Regulation (MMR) scale of using music to cope with negative mood states: Diversion, where music is used to distract from negative thoughts and feelings, Solace, where music is used for comfort, acceptance, and understanding when feeling sad or troubled, and Discharge, where anger or sadness are released through music.
Through review and analysis of existing literature, qualitative research, and in-depth case studies, this thesis illuminates the ways musically-afforded emotion-regulation strategies allow subjects to meet, shape, and transform their difficult experiences by establishing hope and resilience that strengthens one’s ontological security and sense of self. |
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Master's thesis |
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University of California, San Diego |
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978-1-339-93488-4 |
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INTech @ brianhickam2019 @ |
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2221 |
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Author |
Hernández Parra, Sergio Isaac |
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Title |
“NO SOMOS CHAPULINES”. LA ESTIGMATIZACIÓN DE LA PRÁCTICA MUSICAL METAL COMO VIOLENTA A FINALES DEL SIGLO XX EN COSTA RICA |
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2022 |
Publication |
Metal de Habla Hispana |
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1 |
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67-73 |
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Costa Rica; Sociology; Violence |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2504 |
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Author |
Hernando González, Paola |
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Title |
La tradición clásica en el heavy metal y el rock |
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2021 |
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Classicism |
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Bachelor's thesis |
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Universitat autònoma de Barcelona |
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Barcelona |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2324 |
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